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camera相关的网络例句

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与 camera 相关的网络例句 [注:此内容来源于网络,仅供参考]

The drawings were made at a magnification of 500, using a camera lucida, from fresh mounts prepared as described in the section on Practical Methods.

画被在一个500的放大,使用一架照像机lucida,从准备如关於实际的方法的部分描述的新的底座。

A camera lucida is an optical device used as a drawing aid by artists.

投影描绘器是一种用于艺术家作画时作帮助用的光学仪器。

The camera lucida performs an optical superimposition of the subject being viewed and the surface on which the artist is drawing.

投影描绘器施行了看到的物体和艺术家进行绘画的表面的一种光学叠印。

Thus, most routine histological and microanatomical illustrations in textbooks and research papers were camera lucida drawings rather than photomicrographs.

这样,大多数课本和科研论文中的常用的组织学和微解剖学图示是投影描绘器制图而非显微照片。

It was in the early 19th century that an invention named the Camera Lucida was introduced by Cambridge scientist William Hyde Wollaston that consisted of an optical device that could help an artist view a distant scene or person or object on a paper surface that he or she was using to draw.

它是在十九世纪初即一项发明命名相机lucida是由剑桥大学的科学家威廉海德渥拉斯顿的组成是一个光学装置,可以帮助一个艺术家的观点是一个遥远的现场或人或物体对纸张表面,他或她是用,以参加抽奖。

While on honeymoon in Italy in 1833, the photographic pioneer William Fox Talbot used a camera lucida as a sketching aid.

在1833年在意大利度蜜月之时,摄影先驱威廉·福克斯·塔尔波特使用了投影描绘器作为草图的辅助。

Through Camera Lucida, one can read/see this uncommon autobiography, one eye upon Barthes himself and the other eye upon photography.

这两本一隐一显的类自传,恰巧也在一隐一显、一潜在一直接地写摄影。

While Roland Barthes wrote Camera Lucida in the end of 1970s, photography was not yet considered an object of serious human sciences research in French universities.

罗兰巴特在1970年代末写《明室》一书,当时摄影尚未成为人文领域学术研究的一项客体,法国大学对摄影的理论性研究方兴未艾。

No image is projected by the camera lucida.

投影描绘器并不投射图像。

Barthes honors his mother with his work "Camera Lucida," yet the photograph of his mother never appears in the book, because Barthes believes that she ("la photographie" and "la mere" are both feminine in French) is meaningful to himself alone.

巴特以《明室》纪念母亲,可母亲的照片却从未在书中出现,因为巴特认为她(照片和母亲,法语中同为阴性)只对自己一个人有意义。

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