查询词典 Russians

This was a defensive pact, designed to protect Germany against the French, who aspired to recover the alsace-Lorraine provinces lost in 1871, and also to protect Austria-hungary against the Russians, with whom they continually clashed in the Balkans.

这是一个防御性的盟约，旨在保护德国人免受法国人的攻击，保护奥匈帝国免受俄国日复1871年失去的阿尔萨斯-洛林地区，而俄国人则在巴尔干半岛同奥匈帝国接连不断地发生冲突。

But even if we admit that Kutuzov and Tchitchagov and the others were responsible for the non-success of the Russians, it is still impossible to understand why, in the position the Russian troops were in at Krasnoe and the Berezina, on both occasions with numerically superior forces, the French army and marshals were not taken prisoners, if that really was the aim of the Russians.

然而，退一万步来说，让我们假定，俄国人的失误是库图佐夫和奇恰戈夫等人的罪过。然而仍然难于理解的是，为什么俄国军队在克拉斯诺耶和在别列济纳拥有那些条件（俄国军队在这两处均占据优势），而法国军队及其元帅们、王侯们和皇帝没有被俘获，而这又正是俄国人的目的，这又是什么原因呢？

In classical music I always admired Mussorgsky's unorthodoxy, unpredictability and disrespect of rules, and a few other Russian composers such as Shostakovich (the second tempo of his 8th String Quartet and Chamber Symphony op.110/110a electrocuted my imagination at least as much as the beginning of his 5th Symphony must have remained stuck in Morrissey's mind, when he sampled it for 11 minutes on the opening song of his "Southpaw Grammar" album), Prokofiev (whose exceptional melodic ingeniousness influenced me, but must have pleased Sting too, as he borrowed the theme of Prokofiev's "Lieutenant Kijé" for his hit "Russians") and Mosolov (whose mid-1920s piece "Iron Foundry" is pure Prog-Rock à la Magma, Art Zoyd, Univers Zero).

古典音乐家里面我一直十分欣赏Mussorgsky的叛逆、不可预测以及他对常规的无视，还有少数俄罗斯作曲家，比如Shostakovich，（他的C小调第八弦乐四重奏作品第110号/110a的第二部分 [1]强烈激发了我的想象力，这种激发不亚于他的第五交响曲[2]的开始部分对于Morrissey[3]的影响，那段旋律令他印象如此深刻以至于他将11分钟的采样放在了他的专辑《Southpaw Grammar》中。）Prokofiev（他格外出色天才一般的旋律影响了我，但是Sting肯定也获益匪浅，因为他也在自己的热门单曲"Russians"俄罗斯人中借用了Prokofiev 的"Lieutenant Kijé"三驾马车[4]），和Mosolov[5]（他创作于1920年中期的作品"Iron Foundry"是纯粹的前卫摇滚à la Magma，Art Zoyd，Univers Zero）。

The six Russians flew to Urumqi, regional capital of Xinjiang, on August 11 and then flew to Hotan and later arrived by bus at Pulu Village, Yutian County, where the Yurungkax River originates, according to Zhang Hong, a local Russian-language interpreter for the missing Russians.

这六个俄罗斯人曾飞到乌鲁木齐，新疆的地区首府，那时八月十一日接着飞到和田再后来乘公共汽车到达pulu村，于田县，玉龙喀什河的发源地，再张红的带领下，失踪的俄罗斯人的当地的俄语翻译员。

We have a lot of Russians here, because you are white, you are likely to be as Russians.

我们这里俄罗斯人很多，由于你们都是白种人，你很可能会被人当成俄罗斯人。

It was classic "Red Scare" baloney, but it worked to traumatize the public enough to think the Russians would come unless we headed them off, never mind, in fact, the Russians had good reason to fear we'd come because "bombing them back to the stone age" was seriously considered, might have happened, and once almost did.

这是典型的"红色恐慌" baloney ，但它的工作，以伤害公众，足以认为苏联会来，除非我们为首它们赶走，不要紧，事实上，俄国人进行了良好的理由担心，我们'd来，因为"他们轰炸回到石器时代"经过认真考虑，仍可能会发生，一旦几乎没有。

And the Russians—yes, of all people, the Russians—have succumbed to an advertising tsar.

而俄罗斯人——不错，所有的俄国人——业已屈服于一位"广告沙皇"。

If the aim of the Russians really was to cut off Napoleon and his marshals, and to take them prisoners, and that aim was not only frustrated, but all attempts at attaining it were every time defeated in the most shameful way, this last period of the war is quite correctly represented by the French as a series of victories for them, and quite incorrectly represented by the Russians as redounding to our glory.

如果俄国人的目的是切断和生擒拿破仑和元帅们，那么，这个目的不仅没有达到，而且为达到这个目的的一切企图，没有哪一次不遭受可耻的破坏。那么，法国人认为，战争最后阶段是法国人获得了一连串的胜利是完全对的，而俄国历史学家说，是俄国人获得了胜利，这就完全错了。

If the aim of the Russians really was to cut off Napoleon and his marshals, and to take them prisoners, and that aim was not only frustrated, but all attempts at attaining it were every time defeated in the most shameful way, this last period of the war is quite correctly represented by the French as a series of victories for them, and quite incorrectly represented by the Russians as redounding to our glory.

以库图佐夫阻碍进攻的说法来解释这个怪现象（俄国军史学家就是这样说的），是没有根据的，因为，我们知道，在维亚济马和在塔鲁丁诺，库图佐夫的意志已阻挡不了进攻的军队了。

In classical music I always admired Mussorgsky's unorthodoxy, unpredictability and disrespect of rules, and a few other Russian composers such as Shostakovich (the second tempo of his 8th String Quartet and Chamber Symphony op.110/110a electrocuted my imagination at least as much as the beginning of his 5th Symphony must have remained stuck in Morrissey's mind, when he sampled it for 11 minutes on the opening song of his "Southpaw Grammar" album), Prokofiev (whose exceptional melodic ingeniousness influenced me, but must have pleased Sting too, as he borrowed the theme of Prokofiev's "Lieutenant Kijé" for his hit "Russians") and Mosolov (whose mid-1920s piece "Iron Foundry" is pure Prog-Rock à la Magma, Art Zoyd, Univers Zero).

古典音乐家里面我一直十分欣赏Mussorgsky的叛逆、不可预测以及他对常规的无视，还有少数俄罗斯作曲家，比如Shostakovich，（他的C小调第八弦乐四重奏作品第110号/110a的第二部分 [1]强烈激发了我的想象力，这种激发不亚于他的第五交响曲[2]的开始部分对于Morrissey[3]的影响，那段旋律令他印象如此深刻以至于他将11分钟的采样放在了他的专辑《Southpaw Grammar》中。）Prokofiev（他格外出色天才一般的旋律影响了我，但是Sting肯定也获益匪浅，因为他也在自己的热门单曲&Russians&俄罗斯人中借用了Prokofiev 的&Lieutenant Kijé&三驾马车[4]），和Mosolov[5]（他创作于1920年中期的作品&Iron Foundry&是纯粹的前卫摇滚à la Magma，Art Zoyd，Univers Zero）。

This is not an ordinary box, which is used as a background picture of the dialog box, very pretty.

详细说明：这可不是一个一般的对话框，它是用图片作为背景的对话框，非常好看。

Conceal me what I am,and be my aid for such disguise as haply shall become the form of my intent.

遮掩我的身份，帮助我，我的面具将成为我的目的。