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This paper presents a quantificational evaluation to a specified high standard odeum via measuring on some main acoustic parameters.

通过对一个演出规格较高的音乐厅主要声学客观参数的测试,给出了该音乐厅定量的音质评价。

According to an on-site measurement of the impact of underground rail trains motion vibration on the place where the odeum is to be constructed,it shows that the maximum vibration impact of the underground rail train on the constructing site is 41~48 dB.

现场测量了地铁列车运行振动对拟建音乐厅场址的环境影响,结果表明地铁对该场址的振动影响最大为41~48dB,频谱特性集中在16~63Hz范围内;同时预测了音乐厅建成后,室内受地铁列车运行振动产生的二次空气声影响将达29~30dB,将超过预定的25dB控制目标值。

Chief inspector of art of happy hall of the foundamental tone inside card overcomes Sir Laifu Jilinsen to say: No matter your age, citizenship or it is plays musical instrument, will tell to musician, this philharmonic project offerred YouTube an unique opportunity, let them can be not only on the world the famousest arena -- odeum performs Carnegie, also can go up in the world the largest stage -- the performance on YouTube.

卡内基音乐厅艺术总监克莱夫·基林森爵士说:"不论你的年龄、国籍或是所演奏的乐器,对于音乐家来讲,YouTube此次的交响乐团项目提供了一个独特的机会,让他们不仅能够在世界上最著名的舞台——卡内基音乐厅表演,也能够在世界上最大的舞台——YouTube上表演。"

When she played her final Carnegie Hall performance — the chamber version of Mozart's Concerto No. 12 in A (K. 414), with the Tokyo String Quartet, in November 2002 — The New York Times reported that,"The small details — the trills and turns that adorn the score — as well as the more expansive pianism in the cadenzas and the glowing Andante, had considerable energy behind them."

当她在卡耐基音乐厅做最后的演出时——在2002年和东京弦乐四重一起演绎的莫扎特第12协奏曲(A调K414总谱)室内音乐厅版——纽约时报如是报道,"颤音和转音——这些装点乐曲的细节,以及在句尾更具扩张性的钢琴演奏技巧和洋溢着的舒缓节拍,这些背后有着强大的能量。"

The Finnish Chamber Orchestra relies primarily on private endorsement. The orchestra is in co-operation with a group of Finnish and international companies of which Kone, Fortum, YIT, TeliaSonera, Varma, Outokumpu and SanomaWSOY share the main responsibility of sponsorship. Music enthusiasts have been able to show their support through a registered association, Pro Kamarimusiikki ry. As well as performing annually in southern Finland, the Finnish Chamber orchestra has toured extensively abroad, e.g. in the United States and China.

在最近的几个演出季中,该团的演出安排除了在赫尔辛基和全芬兰巡演外,还多次出访欧洲其他国家和参加著名艺术节,如在阿姆斯特丹皇家音乐厅、哥本哈根音乐厅和伦敦、巴黎等地的著名场地,参加了德国石-荷艺术节、爱丁堡艺术节、Naantali艺术节、赫尔辛基艺术节。1996-97演出季,该团首次出访美国,并在华盛顿肯尼迪中心、纽约爱丽丝·图利大厅、芝加哥交响乐厅及亚特兰大、圣路易斯等地演出,获得巨大成功。

02 After sting This is the Dortmund Concert Hall, one of the world's finest auditoriums.

这里是多特蒙德音乐厅,它是世界上最精良的音乐厅之一

At 19, after graduating in Moscow, Nina left the Soviet Union and continued studying in Germany and the United States.Nina Kotova's career has taken her across the globe performing as a soloist, chamber musician and composer.

在那之后,她在卡内基音乐厅的首场演出是以大提琴独奏的身份与莫斯科室内乐团合作的、她还在伦敦的巴比坎中心、莫斯科音乐学院大厅、北京紫禁城音乐厅、纽约市政厅、东京兰花厅、以及拉维尼亚的&崛起的新星&系列中演出。

When she played her final Carnegie Hall performance — the chamber version of Mozart's Concerto No. 12 in A (K. 414), with the Tokyo String Quartet, in November 2002 — The New York Times reported that,"The small details — the trills and turns that adorn the score — as well as the more expansive pianism in the cadenzas and the glowing Andante, had considerable energy behind them."

当她在卡耐基音乐厅做最后的演出时——在2002年和东京弦乐四重一起演绎的莫扎特第12协奏曲(A调K414总谱)室内音乐厅版——纽约时报如是报道,&颤音和转音——这些装点乐曲的细节,以及在句尾更具扩张性的钢琴演奏技巧和洋溢着的舒缓节拍,这些背后有着强大的能量。&

When she played her final Carnegie Hall performance — the chamber version of Mozart's Concerto No. 12 in A (K. 414), with the Tokyo String Quartet, in November 2002 — The New York Times reported that,"The small details — the trills and turns that adorn the score — as well as the more expansive pianism in the cadenzas and the glowing Andante, had considerable energy behind them."

当她在卡耐基音乐厅做最后的演出时——在2002年和东京弦乐四重一起演绎的莫扎特第12协奏曲(A调K414总谱)室内音乐厅版——纽约时报如是报道,&颤音和转音这些装点乐曲的细节,在句尾更赋张力的钢琴演奏技巧和洋溢着的舒缓节拍,所有这些背后都蕴藏着强大的能量。&

They formed the core of the string section of Sinfonia Helvetica, which performed in Italy and in Switzerland with Krystian Zimerman, and of the Menuhin Festival Orchestra, which had concert tours of Japan (Suntory Hall, Tokyo, Salamanca Hall, Gifu, and Symphony Hall, Osaka) and Germany (Beethovenhalle, Bonn and Philharmonie Gastei, Munich).

他们共同构成了海尔维希交响乐团的弦乐部分,已在意大利、瑞士进行了演出,分别与克里斯汀·齐默曼、梅纽因节日乐团合作演出,并和后者在日本(东京三得利音乐厅、岐阜县的萨拉曼卡厅、大阪的交响乐大厅)和德国(波恩的贝多芬大厅和慕尼的爱乐音乐厅)巡回演出。

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