查询词典 Suprematism

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的"表现"观念的历史考察着手，归纳出西方现代"表现"观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在"表现"观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的"否定性物象"来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

But all of us shared much, if contrasted with technorationality, religious fundamentalism, and market suprematism.

但我们与这些文化运动在与科技理性化、宗教本质主义和市场至上主义的对立这一方面是相同的。

Kazimir Malevich also worked in the constructivist style, though he is better known for his earlier suprematism and ran his own competing group in Vitebsk.

Kazimir Malevich也曾以构成主义者风格来从事创作，虽然他因早期的至上主义而广为人知，且在Vitebsk有经营自己的竞争团队。

Based on the analysis of Japanese architect Kazuyo Sejima and Nishizawa Ryue's the classical work,has explained the design concept,the connection of expression means and Malevich's suprematism works,explained what means"creating without entities",expressed the doctrine complex in the design.

通过分析日本建筑师妹岛和世与西泽立卫的经典作品，阐释了其设计理念、表现手法与马列维奇至上主义作品的联系，解读了何谓"无物象的创造"，表达出二者设计过程中的至上主义情结。

As a process of the transformation of the concept of crime, it has developed from suprematism to relativism, from scientism to humanism, from conservatism to libe- rali...

当代中国犯罪观转变的基本脉络表现为：由绝对主义犯罪观向价值中立犯罪观转变、由科学主义犯罪观向人本主义犯罪观转变、由保守主义犯罪观向自由主义犯罪观转变、由结构主义犯罪观向过程主义犯罪观转变、由国家控制的犯罪观向社会控制的犯罪观转变。

A collection of French and Russian arts from the late 19th century to 1925 illustrates Russian art movements from Realism, Impressionism, Suprematism to Constructivism under the French influences at the time.

俄罗斯画展中涵盖的艺术运动自写实派、印象派Impressionism）、至上主义(Suprematism至构成派，展出的画来自俄罗斯四座博物馆之典藏，这次合作可谓空前的创举，许多画作令人叹为观止。

By the time the patron collected the finished work the canvas had transformed into a mass of red, which is what we see now.Pic 3: Nathan Altman, Portrait of Anna Akhmatova, 1915Pic 4: Marc Chagall, The Promednade, 1917-1918Pic 5: Vincent Van GOGH, Portrait of Dr Felix Rey, 1889Pic 6: Henri Matisse, The Red Room,1908Pic 7: Pablo Picasso, Dryad, 1908Pic 8: Kazimir Malevich, Suprematism, 1915

康丁斯基著名的抽象画，透过强烈线条、简单的形块及平涂的色彩来描绘音乐、感觉，亦是他对艺术诠释之理念，以及夏卡尔的"The Promenade"(法国南部滨海的英国人散步道)，以Bella浮在城市半空中来呈现出他对Bella的爱慕及喜悦之情。

Based on the analysis of Japanese architect Kazuyo Sejima and Nishizawa Ryue's the classical work,has explained the design concept,the connection of expression means and Malevich's suprematism works,explained what means"creating without entities",expressed the doctrine complex in the design.

通过分析日本建筑师妹岛和世与西泽立卫的经典作品，阐释了其设计理念、表现手法与马列维奇至上主义作品的联系，解读了何谓&无物象的创造&，表达出二者设计过程中的至上主义情结。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的&表现&观念的历史考察着手，归纳出西方现代&表现&观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在&表现&观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的&否定性物象&来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

By the time the patron collected the finished work the canvas had transformed into a mass of red, which is what we see now.Pic 3: Nathan Altman, Portrait of Anna Akhmatova, 1915Pic 4: Marc Chagall, The Promednade, 1917-1918Pic 5: Vincent Van GOGH, Portrait of Dr Felix Rey, 1889Pic 6: Henri Matisse, The Red Room,1908Pic 7: Pablo Picasso, Dryad, 1908Pic 8: Kazimir Malevich, Suprematism, 1915

康丁斯基著名的抽象画，透过强烈线条、简单的形块及平涂的色彩来描绘音乐、感觉，亦是他对艺术诠释之理念，以及夏卡尔的&The Promenade&(法国南部滨海的英国人散步道)，以Bella浮在城市半空中来呈现出他对Bella的爱慕及喜悦之情。

I use an example quoted by Hu Jiaqi:"It is reported that America separates the DNA of a kind of virus by making use of genetic technology and combines it with another kind of DNA. Finally, they get a kind of virulent biological agent called a "pyrotoxin". Someone discloses in private that 20 grams of such a kind of biological agent could result in the global death of 6 billion people due to infection."

我在这里例举胡家奇所引用过的例子："据报道，美国利用转基因技术，将一种病毒的DNA分离出来，与另外一种DNA进行结合，拼结成一种剧毒的"热毒素"生物战剂，且私下有人透露，这种生物战剂只需20克，就可以导致全球60亿人全部感染死亡。"

Waiting, for the queers and the coons and the Reds and the Jews.

等待着疯子和黑人还有红色共产主义者还有犹太人