Suprematism [sju'premətizəm; sə-]

Suprematism的基本解释

n.

[画]至上主义(1913 年出现在俄国的纯几何形抽象绘画艺术运动)

与Suprematism相关的网络例句 [注：此内容来源于网络，仅供参考]

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的"表现"观念的历史考察着手，归纳出西方现代"表现"观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在"表现"观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的"否定性物象"来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

But all of us shared much, if contrasted with technorationality, religious fundamentalism, and market suprematism.

但我们与这些文化运动在与科技理性化、宗教本质主义和市场至上主义的对立这一方面是相同的。

A collection of French and Russian arts from the late 19th century to 1925 illustrates Russian art movements from Realism, Impressionism, Suprematism to Constructivism under the French influences at the time.

俄罗斯画展中涵盖的艺术运动自写实派、印象派Impressionism）、至上主义(Suprematism至构成派，展出的画来自俄罗斯四座博物馆之典藏，这次合作可谓空前的创举，许多画作令人叹为观止。

与Suprematism相关的网络解释 [注：此内容来源于网络，仅供参考]

Suprematism：绝对主义

绝对主义(Suprematism):为一种非具象(non-objective)的艺术形式,由马列维基(Kasimir Malevich)首创. 马列维基的作品所采用的「新象徵符号」,是一些方形、三角形及圆形,1915年期间的作品多为简单几何式构图. 1916年之后,愈趋复杂及三度空间趋向,

Suprematism：至上主义

茶杯与城市可以互换但事后来认识,这个作品非常平淡,是俄罗斯的"至上主义"(Suprematism)建筑艺术,结合美国佛罗里达州"迈阿密滩"和新泽西州维尔德伍德(Wildwood)的曲棍球建筑(googly architecture).

Suprematism：至上派

supremacist 至上主义者 | suprematism 至上派 | surd 清音