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露珠

与 露珠 相关的网络例句 [注:此内容来源于网络,仅供参考]

In the morning, when dew forms on the plant, the light rays are focused by little globules of water collected by tentacles arising between the petals.

清晨,露珠挂在火百合的枝叶上,花瓣中伸出根根触须,收集露珠,光线透过水滴聚焦。

You are the big drop of dew under the lotus leaf, I am

露珠对湖水说道:你是在荷叶下面的大露珠,我是在荷叶上面

You are the big drop of dew under the lotus leaf, I am the s

露珠对湖水说道;你是在荷叶下面的大露珠,我是在荷叶上面的较小的露珠

One on its upper side , said the dewdrop to the lake.

88露珠对湖水说道:你是在荷叶下面的大露珠,我是在荷叶上面的较小

Lotus leaf, i am the smallerone on its upper side, said the dewdrop to the lake.

露珠对湖水说道;"你是在荷叶下面的大露珠,我是在荷叶上面的较小的露珠。"

I am the smaller one on its upper side, said the dewdrop

露珠对湖水说道;"你是在荷叶下面的大露珠,我是在荷叶上面的较小的露珠。"

You are the big drop of dew under the lotus leaf, I am the smaller one on its upper side, said the dewdrop

露珠对湖水说道;"你是在荷叶下面的大露珠,我是在荷叶上面的较小的露珠。"

" "You are the bi g drop of dew under the l otus l eaf, I am the smal l er one on i ts upper si de, sai d the dewdrop to the l ake.

露珠对湖水说道;你是在荷叶下面的大露珠,我是在荷叶上面的较小的露珠

"You are the bigd rop of dew under the lotus leaf,I am the smalle rone on it supper side,"said the dew drop to the lake.

露珠对湖水说道:&你是荷叶下面的大露珠,我是在荷叶上面的较小的露珠。&

"You are the bigd rop of dew under the lotus leaf,I am the smalle rone on it supper side,"said the dew drop to the lake.

露珠对湖水说道:&你是荷叶下面的大露珠,我是在荷叶上面的较小的露珠。&

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推荐网络例句

The physiology of the skin machine body for the sake of the environment in the maintenance stability, but eject a body metabolism creation of metabolism thing BE'grease', summer perspire many various skin disease light or good, autumn perspire little metabolism thing metabolism don't go out, various skin disease made, this be the skin machine body of various burning disease.

皮肤机体的生理为了维持内环境稳定,而排出身体代谢产生的代谢物是'油泥',夏天出汗多各种皮肤病就轻或好了,秋天出汗少代谢物代谢不出去,各种皮肤病就犯了,这就是皮肤机体的各种炎症。

If I had anything tender in me, I shot it dead.

如果我有什么招标的话,我枪死亡。

The argumentation way in which this literary grace using is based on color painting, setting out from two angles separately " color"、" ink and wash", making criticizition in texts of Chinese ancient drawing history; analyzing how "color" painting was on the way from ripe to losing; emphatically analyzing the reason of losing in color center, that is to say the reason of "the change of ink and wash ", and its reconstructional way of combination, development with "ink and wash" it was "replaced" by the afterward manner. In a word, the developing "replaced"by the afterward manner.

本文所采用的论述方式是:立足于色彩绘画,分别从&色彩&、&水墨&两个角度出发,先对它们在中国古代画史论著中作一考证;分析隋唐时期&色彩&绘画是如何从体制的成熟、完备而走上&失落&的道路;着重分析色彩绘画中心&失落&亦即&水墨之变&的原由;及其在被水墨&替代&后与&水墨&结合、衍变的重建之途。