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Verse metrically incomplete; especially lacking one or more syllables in the final metrical foot.

韵律上不完整;特别是在最后一个韵脚缺少一个或多个音节。

I'll love you 'til the poets run out of rhyme

我会一直爱你,直到诗人丢失了他的韵脚

A metrical foot consisting of one accented syllable followed by two unaccented or of one long syllable followed by two short, as in flattery.

扬抑抑格诗韵的韵脚,由一个重音节紧接两个非重音节或一个长音节接两个短音节组成,如在flattery中

The poems rhyme too determ in edly, unga in ly as pairs tied together in a three-legged race

这些诗的韵脚硬绑绑的,象两人各把一条腿绑在一起参加三腿竞走那样笨拙。

It seemed a glow to him, a warm and trailing vapor, ever beyond his reaching, though sometimes he was rewarded by catching at shreds of it and weaving them into phrases that echoed in his brain with haunting notes or drifted across his vision in misty wafture of unseen beauty.

韵脚、格律和结构已经够难的了,何况还有一种他在一切伟大的诗歌里都能感觉到却总是捉摸不定的东西,这东西他把捉不住,写不进诗里。

It is suitable rhyme and a strong, expressive, scannable rhythm which make that poem pleasurable and memorable, and the same can be said of many weightier poems which we can [End Page 47] enjoy and can recall.

是恰当的韵脚和传神、合律的节奏令这首诗动人、易记。很多我们喜欢并且能记起的更庄重的诗也有这些特点。

ChapterⅠintroduces the intention, significance and methods of the research from the angle of Chinese historical phonetics. Following the course of re-examining materials, ChapterⅡsurveys the pattern of rhyme, excerpting the metrical feet, ChapterⅢconnects the rhyme categories, the rhyme of different systems contacting with each other, and literary reading and colloquial reading. ChapterⅣcompares the rhyme cateories of traditional Hua-gu opera in Changsha with traditional rhyme tablesd, as well as those of traditional Hua-gu opera in Shaoyang. The total study is conducted to become united with dialect. ChapterⅤcontains the surplus discussion with three theories: the rhyming quality, the connection between rhyme categories and oral speech, between those of literary readings in traditional Hua-gu opera.

本文正文分为五章:第一章从音韵学角度,讨论了花鼓戏用韵研究的背景、意义以及研究方法;接着谨遵韵脚字系联法的步骤,第二章侧重材料分析,包括甄别材料、审度韵例、摘录韵字,第三章侧重韵部系统,包括归纳韵部、异部相押以及文白异读的情况;第四章对传统剧目的韵部系统进行了纵横(与邵阳传统花鼓戏韵部系统的比较)两条线的考察,结合方言是纵横考察过程中的重要环节;第五章是余论部分,主要讨论了三个理论性问题:长沙传统花鼓戏押韵的性质、韵部与实际语音的关系以及与长沙读书音的关系。

I have nearly caught the rhymes myself.

我几乎都要跟上它的韵脚了。

Ballad meter is usually iambic. The number of unstressed syllables in each line may vary. The second and fourth lines rhyme.

民谣的韵脚往往采用抑扬格的形式,每一行中非重度音节的数目不等,二、四行押韵。

"Dactyl:a metrical foot consisting of one accented syllable followed by two unaccented or of one long syllable followed by two short, as in flattery ."

&扬抑抑格:诗韵的韵脚,由一个重音节紧接两个非重音节或一个长音节接两个短音节组成,如在flattery中。&

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Since historical times,England ,where the early inhabitants were Celts, has been conquered three times .

从有历史以来,英国,在此地早期居住的是凯尔特人,已经被征服了三次。

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