查询词典 carnival

For instance, Bakhtin's religious life reflects his prominent religious consciousness; Influences from the Christian culture and Russia's"Silver Times"serve as its religious background for his theory; Discourse Theory and Dionysiac Theory are taken as one of the theoretic resources which can be further delved into. Carnival elements in content forges a close relationship with the religious theme: carnival laughs and religious taboos, carnival body and religious aesthetics, carnival images and saints of the religion, carnival parodies and religious texts; In doing so, religious and spiritual appeals pervade, constructing a in the intimacy between the literature and the culture, and having an influence on contemporary literature and foreign literature studies in China. This dissertation, though criticizing Bahktin's illusion, i.e.

诸如：巴赫金的宗教人生，反映了鲜明的宗教意识；西方基督教文化和俄罗斯&白银时代&的影响，成为其理论得以产生的宗教背景；对话理论和酒神理论成为其可供挖掘的理论资源之一；狂欢的笑和宗教禁忌、狂欢的身体和宗教美学、狂欢的形象和宗教圣贤、狂欢的戏仿和宗教文本等，都通过狂欢理论的内容要素同宗教主题取得了紧密的联系，张扬着宗教精神诉求，构建了文学与宗教文化亲和中的乌托邦理想，从而对中国当代文学研究、中国的外国文学研究和宗教史研究产生了一定的影响。

From the exposition, we can see a myriad voices converging and noisy Carnival-Square; Surpassing the official language of all norms and bans, extensive use of Carnival Language, such as a non-verbal vulgarity , God swear,reprimand, buffoonery, slapstick humor and so on, and carnivalized genre, for example, Funny folk songs, Parody Correspondence, Manuscripts, the Noble Style Irony Simulation, Citation irony to Explain the Phrase, etc.Shaping a series of carnival-style comedy characters in the novel. Scott sets up their own story, with full advantage of the Carnival factors such as Resurrection, Mask, Changing Clothes. The novel hides a Drowning-Decrowning Structure on conceiving the whole and setting up the characters.

从论述中我们可以看到一个众声交汇、喧闹的狂欢式广场；语言也突破官方的一切规范、禁令，大量使用了民间粗俗化口语、指神赌咒、发誓、插科打诨、嬉笑怒骂等等狂欢节语言和滑稽的民间歌谣、戏仿书信、手稿、对崇高文体的讽刺性模拟、对引文讽刺性解释等等狂欢化体裁；在小说中塑造了一系列狂欢式的喜剧人物形象；司各特充分利用了狂欢节里的"复活"、"假面"、"换装"等狂欢因素来设置自己的故事情节，在小说整体构思和人物形象设置中还隐含了一种脱冕型的结构。

Nonetheless, Carnival in the Black Forest region Carnival differs from Carnival in other regions in that it preserves a much more primitive flavor, taking as its costume theme the spirits and demons of the natural world -- a throwback to the region's primeval animism -- mixed with legends and customs from the Middle Ages, signifying the Swabian and Alemanni people's determination to maintain the vibrancy of old traditions in the face of Church efforts to suppress them.

这样的想法起源与欧洲各地的嘉年华并无二致，都是沿循自基督教诞生之前的久远异教徒风俗，可是，在表现方式上，黑森林的嘉年华就明显多了浓烈的原始风格，取材自然界精灵、魔鬼的扮相造型，即便加上中古世纪广为流通的传说、典故，以及教会不断想要介入干预的情况，黑森林地区的「史瓦本－阿勒曼尼」嘉年华活动依旧维持著原本的强烈风格。

Become popular the carnival(English be named carnival, it is rumored originate thou dithyramb's stanza of Greece, also call "carnival") of Europe and America all countries most ability thoroughly body now this cultural characteristics.

风靡欧美各国的狂欢节（英文名为carnival，相传起源于古希腊的酒神节，也称"嘉年华"）最能淋漓尽致体现这一文化特点。

The text analyzed and researched its emotion representability from three aspects: Firstly, tracing the source of Carnival of Venice; Secondly, appreciating Carnival of Venice according to the technical characteristic of flute; Thirdly, apprehending the emotions of Carnival of Venice's main titles.

本文尝试从三个方面展开长笛作品《威尼斯狂欢节》情感表现力的分析研究：第一，《威尼斯狂欢节》乐曲溯源；第二，从长笛的技术性特点赏析《威尼斯狂欢节》；第三，《威尼斯狂欢节》主题旋律的情感体会。

In carnival parodies and religious text-telling, Bakhtin emphasizes impacts of"Mennippean and Carnivalesque"upon religious texts, relationships between"carnival"elements in Christian literature and"Latin Satire"together with"sacred parody", and more directly presents cultural links between the carnival and the making of religious literature.

在狂欢的戏仿和宗教文本的论述中，巴赫金强调了&梅尼普体和狂欢化&对宗教文本创作的影响、&基督文学&中的&狂欢化&因素和&拉丁语诙谐文学&与&神圣的戏仿&的密切关系，更为直接地表述了狂欢同宗教文学创作之间的文化联系。

They think this is a carnival, but they also enjoy the kind of excitement after the carnival.

他们认为这是一个狂欢节，但他们也享有这样的兴奋之后，嘉年华。

Loneliness is a person's carnival, the carnival is a group of people alone!

孤单是一个人的狂欢，狂欢是一群人的孤单！

It was carnival time. And he wrote to his wife these two sentences,"The whole town and all its inhabitants are quite drowned in carnival din, masks and confetti and on top of all that the news of the Reichstag fire.""Dancing on a volcano."

当时正值狂欢节，他在给妻子的信中写了这样两句话，"所有的人都沉浸在狂欢节的喧闹气氛中，面具、五彩纸条以及国会纵火案的头条新闻淹没了整座城市""火山上的舞蹈"

He is seeking human's"ultimate home"in the carnival, the spiritual emancipation in the subversion, the Dionysiac increasingly fierce spirit in the carnival, together with a kind of religious and spiritual resort.

第六部分，主要论述巴赫金狂欢理论在中国当代文学研究、中国的外国文学研究和宗教史研究中的宗教反馈问题。

Connectors are lines that can be anchored to particular places, called glue points , on the graphic object.

连接符，可固定在图形对象的特定的地方的线条。

Another way of putting it, too many agents have a say in each other's work, and bureaucratic rigor mortis sets in.

另一种表达是，太多的作用物在彼此的工作里都有话语权，官僚的僵尸开始抬头。