查询词典 audiences

Based on my four years experience working as an ethnographer for an online fan community, three stages have observed regarding the critical capability of audiences. In the first stage, the operation of the imagination should be taken when audiences translated their experiences to a thought-object.

在实证部分，本文观察文学迷群网站《村上春树的网森》，将阅听人思辨过程区分为三个阶段：第一阶段是想像操作的机制，即阅听人将阅听经验与日常生活经「去知觉化过程」转换为心影像，重新唤回成为思考客体。

3D through the same banner after banner of "Alice in Wonderland" poor box office, to think about whether a long time 3D movies attract audiences, the final conclusion, 3D movies to attract audiences, must be technology updates and movies explore their own content.

之后通过同样打着3D旗号的《爱丽丝梦游仙境》票房不佳，来思考3D电影是否能长时间吸引观众，最后得出结论，3D电影要吸引观众，必须做到技术的更新以及电影本身内容的发掘。

Traditional media audiences are also more passive - online audiences can engage with, rebroadcast and otherwise amplify your communication efforts.

说的真实和公平的，如果您认为您的业务可以蓬勃发展的同时，采取这种态度的时期激烈的社会和经济变化，然后你刚才的岩石上，与您的坏的自我。

Respecting the audiences doesn't mean being sequacious to the audiences. In fact, the relationship between the interior designers and the popular is dialectical and unitive.

对受众的尊重并不意味着对受众的盲从，室内设计师与大众的关系实际上是一种辩证统一的关系。

These people, they accept the media dissemination the information, is acting audiences' role, simultaneously, they are also the media event first time, the first place recorder, when they oneself with multimedia "gathering" the news provides to the news media, or when the Internet issues, they have actually become the disseminator, audiences this kind of role's this kind of transformation, was changed the mass media dissemination traditional pattern, simultaneously also proposed the recent enlightenment to each kind of media!

这些人，他们接受媒体传播的信息，扮演着受众的角色，同时，他们又是新闻事件第一时间、第一地点的记录者，当他们把自己用多媒体"采集"的新闻提供给新闻媒体，或者自己在互联网发布时，他们却成为了传播者，受众这种角色的这种转换，改变了大众传播的传统模式，同时也对各类媒体提出了新的启示！

Deric said with smiles. The audiences will seem to watch two different series because the other main actor Gallen Lo is living in a serious and traditional industry family, while every one in Deric's family is very funny. This series is more suitable for audiences to watch.

温兆伦笑说，整部戏的丰富度可以让观众有好象看了两部戏的乐趣，因为另一男主角罗嘉良为主的家庭是非常严肃正统的企业家族，而他的家族则是每个人都很搞笑，所以观众可以在这部戏看到严肃的商业斗争，也能看到轻松诙谐的一面，这样的戏剧更适合阖家观赏。

In the information age of this excessive transition , only paying attention to the name to the products, sharpening sharp information , let it with superstrong shock power straight thrust the brain of people in the twinkling of an eye, could attract , infect and strike audiences' soul strongly and memory your brand within shortest time; And only let audiences remember your brand firmly in mind at first , will just have the " chance " and possibility to implement the marketing strategy of brands, which will just bring enterprise's marketing the largest success.

在这个传播过渡的信息时代，唯有重视对产品的命名，削尖信息，让它以瞬间的超强冲击力直刺人们的大脑，才能强烈地吸引、感染和撞击受众的心灵，在最短时间内记住你的品牌；而唯有让受众首先铭记住你的品牌，才会有实施品牌营销战略的&机会&和可能，才会获得企业营销的最大成功。

GP''' or '''General audiences—parental guidance suggested'''- In 1970-71, the MPAA found that the "M" rating was viewed by audiences as seedier and more adult than its intended meaning (to signify films containing material that may not be appropriate for some children).

GP或General audiences-建议父母指导下观看-在1970-71年，美国电影协会发现&M&级被观众认为是下流和更成人的，这要超过它想要表达的评级意义（预示电影包含不适合一些孩子的内容）。

This thesis will take American Soap Opera for example, discussing the women performances in the consumer culture context, and expressing its main opinion: as the compulsory oppression ,the media development not only forces the active audiences to passive accepters, but also gives audiences more activity and freedom because of its diversity .

本文以美国肥皂剧为例，探讨消费文化语境下的女性表现，并阐述本文观点：传媒的发展不仅使消费文化体现着&强制性压抑&，消弭了观众主体的能动性，使观众成为被动的接受者；同时，媒体文化的多样性，赋予受众更大的能动性和自由度。

The success of Red versus Blue , Homestar Runner , Happy Tree Friends , and The Show with Zefrank – each of which command audiences in the hundreds of thousands to millions – prove that audiences will find the content which interests them, and share that content with their friends, using the hyperdistribution techniques enabled by the network that ensure these audiences can get what they want – from anyone, anywhere, at any time – with a minimum of difficulty.

Red Versus Blue ， Homestar Runner ， Happy Tree Friends 和 The show with Zefrank 的成功就证明了：观众会找自己感兴趣的内容，和朋友分享，并用超级传播的技术让这些观众得到他们想要的内容。而这一切可以不费多大劲就在任何时间、任何地点、任何人身上做到。而这些产品是完全和专业媒体不沾边的，他们是业余的。

But in the course of internationalization, they meet with misunderstanding and puzzlement.

许多企业已经意识到了这一点，但在国际化的进程中，仍存在一些误区与困惑。

Inorder toaccomplish this goal as quickly as possible, we'll beteamingup with anexperienced group of modelers, skinners, and animatorswhosenames willbe announced in the coming weeks.

为了尽快实现这个目标，我们在未来数周内将公布与一些有经验的模型、皮肤、动画制作小组合作。