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Chinese painting相关的网络例句

查询词典 Chinese painting

与 Chinese painting 相关的网络例句 [注:此内容来源于网络,仅供参考]

Chinese painting is unique to the Chinese writing brush, ink and paint, in accordance with long-standing rule and artistic form of expression and creation of a painting.

中国画是用中国所独有的毛笔、水墨和颜料,依照长期形成的表现形式及艺术法则而创作出的绘画。

Among all orientations and trends of the development of Chinese painting, new figural water-ink and paintings relevant to urban living are acknowledged as reprehensive expression of contemporary Chinese painting.

当下中国画发展的各种取向、趋势划分中,新具象水墨与都市生存体验倾向的作品,一直以来被视为当代中国画的代表性表述。

Although acclaiming reforms, Gao Jianfu did not totally negate traditional Chinese painting. Instead, he thought that there was a glorious page in the history of Chinese painting.

高剑父虽然主张改革,但是他对於传统中国画并非全盘否定,认为中国绘画曾有辉煌的一页。

I can feel his standpoints and courage to the contemporary culture. But he is unable to use pungent language to criticize the tradition. He uses persuasive dreamland and seemingly sober state to face to it. In another aspect he has cut his ink language off the relations to traditional landscape paintings. Let the audiences in front of his works realize and moved, let the mark shape, kinking, variation objects appear repeatedly in his pictures, so that he subverts all requests in art to traditional pictures. Based on the above, I dare to conclude Liuming is not a "Chinese landscape painting painter", although on the "www. yanzhoucn. com" he insists on calling oneself "the renowned Chinese painting painter".

我能感受到刘鸣对当代文化所持有的立场和勇气,但他又无法用一种辛辣的语言去批判传统,他婉转地用梦境、用似醒非醒的状态去面对;而在另外一个层面,他揭然斩断了传统山水画与其艺术的关系,让观众在其作品前省悟和木讷,让符号状、扭结、变异的物体,在其画面上反复出现,彻底地颠覆了传统画论中对山水画的所有要求;基于上述,我敢断定刘鸣绝不是一个中国山水画画家,尽管他在 yanzhoucn.com 网页上坚持称自己为&著名国画家&。

This article explains concrete traditional Chinese painting thoroughly from external visual element to intrinsic cultural spirit in order to unearths the cultural connotation which contains in the single width traditional Chinese painting work .

本文通过对具体中国画作品从外在的视觉元素到内在的文化情态的的深入解读,挖掘在单幅中国画作品所蕴含的文化内涵。

Zhao Yan was born in 1962, 89 years training in China to Beijing Painting Academy figure, with profound skill in Chinese painting and Chinese culture.

赵岩生于1962年,89年曾入北京画院研修中国人物画,有着深厚的中国画功力和中国文化底蕴。

He has invented new art forms in Chinese painting. Through his powerful brush, he fused principles of Chinese traditional painting and calligraphy with art forms, color and composition adopted from the western art.

他开创了中国的新绘画,以富有表达力的毛笔,将中国传统绘画和书法的基础,与西方的形式,色彩和构图的意识结合起来。

Chinese painting if left China's traditional culture, it lost the meaning of the existence of Chinese painting.

中国画若离开了中国的传统文化,也就失去了中国画存在的意义。

From the third rural cultural festival, the Yiwu in Zhejiang Province Department of Culture, Nanjing, Song and Dance Troupe and other units to co-organize the province of professional Wucheng Theater "annual Red Cup" Grand Prix, Zhejiang class vocal group singing competition, Zhejiang Province, the new Rural amateur Wu Opera Competition,"on the River Cup" Wu Opera Music Competition,"after the house cup" of the 12th opera essay contest, and the second session of the Zhejiang Province,"the house cup" comedian competition, the North four painters painting exhibition, Zhejiang Prints 15 Year Review of the exhibition,"into the Yiwu" Chinese Artists Association, Center for Traditional Chinese Painting Exhibition of high-specification artist cultural exchange activities, greatly enhanced the level of Yiwu Cultural Festival in rural areas and standards.

从第三届农村文化节起,义乌与浙江省文化厅、南京歌舞团等单位合作,举办了浙江省专业婺剧团&年年红杯&大奖赛、浙江省组唱类声乐大赛、浙江省新农村业余婺剧比赛、&上溪杯&婺剧音乐比赛、&后宅杯&第12届曲艺小品大赛、第二届浙江省&后宅杯&笑星大赛、北方四画家国画作品展、浙江省版画15年回眸展览、&走进义乌&中国美术家协会中国画创作中心画家作品展等高规格的文化交流活动,大大提升了义乌农村文化节的层次和水平。

From the time's sequence and abstract speciality on the calligraphic manipulation, we can see, line vigour, line thickness, line rhythm are immitting to a picture making the formative line fluid and philosophic, thereby making traditional chinese painting having liquidity and philosophy of the line shape directly, and pulling the character of chinese painting having liquidity, philosophy, soul, imago on the whole aesthetic factor.

可以讲,书法用笔的时序性、抽象性,以及厚度美、力度美和韵律美等因素对绘画的不断注入,直接影响到中国画以线造型的流动性和哲理性,从而使得中国画具有心灵化、哲理化、意象化和意境化等独特品质。

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