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Documents of 2007 China Contemporary Art Documentary Exhibition》,《Prism——Seven New Artists Joint Exhibition of China Academy of Art》,《Form·Spirit》,《Art Life》,《The First China Modern Academies Watercolor Art Exhibition》,《Zhejiang Tide In The Moonlight- 2005 Zhejiang Oil Painting Exhibition》,《0 Distance》,《Foundation Art Education Models of Ten Fine Arts Academies in China》,《Form Experience》,《Academy Journey——2007 Graduation Exhibition of Oil Painting Department, China Academy of Art》,《The Art Work Collectanea of the Foundation Department, China academy of art》,《The Art Work Collectanea of China Academy of Art》,《Form and Structure》,《Paradigm》,《Super Structuralism》, and 《Starting From 0》, etc..

中国当代艺术文献展文献》《多棱镜——中国美院新锐油画七人展》《形。意》《艺术界》《首届中国当代学院水彩艺术展》《月印浙潮2005浙江油画大展》《零距离》《全国十所高等美术院校造型基础教学范例》《体验形态》《学院旅途2007中国美术学院油画系毕业作品集》《中国美术学院造型基础部作品精选》《中国美术学院留校作品选》《论形体与结构》《完全范本》《超级结构主义》《从零开始》等。

Viewed in the field of vision and paradigm of modernity, Fichte is a philosopher whose rich and profound ideas on aesthetics show great originality. His major propositions and tenets about aesthetic modernity, such as those about the relations between beauty and culture, art and technique, art and public life, art and science, art and philosophy, art and morality and art and love, as well as those about the self-discipline and sacredness of art and about art and the progress of human society, are innovative and profound, and have exerted a far-reaching influence on modern aesthetics.

在现代性的视域和范式中理解费希特，费希特有着丰富而深刻的原创性美学思想，他关于美与文化的关系、艺术与技艺的关系、艺术与公共生活的关系、艺术与科学的关系、艺术与哲学的关系、艺术与道德的关系、艺术与爱的关系、艺术的自律、艺术的神性、艺术与人类进步等审美现代性的重要原理和命题具有独创的思想深刻性，并对当代美学产生了深远影响。

Liu Jin is one of the young and active artists now. His latest art experiments are all used his body as medium. His opuses aspire after feelings of releasing for using his body with pleasant sensation of being presence in the foreland of art experiments. Although his opuses contain some behavior art, I slide over to say that his art exploration is only the behavior art, it doesn't mean that behavior art is the wicked way for artists to get high reputation and flubdub, also it doesn't mean that the actual behavior art is target of public criticism in the government art criticism circles, we can say that because of many people just pay their attention to the Chinese meaning of "behavior". For this reason, it is similar to the performing art.

刘瑾是目前较活跃的年轻艺术家之一，他最近的艺术实验均以自己的身体为媒介，他的作品追求身体在执行作品的过程中的释放感和在场于艺术实验前沿的亢奋，尽管他的作品包含了许多的行为艺术因素，但我还是回避了以行为艺术来简单化的指称他的艺术探索，这既非是行为艺术在某些人眼里已成为哗众取宠，沽名钓誉的恶俗行径，也不是因为目前行为艺术在官方的艺术批评界已成为众矢之的，而是因为行为艺术这一名词本身在中文语境中过于看中行为本身，在这一点上，又同表演艺术相差不远。

through the analysis of the art education standard, combining the psychology to the individual enthusiasm, the author has made a discussion on the factor, the method and the way of the art education for mobilizing students' learning enthusiasm. in addition, combining some research and application to the art education theory in the course of making the art teaching practice applying the existing art teaching material, she has also expatiated that the hortative teaching has advanced the change of the art education idea and the reformation of the art teaching mode and students' learning from the angle of the course construction.

本文通过对美术教育标准的分析，结合心理学对个体积极性的调动的心理分析，论述了美术教育对学生学习积极性的调动因素、方式、方法、措施等，并结合自己在运用现有的美术教材进行的美术教学实践中，对美术教育理论的一些探索和运用阐述了幼师美术教学从课程建设的角度，运用鼓励教学的方法促进了美术教育观念的转变，促进了美术教学模式和学生学习的变革。

College School of the existing form (including the Chinese Painting Department,油画系, line engraving, sculpture department, the Department of Fine Arts Foundation), School of Design (including construction and the environment, Department of Art and Design, Visual Communication Design, Digital Art Design, Fashion Design Department, Decorative Art and Design University, Department of Industrial Design, Design Arts, textile art and design department, furniture, Department of Art and Design, Ceramics Art and Design Department, Design Department), College of Arts and Humanities (including the Department of Art History, Art Institute, the public Teaching Department of the Ministry of Social Science Teaching), Department of Education and Fine Arts College of Continuing Education.

学院现有造型学院（包括中国画系、油画系、版画系、雕塑系、美术学基础部）、设计学院（包括建筑与环境艺术设计系、视觉传达设计系、数码艺术设计系、服装设计系、装饰艺术设计系、工业设计系、设计艺术学系、染织艺术设计系、家具艺术设计教研室、陶瓷艺术设计教研室、设计基础部）、艺术与人文学院（包括美术史系、美术研究所、公共课教学部、社会科学教学部）、美术教育系和继续教育学院。

Selected Exhibitions : 2008 /"The Third Guangzhou Triennial : Farewell to Post-Colonialism", Guangdong Museum of Art, Guangzhou,China / 2007 /"Alchemy of Shadow : 3rd Lianzhou International Photo Festival", Lianzhou, China / 2006 /"A Yellow Box In Qingpu: Contemporary Art and Architecture in a Chinese Space", Shanghai /"Micrology, the Politics of Realism Chinese Contemporary Art Exhibition, Macao / 2005 /"In the Depth of Reality : China Contemporary Art Exhibition", Hangzhou /"Gift, Contemporary Art Invited Exhibition", Hangzhou / 2004 /"Formatting: New Media Art Project", Hangzhou /"Labyrinth : the Second Chinese New Media Art Festival", Hangzhou / 2003 /"Experimental Art Project in White Pagoda Mountain", Hangzhou /"Links: Contemporary Art Exhibition", Hangzhou /"Exhibition of Chinese Young Artists, Hangzhou

郑端祥，1977年生於中国福建，现任教於中国美术学院造型基础学部。作品《时间的横截面III》於2006年展出於澳门艺术馆"显微境。观：中国当代艺术展"，同年影像装置《时间的横截面之夜游记》展出於"黄盒子在青浦"，2007年於连州国际摄影展展出《失忆系列》和《工厂系列》。重要展览有： 2008年/雕塑中国，香港汉雅轩/广州三年展：与后殖民说再见，中国广东美术馆、中国第三届媒体艺术节：四季，中国杭州，2007年/中国当代艺术展：在瓦伦西雅55天，西班牙瓦伦西雅、首届今日文献展：能量－精神。身体。物质，今日美术馆，中国北京、夜间摄影，香港汉雅轩，2006年/。盒子，中国上海、显微境。观：中国当代艺术展，中国澳门当代美术馆

Hebbel Am Ufer 2, Berlin Kreuzberg / Umweg über China, Hebbel Am Ufer 2, Berlin Kreuzberg / The Weight of the Reality, Marella Gallery Beijing / 2006 Regenesis, Museum of Contemporary Art, Haikou / Borderline Video Art Festival, Beijing, Platform China / 2005 Limit and Freedom / Summer Market, Fine Arts Literature Center, Wuhan / 920 Kilograms, Shanghai Duolun Museum of Modern Art, Shanghai / Siemens Art Programe-Part 5, What are they doing here?, SLC, Wuhan, China / 2004 Undercurrent-Video from China, Chinaclub2, Berlin, Germany / Slowly, Fine Arts Literature Center, Wuhan / Plug and Play, Byzantium Community, Wuhan / 2003 Electrolyte, Shenghua Arts Center, Nanjing / The Minority Is Subordinate to the Majority, Biz Art Center, Shanghai / 2002 Mushroom Cloud or Eutopia, Shanghai / Everyday Attitude, special exhibition of Chinese photo art, Pingyao International Photography Festival, Shanxi, China / New Urbanism, Guangdong Art Gallery, Guangzhou / 2001 Contemporary, Wuhan, Hubei Art Gallery / Welcome, Jinshayuan,Wuhan

柏林，HAU2剧场/迂回中国艺术节，柏林，HAU2剧场/现实的重量，玛蕊乐画廊，北京酒仙桥路4号798艺术区/ 2006 再生，海口，当代艺术馆/边界线国际影像艺术展，北京，站台-中国/ 2005 自由与限制——夏市，武汉，美术文献艺术中心/ 920公斤，上海，多伦美术馆/ WHS+8，西门子公司艺术部项目，武汉/ 2004 涌动——来自中国的录像艺术，柏林，Zehdenickerstrasse 12A /慢，武汉，美术文献艺术中心/即插即用，武汉，拜占庭小区/ 2003 电解质，南京，圣划艺术中心/少数服从多数，上海，比翼艺术中心/ 2002 蘑菇云或者乌托邦，上海，外滩艺术馆/日常态度，中国图片艺术特别展，平遥国际摄影节/新都市主义，广州，广东美术馆/ 2001 现在，武汉，湖北美术馆/ WELCOME，武汉，金沙苑

In 2000 Gate of the Century: 1979——1999 the Exhibition of Chinese Art, Chengdu Modern Art Museum, Chengdu, China; Man+SPACE, Kwangju Biennial 2000, Kwangju, Korea; Messagers of the Hearth, Center of Contemporary Art of the LycEe Xavier Bernard in RouillE; Transcending Boundaries, Montclair State University, USA; Portrait de Chine Contemporaine, Espace Culturel Francois Mitterand, Perigueux; Les Passe —— Murailles, Contemporary Art of China, Picardie Museum Amiens, France; The First Collection Exhibition of China Contemporary Art, Shanghai Art Museum, China; China, Art in the Twentieth Century, Touring Show in Beijing and Shanghai, China; Asia Contemporary Art Exhibition, Japan.

参加在法国班里哥弗郎索瓦·密特郎国际文化中心举办的&当代中国肖像&；参加在法国阿密庇加底国家美术馆举办的&中国当代艺术邀请展&；参加在中国上海上海美术馆举办的&首届中国当代艺术收藏展&；参加在中国美术馆，上海美术馆举办的&20世纪中国油画展&参加在日本宇都宫美术馆，新汤县民会馆举办的&亚洲当代艺术邀请展&。2001年作品分别在上海美术馆，四川省美术馆，广东美术馆展出；参加在法国巴黎法兰西画廊举办的&是我，是我们&展；参加在中国上海艺博画廊举办的&学院与非学院&展；参加在中国上海艺博画廊举办的&最初的形象——当代纸上作品展&

The first part presents a comprehensive scene of the art environment in which Soutine was involved, the influences he received and his opinions on the problems he confronted. This is achieved by analyzing the relationships between his paintings and those of his contemporary as well as between his paintings and the classical art works in museums. The second part will, through his landscape, still life and portrait paintings, explore the forming of Soutine\'s characteristically expressive art language and the development of his art style, which integrated the modernism paintings with classical art elements. The third part will discuss the culture background of his art, the psychology of his creation and his techniques in order to point out" the intuitively expressionist nature "of his art. This part will also analyze the achievement of Soutine\'s art and its contribution to art history through critics\' opinions of him and his influences on other artists.

第一部分分析了苏丁绘画与同时代的艺术家的创作及博物馆中的经典作品的关系，尽力全面地描述苏丁在当时所面对的艺术环境，对其所受到的影响及面对的问题有所认识；第二部分分别从风景、静物、人物三个方面，从苏丁艺术自身的形成、发展来论述他在现代艺术的框架下，借助古典艺术以形成其独特的表现性语言的过程；第三部分从苏丁绘画的文化、心理以及艺术技巧等多个方面进行分析，指明其&富于直觉的表现主义&的特质，并通过批评家的评论与他对后来艺术家的影响来认识苏丁艺术的成就及在美术史上的作用。

Some of the best paintings in Japanese art can be found on sliding doors and folding screens. Famous artists, such as Hokusai or Hiroshige, made woodblock prints for the public. Distinctions between notions such as fine art and applied art, or high art and low art, do not exist. These distinctions appeared and became standards in Western art history. In Japan, with its different social and cultural background, these classifications were not made. Although the Japanese art system has been westernized over the past one hundred years, there still exists a cultural tradition that encourages artists and the audience to share artistic experiences outside art venues.

艺术跟相同领域的之於西方并不是那麼绝对，因为艺术本身的目的不同这是众所皆知，一些日本最好的图画可以在传统木门或是屏风上发现，有名的艺术家像是Hokusai 或是 Hiroshige他们在公开场合做版画，若要区别纯艺术和传统艺术，或高等和低等艺术的看法是不存在的，这些区分在西方艺术史上成为规范，而日本不同的社会文化背景这种区别根本不适用，虽然日本的艺术系统在近百年来已被西化，但是他们仍保有鼓励艺术家和观众在艺术馆外面分享艺术的文化传统。

Objective To investigate the effects of interleukin-1 β converting enzyme gene on the biologic characteristics of ovarian cancer cells.

目的 探讨白细胞介素-1 β转换酶的表达，对卵巢癌细胞生物学特性的影响。

Campylobacter: This illness is the most commonly identified cause of diarrheal illness in the world.

弯曲：这种病是最常见的原因查明腹泻病，在世界上。