查询词典 Chinese painting

Who should be conditional on Chinese traditional painting materials for study and application, Chinese painting and it is particularly reflected Painting the material beauty Everbright succession, it is up the sky.

有条件者应当对中国传统绘画材料加以研究和运用，而使其中国绘画尤其是工笔画中体现出的材质美继承光大，殊放异彩。

And after once framed works, color change, light shading, the level of distance, the spirit gesture will be immediately apparent, painting and calligraphy and framed art interdependent and mutually against the background,珠联璧合, it can be said, without mounting technology, Chinese painting it is hard to become a perfect piece of art, but not of Chinese Painting and Calligraphy can not have framed the development of the arts.

而一经装裱后的作品，墨色变化、光线明暗、层次远近、气韵笔势便立刻显现出来，书画创作与装裱技艺相互依存，相互映衬，珠联璧合，可以说，没有装裱工艺，中国书画就很难成为一件完美的艺术品，而没有中国书画也不可能有装裱艺术的发展。

Thirdly,the paper compares and analyses their identities and differences and finds out their crossing points,on the basis of analysing the rules of separate form beauty of the Chinese painting methodicalness and plane composition. And at last ,the paper spreads the change and unchanged in the creation of Chinese painting methodicalness and relates the reference value of plane composition from modern Chinese painting methodicalness .

第三部分是整篇论文的重点，在对中国画章法及平面构成各自形式美规律探索的基础上，通过对具体作品的分析找出中国画章法与平面构成在指导绘画创作上有异曲同工之妙，之后阐述两者虽有相通点，但在文化理念等方面存在诸多不同，不能简单替代，最后展开对中国画创作中常与变以及平面构成对当代国画章法的借鉴价值的论述。

The question Feng Bin and his postgraduates raise in Morphosis is how to push forward the development of Chinese Painting and open up the new possibilities of it in contemporary times. As a result, they face up to the challenge or risk that their art be questioned if it is still Chinese Painting as they introduce to their works the visual experience of images for the purpose of deviating from the established forms, methods and concepts of Chinese Painting since the 20th century.

冯斌及其研究生的"图变"所提出的问题，所面临的挑战和危险主要表现在：引进图像的视觉感受的目的，就是为了要偏离20世纪以来已经建构起来的中国画的形态和方式，以及因此而形成的中国画的观念，所以，他们的艺术就会受到人们的质疑：它还属于中国画吗？

The issue mentioned in this paper is related with modeling of Chinese painting, it starts from "To perceive object voluntary and paint it" and discuss the modeling rule of Chinese traditional painting, meanwhile analyze the modeling of ancient scholars' painting based on this rule.

本文研究的问题与中国画造"形"有很大的关系，从"应物象形"入手，探讨中国传统绘画的造"形"法则，并以这个法则来分析文人画的造"形"。

So the water is oriental,solemn and quiet,pure,clear and distinct,wisdom,all figures as same as the traditional Chinese painting's ascthetic value trend.the color is she as a new human in 21th century under the global background of oriental and western civilize culture mix together,she just make the west serve the east,make the past serve the present,imbibe the style of variety natural bright colors in western oil painting and the artistic conception of classical eternity in Chinese traditional painting,meanwhile naturally reach a tacit agreement with her natural personality of seeking green enviormental protection as same as the brilliant sunshine and full of vitality,then forming herself special and unique original artistic conteption style and all the presents would leading the viewer far away from the post-modern mirage full of tattered chaos confussion contaminate,and just take the audience get into her pure spirital homeland of self-perfect and satisfactory.

而水彩的使用也是首先缘自老子的"至善若水"，因此"水"是东方的、静观的、纯粹的、清明的、智慧的，这点与中国传统画的审美价值取向一脉相承，而"彩"则是她作为21世纪的新人类，在全球化东西方文明交融的背景下，西为中用古为今用地吸收了色彩丰富自然鲜明的西方油画风格和古典隽永的国画意境，并与其绿色环保，阳光灿烂，生气勃勃的天性追求自然而然达成了一致默契，从而形成了自己独具匠心的艺术境界呈现，并以此来引领观者远离迷乱破碎污浊的后现代幻境而进入其纯粹自足完善的精神净土家园。

Dancing and Theatric Figure Painting is the most important personal commitment in Chinese Painting, and sketching is the best instrument Yeh introduced into Chinese Painting.

舞蹈戏剧人物画是叶浅予在中国画领域最主要的个人寄托。速写是叶浅予进入现代中国画的最佳手段。诚然，叶浅予也有过非常成功的主题性创作，然而数量上屈指可数。

As an expressive finesses of arts, the blank art is used in many arts widely. The blank art of Chinese painting has more meaning and integrates the materiality with the imagination in the whole effect of Chinese landscape painting, and it makes the painting become more implication of artistic conception.

空白艺术作为一种独特的艺术表现手法，被广泛地运用于各种艺术种类中，而中国画中的空白所包含的意味则更深、更广、更复杂，特别是中国山水画中的空白使得山水画在整体画面上取得了特定形象的具体性与想象的开放性有机统一的同时，构成了一种实境之外的又是与实境高度统一的、蕴量极大的艺术虚境。

In particular, black white flower, the five kilns broke through the limitations of single-colored glaze, with the artistic effect of traditional ink painting, traditional Chinese painting, calligraphy, ceramics and art combine to create a new integrated arts, opened up the aesthetics of ancient ceramics a new realm, and for the future and colorful blue and white porcelain million development opened the way.ci zhou yao decorative themes are rich and varied, unique, very cool artist who adopted the tactics and superb skill of the art technology, willyu chong people loved flowers and birds, rare birds andrui shou , landscape character, drama, stories, myths and legends, poetry Qu Fu, epigram proverbs, such as painting children at play acrobatics on top of the porcelain to retain a large number of ancient folk painting, calligraphy and folk customs reflect the kind of information, forming a simple, free and easy, a crisp, Haofang artistic style, rich color and a distinctive non-governmental national characteristics , on the domestic and the world of ceramic and have had an enormous impact on a far-reaching, becoming old and sonic booms, renowned Chinese and foreignming yao generation.

尤其是白地黑花，突破了五大官窑单色釉的局限，具有传统水墨画的艺术效果，把中国的传统绘画、书法技艺与陶瓷工艺结合起来，创造了新的综合艺术，开拓了古代陶瓷美学的新境界，并为以后元青花及五彩瓷器的发展开辟了道路。磁州窑的装饰题材丰富多彩，别具一格，画师们采用极其潇洒的手法和高超精湛的画技，将民间喜闻乐见的花鸟鱼虫、珍禽瑞兽、山水人物、戏剧故事、神话传说、诗词曲赋、警句谚语、婴戏杂技等绘于瓷器之上，保留了大量古代民间绘画、书法及反映民俗民风的实物资料，形成了质朴、洒脱、明快、豪放的艺术风格、浓郁的民间色彩和鲜明的民族特色，对国内及世界陶瓷产生了深远而巨大的影响，成为声震古今、享誉中外的一代名窑。

Qian Songyan\'s artworks of important places of revolution paved a new path for Chinese landscape painting, and influenced Chinese landscape painting scene in the mid-and-late 20th century. His work and artistic journey reflected the relationship between art and its time, and greatly impacted the studies on contemporary Chinese Painting.

钱松喦关于革命圣地主题的创作为新中国山水画的发展，开辟了一条新的道路，同时也影响了20世纪中后期中国山水画的面貌，其具体作品和艺术经历印证了艺术与时代的关系，对于研究当代中国画的发展也具有特别的意义。

Objective To investigate the effects of interleukin-1 β converting enzyme gene on the biologic characteristics of ovarian cancer cells.

目的 探讨白细胞介素-1 β转换酶的表达，对卵巢癌细胞生物学特性的影响。

Campylobacter: This illness is the most commonly identified cause of diarrheal illness in the world.

弯曲：这种病是最常见的原因查明腹泻病，在世界上。