查询词典 Arnheim

Like modern art psychologist Rudolf Arnheim said:"Impressionist painters demands made by all, that is a true record of those in a specific time and specific location of perceived color of the smallest units."

犹如现代艺术心理学家鲁道夫·阿恩海姆所说："印象主义派要求画家们所做的一切，就是真实地记录下那些于特定时刻和特定地点知觉到的最小色彩单位。"

It discusses Arnheim's theory in two aspects: First, starting from the Gestalt psychology, it puts film into the category of traditional art and, by means of its comparison with other forms of art, such as opera and painting, concludes that film is art only because it fails to perfectly represent the reality.

到了 20世纪二三十年代，电影在创作实践上进入了它的第一个辉煌阶段———默片的全盛时期。由于创作实践的巨大进步，电影当然不能安于卡努杜所谓的"没有理论的艺术"①的现状，在理论上确认电影作为艺术的身分是势所必然。1932年，德国心理学专业的大学毕业生爱因汉姆撰写了《电影》一文。

For example, Rudolf Arnheim and Leonard Meyer, massively resorted to Gestalt theory to study aesthetics and made it obtain important status in modern aesthetics.

以阿恩海姆、迈耶为代表的美学家，将格式塔理论大规模地运用到美学研究中，并最终确立了格式塔理论在现代美学体系中的重要地位。

From this point, this thesis introduces Arnheim's Gestalt theory, Gombrich's explanation on art history and pictorial representation, and other theories on visual perception and graphic representation, reviews the architectural drawings in China and Western world history, discusses their cultural attributes and the psychological foundation on their origination and evolution, as well as their apparent characters and practical values.

由此出发，本文引入了阿恩海姆的格式塔学说、贡布里希的艺术发展和再现理论及其他有关视觉和图示再现的艺术心理学理论，考察了中国及西方的建筑制图发展历程，说明了各类建筑图像资料的外在形式特征和实用价值，进而探讨了其发生发展的心理学依据和文化属性。

In the 20th century, Arnheim come up with a more detailed Concept of the visual thinking which come from Wertheimer, and breaked the traditional Western thinking of the conventional thought of the dissever of perception and visual, He explained the visual thinking is the key link which link the reality of things and abstract thinking .

20世纪阿恩海姆在韦特海默的学术基础上提出较为详细的视觉思维的概念，打破了西方传统对知觉与思维割裂的传统思想，并说明视觉思维是连接现实事物与抽象思维的关键纽带。

Great emphasis is put on the logic imagery movement in the process of visual thinking through relating the visual thinking theory of Arnheim's.They are as follows:the logic of choosing images,the logic of organizing images and the logic of distilling images.

通过对阿恩海姆的视觉思维理论的解读，着重诠释视觉思维过程中的意象运动逻辑："自上而下"的意象选择逻辑、"补足"与"重构"的意象组织逻辑、"抽象"和"概括"的意象升华逻辑。

Rudolf Arnheim ; visual thinking ; imagery ; creative thinking

阿恩海姆；视觉思维；意象；创造性思维

Mrs. Cheveley: The letter you wrote to Baron Arnheim, when you were Lord Radley's secretary, telling the Baron to buy Suez Canal shares?a letter written three days before the Government announced its own purchase.

夫人Cheveley ：你的信写信给男爵阿恩海姆，当你被上帝拉德利的秘书告诉男爵购买苏伊士运河股票，信3天前，政府宣布自己购买。

Visual thinking is studied and clarified in later period of 20th century by the American Germany lineage art psychologist Rudolf Arnheim.

中文摘要："视觉思维"是20世纪后期，由美国德裔艺术心理学家鲁道夫·阿恩海姆研究和阐明这一概念的，他认为视知觉是思维必不可少的工具，视知觉与思维是统一而不可分的。

Arnheim＇ s architecture space idea focuses attention on the perception characters of architecture space, emphasizes on whole architecture space imagine, explains architecture space implication with visual dynamics.

阿恩海姆的建筑空间观，关注的就是建筑空间的视知觉属性，强调建筑的整体空间意象，用视觉动力阐释建筑空间意蕴。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。