音调悦耳的

Apollo was the god of music and poetry.he could stir up all feelings.these feelings are expressed in lofty songs.with his lyre of gold and the sweet accents of his godlike voice heled the choir of the muses at olympus.the pleasant music from his lyre was so exciting that stones marched into their places in rhythmic time and of their own will when he helped poseidonbuild up the walls of troy.on one occasion,invited to a contest by the human musician marsyas,he won and then flayed him to death for his pride.on another occasion,he lost out topan at a musical contest and turned the ears of the judge ,king midas, into those of an ass.

他可唤起人们倾注于圣歌中的各种情感。在奥林波斯山上，他手拿金质里拉，用悦耳的音调指挥缪斯的合唱。当他帮助波塞冬建造特洛伊城墙时，里拉奏出的音乐如此动听，以致石头有节奏地、自动地各就其位。有一次他接受凡人音乐家马斯亚斯的挑战参加一次竞赛。战胜对方后，他将对手剥皮致死以惩罚他的狂妄自大。在另外一次音乐比赛中，因输给了潘神，他就将裁判迈尔斯国王的耳朵变成了驴耳朵。阿波罗的儿子俄耳甫斯继承了父亲这方面的才能。

Apollo was the god of music and poetry.he could stir up all feelings.these feelings are expressed in lofty songs.with his lyre of gold and the sweet accents of his godlike voice heled the choir of the muses at olympus.the pleasant music from his lyre was so exciting that stones marched into their places in rhythmic time and of their own will when he helped poseidonbuild up the walls of troy.on one occasion,invited to a contest by the human musician marsyas,he won and then flayed him to death for his pride.on another occasion,he lost out topan at a musical contest and turned the ears of the judge,king midas,into those of an ass.

阿波罗是音乐神和诗神。他可唤起人们倾注于圣歌中的各种情感。在奥林波斯山上，他手拿金质里拉，用悦耳的音调指挥缪斯的合唱。当他帮助波塞冬建造特洛伊城墙时，里拉奏出的音乐如此动听，以致石头有节奏地、自动地各就其位。有一次他接受凡人音乐家马斯亚斯的挑战参加一次竞赛。战胜对方后，他将对手剥皮致死以惩罚他的狂妄自大。在另外一次音乐比赛中，因输给了潘神，他就将裁判迈尔斯国王的耳朵变成了驴耳朵。

Apollo was the god of music and poetry.he could stir up all feelings.these feelings are expressed in lofty songs.with 你好s lyre of gold and the sweet accents of 你好s godlike voice heled the choir of the muses at olympus.the pleasant music from 你好s lyre was so exciting that stones marched into their places in rhythmic time and of their own will when he helped poseidonbuild up the walls of troy.on one occasion,invited to acontest by the human musician marsyas,he won and then flayed 你好m to death for 你好s pride.on another occasion,he lost out topan at amusical contest and turned the ears of the judge,king midas,into those of an ass.

阿波罗是音乐神和诗神他可唤起人们倾泻于圣歌中的各类感情在奥林波斯山上，他手拿金质里拉，用悦耳的音调批示缪斯的合唱当他帮助波塞冬制作特洛伊城墙时，里拉奏出的音乐云云动听，乃至石头有节拍地、自动地各就其位有一次他接管常人音乐家马斯亚斯的挑战参加一次竞赛打败对于方后，他将敌手剥皮致死以惩罚他的傲慢自负在另一次音乐比赛中，因输给了潘神，他就将裁判迈尔斯国王的耳朵变成了驴耳朵

The modulation of sound properties over a wide range of time scales is one of the most obvious characters of Oscine passerine\'s vocal, whose song contains many different kinds of syllables that consist of many more multiple song phrases. In oscine passerine, ipsilateral projections of RA to NXIIts innervates the ipsilateral syringeal muscles exactly, and thus they have strong ability of vocal control with variable tones, high frequency and higher lever of quality.

鸣禽鸣啭的最大特点之一便是其单次鸣唱时间长，鸣唱所包含的音节数量和音节种类繁多，因而由这些音节所组成的句型结构也是复杂多样富于变化，且由于NXIIts严格的侧别控制(每一侧核团只支配同侧鸣肌)，使其具有更强的控声能力，其鸣声音调变化幅度大，频率高，品质因数大，音色好，因而其鸣声也悦耳动听。

The calls of non-passerine are some kinds of monotonous dull vocalizations with the characteristics of low and deep frequency, single syllable, low basic frequency and with no ability of modulation in frequency and amplitude. Most of the calls are monotonous and low quality mainly based on the basic song. Compare the vocal of sub-oscine passerine with non-passerine, they have some similar aspects, but the former possesses of stronger capability of vocal control.

非鸣禽的叫声低沉而单调，音节种类单一，基本音频率低，缺乏频率调制以及幅度调制的能力，叫声的品质因数很低，不悦耳，大多为以基本音为主的单音调低音品叫声，亚鸣禽的叫声与非鸣禽近似，但在控声能力方面又有所提高。

Chrysanthemum of 10 thousand birthday is lax to edaphic requirement, with the arenaceous qualitative loam with fecund, good drainage had better.

万寿菊对土壤要求不严，以肥沃。排水良好的砂质壤土为好。

He unstepped the mast and furled the sail and tied it.

他拔下桅杆，把帆卷起，系住。