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钟乳石状的

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Chrysocolla forms as crusts, stalactites or stalagmites and in botryoidal grape-like shapes, as well as inclusions in other minerals.

硅孔雀石组织如地壳、钟乳石组织,以葡萄状进行结构粘结,有其它矿物类似的内含物。

This shortly brought them to a bewitching spring, whose basin was incrusted with a frostwork of glittering crystals; it was in the midst of a cavern whose walls were supported by many fantastic pillars which had been formed by the joining of great stalactites and stalagmites together, the result of the ceaseless water-drip of centuries.

不久他们就到了一个美妙的泉水旁,水底下石头形似雪花状玲珑剔透,泉水位于石窟中间,四周石壁全由形状奇特的柱子撑着,这些石柱是大钟乳石和大石笋相连而构成的,是千万年来水滴不息的结果。

They have one of the most awe-inspiring collections of stalagmites and stalactites found in the United States. A stalagmite is a cone-shaped mineral deposit that forms upward; a stalactite forms downward.

其为美国境内少数生有令人惊叹的石笋及钟乳石洞穴之一;因矿物沉淀而成的圆锥状石笋由下向上增高;而钟乳石则由上而下延伸。

推荐网络例句

The physiology of the skin machine body for the sake of the environment in the maintenance stability, but eject a body metabolism creation of metabolism thing BE'grease', summer perspire many various skin disease light or good, autumn perspire little metabolism thing metabolism don't go out, various skin disease made, this be the skin machine body of various burning disease.

皮肤机体的生理为了维持内环境稳定,而排出身体代谢产生的代谢物是'油泥',夏天出汗多各种皮肤病就轻或好了,秋天出汗少代谢物代谢不出去,各种皮肤病就犯了,这就是皮肤机体的各种炎症。

If I had anything tender in me, I shot it dead.

如果我有什么招标的话,我枪死亡。

The argumentation way in which this literary grace using is based on color painting, setting out from two angles separately " color"、" ink and wash", making criticizition in texts of Chinese ancient drawing history; analyzing how "color" painting was on the way from ripe to losing; emphatically analyzing the reason of losing in color center, that is to say the reason of "the change of ink and wash ", and its reconstructional way of combination, development with "ink and wash" it was "replaced" by the afterward manner. In a word, the developing "replaced"by the afterward manner.

本文所采用的论述方式是:立足于色彩绘画,分别从&色彩&、&水墨&两个角度出发,先对它们在中国古代画史论著中作一考证;分析隋唐时期&色彩&绘画是如何从体制的成熟、完备而走上&失落&的道路;着重分析色彩绘画中心&失落&亦即&水墨之变&的原由;及其在被水墨&替代&后与&水墨&结合、衍变的重建之途。