查询词典 art critic

The intentions of this book is to have a four-fold value and appeal: to the psychologist and psychoanalyst; to the literary critic, historian, philologist and bibliographer; to the fields of medical science, pathology, law and medical jurisprudent; and to the entire world of art which has been for so long bereft of many of the greatest erotic classics of English art and genius.

这本书的意图是有一个4倍的价值，并呼吁：向心理学家和精神分析；对文学评论家，历史学家，语言学家和目录学家，对医学，病理学，法律和医疗领域的法学家，和全世界的艺术了这么长的英语的艺术天才，最大的色情被剥夺了许多经典。

An Austrian critic criticized Brod's viewpoint of connectin g the castle's ruling directly with mercy which is a religious concept in the postscript of the first edition of The Castle. In doing so, Brod gave a precedent to those critics who want to find religious symbols and other symbols in the novel and comprehend Kafka's illusion by theological explaining. In translating art images directly into the languages of theology, philosophy and psychology, it was certain that Brod would lower the value of Kafka's art.

奥地利批评家海因茨·波里策批评布罗德在《城堡》第一版后记中"把城堡的统治直接同慈悲这个宗教概念联系起来的"论点，为那些"想在这部作品中寻找宗教的和其他的象征，并给予神学的解释来理解卡夫卡的幻想"的批评家开了一个先例；布罗德"将艺术的图像直接翻译成神学的、哲学的和心理学的语言"的做法，必然会使其"艺术价值变得平淡"。

During the Year 2005 and Year 2008, there were four times Solo Exhibition in Hong Zhai Gallery and WOW Gallery in Korea. There were criticism articles from Zhao Shanjun who is art historian , Kavka Lu who is Film critic, Yi Ying who is Critic and so on. In year 2001, Dyak, an artist from German, said Mr. Cheng Wei is a young artist with the international level.

美术史学家赵善君、影视评论家卡夫卡·陆、评论家易英曾写评论。01年德国艺术家狄亚克称之为具有国际水平的青年艺术家。09年《解放》系列入选第七届佛罗伦萨国际当代艺术双年展。

American critic Ellen Johnston Laing argued Chinese Political Pop as Post Modern Art can not be established in "Is There Post-Modern Art in the People's Republic of China?,"

然而，黄钢在自己作品中体现出来的思考可能具有更多的文化上的意义和建设性价值——毕竟，调侃和破坏虽然具有一时的震撼力，但缺乏对文化本身的建设和对未来的责任。。

The critic of American new media art, Gene Youngblood, once said:"All art is experimental, or it is not art."

第四章节则检视作品呈现的方式，连结观众的感受与作者内心的思绪。

Whereas the art critic Vasari saw the painting entitled the Mona Lisa as an original and wonderful technical feat, the reproduction of a natural object, the aesthetes saw it as a hieroglyph that required deciphering .

虽然艺术评论家瓦萨里将名为&蒙娜丽莎&的这幅画看作是一个原创性的奇迹般的技术成就，一个自然客观事物的再创造，但是美学家们却把它看成为一种需要解读的神秘的符号。

Whereas the art critic Vasari saw the painting entitled the Mona Lisa as an original and wonderful technical feat, the reproduction of a natural object, the aesthetes saw it as a hieroglyph that required deciphering.

尽管艺术批评家Vasari把名画Mona Lisa视为原创性的和技术奇迹，也就是自然物地再现，美学家把它看成需要解码的极其难懂的东西。

WITeas the art critic Vasari saw the painting entitled the Mona Lisa as an original and wonderful technical feat, the reproduction of a natural object, the aesthetes saw it as a hieroglyph those required decipITing.

尽管艺术批评家Vasari把名画Mona Lisa视为原著性的和技能奇迹，也根本那是自然物地再现，美学家把它看成需求解码的极其难懂的物品。

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述，分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观，并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点：一，勋柏格对于音乐历史的认识：通过德奥音乐界前辈给予他的创作启示，以及勋伯格对自己几个创作阶段的发展历程的总结，阐述了他对于艺术中的传统与革新之间的关系的辩证认识，并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系；二，勋柏格的民族主义音乐观：通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识，总结了他的&重艺术音乐，轻民间音乐&、&重西欧音乐，轻非西欧音乐&的观点，从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&，这是一个浸润着浓厚的西欧文化中心论色彩的观点，也是贯串他毕生的音乐思想的重要观点之一；三，勋柏格对音乐教育问题的见解：勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养；四，勋柏格对当代音乐批评家与音乐批评方法提出的要求：音乐批评家必须具备作为一名音乐家的专业修养，要以真实、客观的态度对待音乐批评这门神圣的职业，充分运用内心的艺术联想向公众再现作曲家的意图，而不是将个人见解强加于受众；同时，批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测，在音乐批评的具体范畴中，应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

Other canvases are presented at the Salon d'Automne alongside works by Derain, Vlaminck, Marquet and others in a room which the art critic Louis Vauxcelles, the originator of the term "Cubism", dubs "la cage aux fauves"(the wild beasts' cage).

其他的画布上提出沙龙科特迪瓦Automne一起由德兰，芒克，马尔凯等人的作品在一个房间里其中艺术评论家路易斯Vauxcelles，一词的&立体主义发端人&，配音&拉笼辅助野兽派&。

If you are unfortunate enough to the lovelorn, please tell me, I will help you out, really, please contact me!

如果你不幸失恋了，请告诉我，我会帮助你摆脱困境，真的，请联系我啦！

China's plan to cut energy intensity by 20 percent and pollutant discharges by 10 percent between 2006 and 2010 is a case in point.

中国计划在2006年到2010间降低20%的能源强度和减少10%的主要污染物排放，就是一个这样的例子。