查询词典 Renaissance

Indeed, so convenient was the label that it came to stand for all music between the Roman de Fauvel and the Renaissance: thus volume iii of the New Oxford history of Music is entitled Ars Nova and the Renaissance, 1300-1540(London, 1960)and the major historical surveys in MGG follow the sequence'Ars Antiqua','Ars Nova','Renaissance'.

的确，但这个标签使用的如此方便以至用于从《福威尔传奇》到文艺复兴之间的所有音乐，如1960年在伦敦出版的《新牛津音乐史》的第三卷就以新艺术和文艺复兴时期，1300-1450为标题。在MGG中的历史综述的顺序是"古艺术"、"新艺术"、"文艺复兴"。

Kenneth Armitage was part of the great renaissance of British sculpture in the early post-war years; a renaissance which was appreciated by museums and collectors in New York and Europe even more than in Britain.

丁阿米蒂奇的一部分的伟大复兴，英国的雕塑，在战后初期年；文艺复兴这是赞赏的博物馆和收藏家在新的纽约和欧洲的，甚至多于在英国。

The eighteenth century has certain coincidence with the Renaissance in some extent, both of them blazon forth the existence of individual and atman, and emphasize the individual value and strength, the eighteenth century raises the Renaissance spirit—the subject existence again.

十八世纪在某种程度上与文艺复兴时期存在着一定的暗合之处，二者均张扬个体的存在性，张扬自我，突显个体生命的价值与力量，十八世纪是对文艺复兴时代精神——主体存在性的再次扬起。

Indeed, some have called for an end to the use of the term, which they see as a product of presentism – the use of history to validate and glorify modern ideals.[12] The word Renaissance has also been used to describe other historical and cultural movements, such as the Carolingian Renaissance and the Renaissance of the 12th century.

确实，现在已经有人提出不应当再使用这个词汇，他们认为，"文艺复兴"一次只是"现代主义"的产物，是在用历史来论证和魅惑当代观点。4"文艺复兴"一词也应用于其他历史或文化运动中，卡洛琳文艺复兴以及12世纪文艺复兴就是其中的例子。

Kellogg's Renaissance program will evolve to keep pace with business trends and the latest academic research.

凯洛格商学院的Renaissance项目将不断演变，以跟上商业趋势和最新学术研究的步伐。

He later attended the University of Texas as a composition student. Toward the end of the decade, Lynch moved to New York and became a fixture in the city's "early music" scene as a lutenist with Renaissance Quartette.

后来他进入德克萨斯大学学习作曲。60年代默契，Lynch移居纽约，并作为吉他手和Renaissance Quartette一起成为纽约当时"早期音乐"圈中的一份子。

Toward the end of the decade, Lynch moved to New York and became a fixture in the city's "early music" scene as a lutenist with Renaissance Quartette.

后来他进入德克萨斯大学学习作曲。60年代默契，Lynch移居纽约，并作为吉他手和Renaissance Quartette一起成为纽约当时"早期音乐"圈中的一份子。

He later attended the University of Texas as a composition student. Toward the end of the decade, Lynch moved to New York and became a fixture in the city's "early music" scene as a lutenist with Renaissance Quartette.

后来他进入德克萨斯大学学习作曲。60年代默契，Lynch移居纽约，并作为吉他手和Renaissance Quartette一起成为纽约当时&早期音乐&圈中的一份子。

Toward the end of the decade, Lynch moved to New York and became a fixture in the city's "early music" scene as a lutenist with Renaissance Quartette.

后来他进入德克萨斯大学学习作曲。60年代默契，Lynch移居纽约，并作为吉他手和Renaissance Quartette一起成为纽约当时&早期音乐&圈中的一份子。

The thesis purposes to read Shakespeare's Queen Margaret in the context of Renaissance: Renaissance women writers appropriate biblical female characters to reconfigure the traditional virtues; in addition, Shakespeare, influenced by a diversity of Renaissance historiographies, devises his own history plays in which he lets his women articulate and exert their influence upon their male counterparts in comparison with Holinshed's Chronicles.

本论文试著将玛格丽特皇后置於文艺复兴时代的脉络下探讨：於第一章，一方面藉由几位文艺复兴时代女性作家之作品，观察她们如何挪用圣经中的女性角色、重新定义传统女性美德之内涵；另一方面，受到当代史料编纂多元化之影响，莎翁亦写出能够呈现自己风格的历史剧，尤其是在与何林塞之编年史(Holinshed's Chronicles)的版本比较之下，发现到莎翁历史剧中的女性不但能够发声，更进而影响其他男性角色。

Next time I see you,I shall give you a black eye.

下次我看见你，我会打你一顿。

In this paper,design scheme of classification system of wood surface color is established.

提出了木质板材颜色分类的系统设计方案。