traditional [trə'diʃənl]

traditional的基本解释

adj.

传统的, 惯例的

• Women are questioning their traditional role in society, as wives and mothers.
• 妇女正对她们在社会中扮演的妻子和母亲的传统角色提出疑问。

• There are also people who come to take such courses as Chinese traditional medicine, painting, calligraphy and photography.
• 还有一些人到学校里来是为了学习诸如中医、绘画、书法。摄影等课程。

traditional所属的单词分类

New Year / 新年 [157]

yin and yang  ·  twelve o'clock  ·  steamed fish  ·  spring rolls  ·  phases of the moon  ·  noise maker  ·  lion dance  ·  dimsum  ·  Auld Lang Syne  ·  New Year cake

与traditional相关的网络例句 [注：此内容来源于网络，仅供参考]

This paper mainly includes two parts The first part falls into three main sections. First, it analyses the formative causes of the Chinese traditional house interior display art through five aspects, including the structure and forms of Chinese traditional architecture, the productive mode of Chinese traditional society, Chinese traditional philosophy, the idea of ethics and grading and custom of Chinese traditional society. Second, it briefly introduces the history of Chinese traditional house interior display art's development. Finally, it focuses on the analysis of Chinese traditional house interior display art's design ideas and concludes that its design ideas embodies the five sides as follows: respect for nature and imitate artfully nature, practical-oriented and function incorporated into form, images of space of what the theory and practice forms, balanced natural pattern of the display, artifacts with the thoughts and respect for poetic imagery. Another part of the article further researches on the application of Chinese traditional house interior display ideas to the contemporary home display, and leads to the author's view, that is that each era should has its own character when it inherits the traditional culture. What's more, the contemporary Chinese-style home display design not only have to take over the spirit of the tradition but also have to give full consideration of the contemporary aesthetic concepts, principles and methods. In the 21st century, humanistic care is greatly proponed in the interior design. The interior display art should develop towards the ecological, personalized and comfortable direction and the cultural dimensions. It should absorb the traditional cultural elements to decorate contemporary living space. In order to upgrade the simple and primary "appearance likeness" to a higher level of "spirit likeness", it must effectively grasp the poetic imagery of space, which can reach the artistic effect of "both appearance and spirits".

本文的重点内容有两部分：一部分是从中国传统建筑的结构形式、中国传统社会的生产方式、中国传统的哲学观念、中国传统的伦理等级观念、中国传统社会的风俗习惯等五个方面简单分析了中国传统民居室内陈设艺术形成的原因；简要介绍了中国传统民居室内陈设艺术的发展过程；着重对中国传统民居室内陈设艺术设计理念的具体内涵进行了深入的分析，总结出其设计理念集中体现在五个方面，即崇尚自然与巧法造化、实用为本与文质彬彬、虚实相生的空间意象、均衡自然的陈设格局、器以载道与以境为尚；另一部分是对中国传统民居室内陈设设计理念在当代居室陈设设计中的应用作了较深层次的探讨，并提出了自己的见解，即每个时代对传统文化的继承都应该呈现出自己的特色，当代中式风格的居室陈设设计既要秉承传统民居室内陈设艺术的设计精髓，又要充分考虑当代审美观念、原则和方法的融入。21世纪，室内设计大力提倡人文关怀，具体到室内陈设艺术设计上，应该向生态化、个性化、舒适化和文化层面发展；吸收传统文化元素装饰当代居室空间，要有效地把握空间意境，使当代中式风格的居室陈设设计从简单、初级的&形似&上升到较高层次的&神似&，进而追求&形神兼备&的艺术效果。

In summary, the dissertation makes a profound study of traditional festivals with a new angle, visual field of philosophy and aesthetics, and mainly completes some work as follows: have a deep study of traditional festivals'phenomenon, discover the connotation of traditional festivals; explain the philosophical naissance of traditional festivals, analyze the dual-movement of time and its essential function to the logic process of traditional festivals'naissance; unfold the ontological foundation of traditional festivals, search out headstream of festival feeling which is rhythmized existence and experience of actual life, discuss the mode, character and significance of festival feeling; narrate the changes of traditional festivals in the process of modernization, explore the possible way of traditional festivals'transformation in modern society.

总之，本文从哲学美学这一崭新的视角对中国传统节日进行了深入的理论研究，主要完成了以下几个方面的工作：对传统节日进行了深入的现象描述，挖掘出了传统节日的文化内涵；阐释了传统节日的哲学发生，分析了时间的双重运动对于节日的逻辑生成的本质作用；发掘出了传统节日的存在论根基，寻找到了节日感的源头——节律化存在和实际生活经验，论述了节日感的表现形式、特质及其对于人生的重要意义；阐析了传统节日在现代化进程中发生的变化，探讨了传统节日在现代转型的过程中可能有的出路。

However, during New Trend '85, Gu Wenda differentiated himself from most artists of Chinese Painting of the time and showed his contemporary consciousness by experimenting on traditional ink painting materials and techniques. This brought out a new possibility for the contemporaneity of Chinese Painting. Since then, unremitting efforts have been made to "modernize" Chinese Painting through traditional abstract elements like ink-wash and Calligraphy. These efforts streamed into a new trend called "modern ink"(or "abstract ink","experimental ink") in late 1980's, though seemed not widely acknowledged for its resemblance to Abstract Expressionism of 1960's and 1970's American art. What is interesting is that while some artists are endeavoring to "westernize" their art, a new trend grouped as "Neo-literati Painting" appears with very traditional form and mood. This can be explained as a group of people's resistance to the reformation of traditional culture as well as their nostalgia to traditional ideals. However, this school tends to be artificial for the absence of the particular context, and the expression with traditional brushwork is also regionally limited. Of all the efforts of reformation, Chinese Painting that accordingly adopts the tradition heads the list because of the cultural identification of the big number of population and greater market as a result of the economic growth of China. Meanwhile, the immense conservative inertia of traditional Chinese culture can also be detected.

在"现代艺术"风起云涌的"85新潮"中，谷文达以传统水墨的材料和方法表达出不同于当时大多数中国画艺术家们这种文化心态和文化认知的现代意识，为中国画的现代性提供了一种方案；以水墨、还有选择中国传统书法的抽象因素等可能来进行现代性探索，一直是中国画连绵的努力，在80年代后期汇聚成"现代水墨"（又或曰"抽象水墨"、"实验水墨"），是中国画的又一流向，但是不是没有脱离60、70年代美国的"抽象主义"意义，反而还有了拾人牙慧之嫌，所以始终难以获得更大的认可和成功；很有趣的是，与此"西化"流向同时的，还有以非常传统的方式出现的"新文人画"潮流，或许可以把这看着是部分中国文化人在中国以西方为参照的新文化背景下对之的抵制，对传统理想的怀念和诉求，但由于已经失去了其语境和环境，"新文人画"显得娇情和造作，而且这种以非常地域化的传统笔墨语言来表现的方式也失去了更为普遍化的可能；反而是延续传统一脉的国画，由于有巨大的人数基础的本土文化的认同，在中国经济发展后有了更大的市场，所以还是蔚然为中国画的一大潮向，从这也可以看到中国文化承传的保守性的力量。

与traditional相关的网络解释 [注：此内容来源于网络，仅供参考]

traditional：传统的

在一段特定的时期内,我主要研究的是行为、仪式、民间医学、传统医药等,其间我使用的限定语主要是"传统的"(traditional)或"地方性的"(vernacular),比如地方性的宗教、地方性的医学,或传统医药等.

traditional：传统

可是,当我们和一些不太熟悉、甚至初次见面的美国朋友,假如在评论一个人或地区的时候,又会非常谨慎地使用"保守"一词,唯恐造成有"贬义"倾向的嫌疑,变得"政治不正确",我们会小心地挑选"传统"(traditional)一词以代之.

traditional：传统型

第三,传统型(traditional)行动,即由根深蒂固的惯例所决定的行动. 第四,情感型(affectual)行动,即在既定情形下,人们以情感决定的行动. (乔纳森.特纳等,2006:177~178)韦伯认为,人的社会行动要指向他人,在指向他人的过程中顾虑到他人的行动,

traditional：传统模式

传统模式(traditional)跟以前的一样,打开一个QM文件进行修改. (在Original file后打开原始文件,在Mod file文件后指定修改 要保存的新文件名. 当然不应该改文件名,自己新建一个目录,仍然用原文件名)更新模式(Mod update)可以打开两个语言文件进行对照,

traditional opera：戏曲

戏曲 戏曲(traditional opera) 释义 戏曲是中国传统的戏剧形式. 中国戏曲主要包括宋元南戏、元明杂剧、传奇和明清传奇,也包括近代的京戏和其他地方戏的传统剧目在内,它是中国民族戏剧文化的通称. 戏曲的起源和形成 中国戏曲源远流长,