- 更多网络例句与欧里庇得斯悲剧的相关的网络例句 [注：此内容来源于网络，仅供参考]
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Euripides'Bacchae is reproduced from different narrative perspectives, and proves pivotal to the plot development of the story.
欧里庇得斯的悲剧《酒神的女祭司》在小说中从不同角度得以再现，并且对小说情节的发展起到关键作用。
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This dissertation is a study of the ancient Greek origin of the novel, focusing mainly on three questions: how ancient Greek thought has influenced the overall plot management of the novel; how Euripides'Bacchae is reproduced; and whether the novel and play are extensively comparable within a classical framework.
本文主要研究了小说的古希腊渊源，集中讨论了三个问题：古希腊思想是如何影响小说的艺术创作的；欧里庇得斯的悲剧《酒神的女祭司》如何在小说中得以再现；小说与欧氏这部悲剧是否具有全面的可比性。
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He had lost the sense of what the Chorus was in the hands of the great masters, say in the Bacchae or the Eumenides. He mistakes, again, the use of that epiphany of a God which is frequent at the end of the single plays of Euripides, and which seems to have been equally so at the end of the trilogies of Aeschylus. Having lost the living tradition, he sees neither the ritual origin nor the dramatic value of these divine epiphanies. He thinks of the convenient gods and abstractions who sometimes spoke the prologues of the New Comedy, and imagines that the God appears in order to unravel the plot. As a matter of fact, in one play which he often quotes, the _Iphigenia Taurica_, the plot is actually distorted at the very end in order to give an opportunity for the epiphany.
亚里士多德还忘了合唱队是由那掌握命运者来控制，比如酒神的女祭司或者复仇女神欧墨尼得斯；他弄错了神的显现的用处，欧里庇德斯的单幕悲剧结尾处常有神显现，埃斯库罗斯三部曲的结尾好像与此相似，由于失去了活生生的传统，亚里士多德没有意识到神灵显现的仪式渊源和戏剧价值，而把神认为是有时去朗诵新喜剧开场白的这样一种方便和抽象，想象神的出现是为了解开情节的死结，而事实上，在他经常引用的《在奥利斯的伊菲革涅亚》里，情节实际上在结尾处被搅乱，目的是为了给神一个显现的机会。
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Meanwhile choirmaster Euripides was the object of fulsome praise; in fact, people would have killed themselves in order to learn more from him had they not known that the tragic poets were quite as dead as tragedy itself.
然而，歌队长欧里庇德斯还是不断博得称誉；真的，为了要从他学得更多一点，甚至有人宁愿自杀，殊不知悲剧的诗人们，像悲剧那样，从此寂灭了。
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in "Media" and "Leiyu", ancient Greece tragedian Euripides and Chinese contemporary drama writer Cao Yu shaped the tragedy figure Media and fanyi separately.
摘 要：古希腊悲剧诗人欧里庇得斯和中国现代戏剧家曹禺分别在其作品《美狄亚》和《雷雨》中塑造了两个悲剧性的女性形象——美狄亚和繁漪。
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Medea and Zhao Wuniang are two abandoned women respectively in ancient Greek tragedian Euripides' tragedy Medea and classical Chinese tragedy The Story of the Pipa adapted by Gao Zecheng.
美狄亚和赵五娘是古希腊悲剧家欧里庇得斯的悲剧《美狄亚》和高则诚改编的中国古典悲剧《琵琶记》中演绎的两位弃妇形象。
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On the northern side of the Agora, the vast rectangle that made up the centre of the city, you can admire the ruinsof the Spring of Pirene, the subject of many legends and mentioned in the tragedies of Euripides.
在阿加拉的北边，巨大的长方形广场构成了城市的中心。在那里你可以欣赏到皮兰尼喷泉的遗迹：它是许多传奇故事的主题，在欧里庇得斯的悲剧里也经常被提到。
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On the northern side of the Agora, the vast rectangle that made up the centre of the city, you can admire the ruinsof the Spring of Pirene, the subject of many legends and mentioned in the tragedies of Euripides.
而且这些柱子屹立在比它们自己更古老的遗迹上。在阿加拉的北边，巨大的长方形广场构成了城市的中心。在那里你可以欣赏到皮兰尼喷泉的遗迹：它是许多传奇故事的主题，在欧里庇得斯的悲剧里也经常被提到。
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Greek dramatist who ranks with Sophocles and Aeschylus as the greatest classical tragedians.
欧里庇得斯古希腊戏剧家，他与索弗克斯和艾希鲁斯并称为最伟大的古典悲剧作家。
- 更多网络解释与欧里庇得斯悲剧的相关的网络解释 [注：此内容来源于网络，仅供参考]
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Euripides：欧里庇得斯
"无音乐,毋宁死",欧里庇得斯(Euripides)悲剧>中的歌队齐声唱道. "婚礼的欢歌悄然,七弦琴不响,合唱队无声,死亡即将来临",身在科罗诺斯(Colonus)的俄狄浦斯(Oedipus)独自沉思. 被俘的雅典军士,狱中引吭高歌.
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Hippolytus：希波吕托斯
希腊悲剧作家欧里庇得斯(Euripides)的作品>(Hippolytus)讲述了这样的神话故事:年轻的希波吕托斯全心信奉贞洁的狩猎女神阿耳忒弥斯(Artemis),对生活中的性与爱不屑一顾,这让爱神阿弗洛狄忒(Aphrodite)十分不满.
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Ovid：奥维德
9 欧里庇得斯(Euripides)是古希腊三大悲剧作家之一,著名剧作有>(Medea)等. 10 奥维德(Ovid)是古罗马最伟大的诗人之一,他的诗对欧洲文学的影响具深,其杰作(Metamorphoses)达到史诗的颠峰.
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rhesus：瑞索斯
他可能写了九十二部戏,如果>(Rhesus)真为他所作,共有十九部流传至今. 这些作品虽然广受欢迎,但根据一种说法,他只得过五次奖,而索福克勒斯得过十八次. 欧里庇得斯是阿提卡(Attic)三大悲剧作家中最有趣的一个,
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Sextus：塞克斯都
古希腊哲学家兼历史学家塞克斯都(Sextus)、公元前五世纪的希腊悲剧诗人索福克勒斯(Sophocle)和欧里庇得斯(Euripide)、拉丁诗人兼哲学家卢克莱修(Lucrèce)、罗马铭辞作家马提雅尔(Martial)等贤哲的名言,也被写到屋梁上.
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Pella：培拉
公元前410年,阿刻劳斯把都城从埃迦伊(Aegae)搬迁到了培拉(Pella)城,并邀请雅典悲剧作家欧里庇得斯和阿伽松(Agathon)到这个新建的都城参观,此外来到培拉的还有著名画家宙克西斯(Zeuxis ).