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Some similar responses were observed in the both species.(1) After saturating illumination for 3 h, the original fluorescence Fo increased while the PSⅡ photochemical efficiency Fv/Fm declined significantly, but these parameters could largely recover to the levels of dark-adapted leaves after 3 h of subsequent dark recovery.(2) No net loss of the D1 proteins occurred after the saturating illumination.

一方面，大豆和南瓜叶片在饱和光下产生一些相同的变化：（1）经过3小时饱和光处理，它们的初始叶绿素荧光参数Fo都明显升高，而PSⅡ光化学效率Fv／Fm都明显降低，但经过随后的3小时暗恢复后，Fo和Fv／Fm都可以恢复到初始暗对照的水平；（2）在饱和光处理和随后的暗恢复过程中都没有发生D1蛋白的净损失。

Results The activity, recovery rate of activity and half-life of immobilized SOD were 333 U/g, 86.32% and 43.8 d respectively. After storage at room temperature for 5 d, the relative activity of SOD was still more than 80%. The optimal reaction temperature of immobilized SOD was 45℃, and the activity retentions after being used for the first and second times were 70.12% and 51.72% respectively. Both the optimal pH values for SOD before and after immobilization were 6, while the Km values were 0.16 and 0.18 mmol/L respectively.

结果 固定化超氧化物歧化酶活力为333U/g，酶活回收率为86.32%，半衰期为43.8d；固定化酶室温保存5d后，相对酶活力仍保持在80%以上，最适反应温度为45℃，使用一次后回收率为70.12%，重复使用两次后回收率为51.72%；固定化酶与溶液酶在pH6时活性最强，Km分别为0.18mmol/L和0.16mmol/L。

For while a legate was being slain,43 while legions were being slaughtered, while Syria meditated revolt, and the East was being devastated, Verus was hunting in Apulia, travelling about through Athens and Corinth accompanied by orchestras and singers, and dallying through all the cities of Asia that bordered on the sea, and those cities of Pamphylia and Cilicia that were particularly notorious for their pleasure-resorts.

当罗马的使节被杀害（43），军团被屠戮，叙利亚打算叛乱，而东部遭到蹂躏的时候，维鲁斯却在阿普里亚打猎，在乐队和歌手的陪伴下穿过雅典和科林斯，在亚洲的每个城市戏耍，在海岸，以及庞弗里亚和西里西亚那些因为寻欢作乐而极度声名狼藉的城市。

This text analyzes this kind of poem of creations art from choose the word and use the phrase, contrast reflect, the idea combination, borrow the thing speech sorrow etc. At the same time, with they while was living of circumstances make to contrast, explain that they also be filled with while was living lonesome and sadness, court ladies were clay-cold and lonely while they were living, this is their consistent tragedy destiny.

本文从选字用词、对比映衬、意象组合、借物言愁等方面分析此类诗的创作艺术，同时与她们生前的境况作比照，说明她们生前也充满寂寞和哀愁，宫女生前死后两凄凉，这是她们一贯的悲剧命运。

The direction which embroiders wants consistently, while rising needle should make sure central point, while embroidering to loosen to make an effort tightly and appropriately to be even, while rising needle or ending don't tie knot, should stay an 1cm or so line head in the noodles anticipate back press a prison mutually, noticing don't make the line head entwine conglobation.

一、绣出的方向要一致，起针时应确定中心点，绣时要松紧适度用力均匀，起针或结束时不要打结，应留出一厘米左右的线头在面料背面相互压牢，注意不要使线头纠缠成团。

It can be concluded from the above analysis that at the beginning of language, simple linguistic signs, coming from sound imitation, natural exclamation and morphological stimulation, took a strong feature of iconicity, while arbitrariness still existed to a little extent. With time going by, the primitives had to create more linguistic signs to meet their needs of survival and development, so that they arbitrarily related the sound patterns and concepts to conventionalize them as linguistic signs adopted in the whole society. During this period of time, arbitrariness played a more important role, while iconicity still worked as phenomena of phonaesthesia designate. With society developing, human beings found that it was not enough to create new signs at will, so they began to make use of some principles like compound, derivation, etc. to form new linguistic signs, either simple or complex. The linguistic signs formed during this period of time always took a better disguise to be iconic, while no one until now could defuse the contributions of arbitrariness of their formation. From the above investigations, it can be seen that arbitrariness and iconicity interact in the whole process of language development at the level of lexicon. If there were no arbitrariness, human language could not expand at the very beginning.

因此可做如下推论：在语言产生之初，简单语言符号的产生常常都是有理据的、象似的，但是仍不排除任意性的作用；后来有理据的词无法满足人们生存和发展的要求，人们开始任意地连接声音形象和概念，并约定俗成获得语言符号，此时任意性起主导作用，但是象似性在音义关系中对语言符号的产生起着不可否认的作用；随着社会的发展，人们发现这些词已经不再能满足需要，而创造更多的词也不是很可能，所以人们开始采用一些构词法来创造新的语言符号，此时产生的语言符号往往更具象似性，但其核心仍然是任意的。

While disease had thus become an inhabitant of Lowood, and death its frequent visitor; while there was gloom and fear within its walls; while its rooms and passages steamed with hospital smells, the drug and the pastille striving vainly to overcome the effluvia of mortality, that bright May shone unclouded over the bold hills and beautiful woodland out of doors.

罗沃德的花园花儿盛开，灿烂夺目。一丈红拔地而起，高大如林，百合花已开，郁金香和玫瑰争妍斗艳，粉红色的海石竹和深红的双瓣雏菊，把小小花坛的边缘装扮得十分鲜艳。

Well, I know that you're in love with him 'cause I saw you dancing in the gym You both kicked off your shoes Man, I dig those rhythm and blues I was a lonely teenage broncin' buck With a pink carnation and a pickup truck But I knew I was out of luck The day the music died I started singing Now, for ten years we've been on our own And moss grows fat on a rolling stone But that's not how it used to be When the jester sang for the king and queen In a coat he borrowed from James Dean And a voice that came from you and me Oh and while the king was looking down The jester stole his thorny crown The courtroom was adjourned No verdict was returned And while Lenin read a book on Marx The quartet practiced in the park And we sang dirges in the dark The day the music died We were singing Helter skelter in a summer swelter The birds flew off with a fallout shelter Eight miles high and falling fast Landed foul on the grass The players tried for a forward pass With the jester on the sidelines in a cast Now the half-time air was sweet perfume While sergeants played a marching tune We all got up to dance Oh, but we never got the chance 'Cause the players tried to take the field The marching band refused to yield Do you recall what was revealed The day the music died?

我知道奶爱上了他因为我看到你们在体育馆里跳舞你们踢掉鞋子老天，我深深感受到节奏与蓝调那时的我是个寂寞的年轻人别着一朵粉红色的康乃馨，有一辆小货车但我明白自己并不走运在音乐死亡的那一天我开始唱着。。。。。。如今十年了，我们全靠自己熬过来了滚动的石头上长满了青苔但，它原来不是这个样子的当弄臣为国王与皇后歌唱穿着向詹姆斯狄恩借来的外套用来自你我的声音当国王低头弄臣偷走了荆棘桂冠法庭当时休会没有任何判决宣判当蓝尼读着马克思主义的书四重奏在公园里排练我们在黑暗中唱着挽歌在音乐死去的那天我们唱着。。。。。。在酷暑中手忙脚乱鸟群飞过辐射尘防护罩高度为八英哩，急速下降错误的降落在草地上球员尝试把球向前传靠着边线上弄臣的帮忙在中场休息时间，空中充满着香味当士官们奏起了进行曲我们都起身准备跳舞但我们始终没有机会因为球员们占据了球场军乐队拒绝让步你还记得当时透露了什麽讯息吗？

Maybe it is so common that they never forget to get you a hortative expression in their eyes while they bear the ailment;and that they radiate slight smile while you leisurely eat watermelon;and that they instruct you while they gently put away all your stuff before getting on the train

也许它很普通，普通到病痛中眼角的一瞬间不忘给你一个坚毅的眼神，普通到静静的看着你吃瓜而欣喜到流露在嘴角的笑容，普通到你上车前轻轻的放好行李而后给你的那句嘱托。。。。。。

But at present, the fields of enterprise and theory have not attached importance to the problem of enterprise product mix adjustment, which is mainly reflected in the following aspects. The first is that most enterprises maintain existing situation of product and enterprise and solve sale problem by the way of sales promotion while facing market problem. The second is that most enterprises follow others blindly while consider the problem of market entry, but is passive not active while facing market dropout. The third is that in the aspect of management most enterprises don"t make adaptive managerial strategy according to enterprise"s interior and exterior situation, but flow the routine "learn from successful enterprise, elude failing enterprise". The fourth is that the study on the enterprise product mix adjustment from the side of theory is scarce and fragmentary, immethodical.

但是，目前企业产品结构调整的问题还未引起企业界和理论界的重视，主要体现在：一是面对市场问题，大多数企业是维持现有的产品和企业状况，通过促销手段来解决产品销路问题；二是对待企业产品市场进入的问题上，大多数企业是盲目跟进；而对产品的市场退出，大多数企业往往是被动而非积极主动的；三是在经营方面，大多数企业基本上走的还是"学习成功企业，规避失败企业"的路子，没有从企业自身的内部条件出发，为企业量身制定适合的经营战略；四是迄今为止理论界对企业产品结构调整问题的研究还是少之又少，有关产品结构方面的研究还只是零星、不成体系的。

These are places without aristocratic baggage; egalitarian places open to talent, self-improving, engaged in learning and innovation through networks that were at once competitive and cooperative.

这些地方没有贵族遗风作祟，而且对于那些有天分的人是开放的平等之地，这些人善于通过那些曾经很具有竞争力与合作精神的关系网进行自我提高以及学习创新。

Christine: You don't want to see me?

你不想见我？