coffin chamber

coffin chamber的基本解释

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墓室, 寝

与coffin chamber相关的网络例句 [注：此内容来源于网络，仅供参考]

In the same sense according to the ancient interpretation are explained the two pillars Boaz and Jachin; the Rosecroix (a cross with a rose in the centre); the point within the circle; the "vesica piscis", the well-known sign for the Saviour; the triple Tau; Sun and Moon; Hiram and Christ; the coffin; the Middle Chamber and even the Sancta Sanctorum, as adyta or most holy parts of each temple, usually contained hideous objects of phallic worship.

在同一意义上根据古代解释解释的两大支柱波阿斯和Jachin ；的Rosecroix ；点的圆圈内的"阳南鱼"，众所周知签署的救世主；三头；太阳和月亮；西贡和基督；棺材；中东厅，甚至圣Sanctorum ，作为adyta或最神圣的地方的每一个寺庙，通常载骇人听闻的物体的阳具崇拜。

Mr. Reed had been dead nine years: it was in this chamber he breathed his last; here he lay in state; hence his coffin was borne by the undertaker's men; and, since that day, a sense of dreary consecration had guarded it from frequent intrusion.

里德先生死去已经九年了，他就是在这间房子里咽气的，他的遗体在这里让人瞻仰，他的棺材由殡葬工人从这里抬走。从此之后，这里便始终弥漫着一种阴森森的祭奠氛围，所以不常有人闯进来。

In the same sense according to the ancient interpretation are explained the two pillars Boaz and Jachin; the Rosecroix (a cross with a rose in the centre); the point within the circle; the "vesica piscis", the well-known sign for the Saviour; the triple Tau; Sun and Moon; Hiram and Christ; the coffin; the Middle Chamber and even the Sancta Sanctorum, as adyta or most holy parts of each temple, usually contained hideous objects of phallic worship.

在同一意义上根据古代解释解释的两大支柱波阿斯和Jachin ；的Rosecroix ；点的圆圈内的&阳南鱼&，众所周知签署的救世主；三头；太阳和月亮；西贡和基督；棺材；中东厅，甚至圣Sanctorum ，作为adyta或最神圣的地方的每一个寺庙，通常载骇人听闻的物体的阳具崇拜。

与coffin chamber相关的网络解释 [注：此内容来源于网络，仅供参考]

coffin hoist：匣升降机

coffin chamber 墓室 | coffin hoist 匣升降机 | coffinite 铀石

Once he's in the death chamber, you'll be escorted tothe viewing room：室,房间

76.Let's proceed. 执行... | 77.Once he's in the death chamber, you'll be escorted tothe viewing room. 室,房间 | 22.No embalming, biodegradable coffin,it's, very environmentally aware. Embalming.防腐剂....

wall painting：壁画

这是两汉的墓室(coffin chamber)壁画(wall painting),是上古绘画遗存中更为珍贵的,题材主要取之于礼教和神仙、天上与人间的同形的观念. 艺术作风上倾向于追求整体动势、不求细节模拟的粗线条,