超越

The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men\'s helplessness, hopelessness and distortedness in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine one\'s individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军，他们从不同的角度，以各自不同的方式，展示了中国现代社会中的一幅幅人生图景：张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态；刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态；谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑，提倡人的精神解放和主体意志的彰显；刘震云以近乎残忍的描写，揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲；张炜强调一种内在真情与良知的表达，认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的，就是人在心灵深处为自己和他人保存的那一份真情与良知；潘军从复归自我和维护个性尊严的角度，把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men"s helplessness, hopelessness and distortedness "in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine ones individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军，他们从不同的角度，以各自不同的方式，展示了中国现代社会中的一幅幅人生图景：张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态；刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态；谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑，提倡人的精神解放和主体意志的彰显；刘震云以近乎残忍的描写，揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲；张炜强调一种内在真情与良知的表达，认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的，就是人在心灵深处为自己和他人保存的那一份真情与良知；潘军从复归自我和维护个性尊严的角度，把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

That is to transcend the fetters and durance, to seek the freedom and liberation

从第五代电影到第六代电影，中国当代先锋电影思潮经历了从启蒙主义到后现代主义的转递，潮起潮落间却有着内在的驱动力贯穿其间，那就是人们对于束缚和禁锢的超越，对自由和解放的追求，对于美的向往和沉迷，而先锋电影的颠覆性、革命性、实验性正是这种超越和追求的具体化。

It does the more enrapture me,And even so, I still remainA lover in captivity.Greensleeves was all my joy,Greensleeves was my delight,Greensleeves was my heart of gold,And who but my lady greensleeves.3 Greensleeves, now farewell, adieu,God I pray will prosper thee,For I am still thy lover true,Come once again and love me.Greensleeves was all my joy,Greensleeves was my delight,Greensleeves was my heart of gold,And who but my lady greensleeves.

Adrain个人小观点：这首诗简约而又生动忧伤，值得大家注意的是它所描写的故事是一个君王对一个平民女子的爱，在诗里，这位君主的爱超越了阶层，也超越了物质和生死，假设和对比手法的运用将感情抒发到了极致，爱的忧伤不仅仅是忧伤，在诗里也是一种美。

We obtained two results of composition growth of transcendental entire function and transcendental meromorphic function.

得到了超越整函数与超越亚纯函数的复合增长性的两个结果。

We give a simple and practical method to decide on exceedance threshold. Based on the linearity of mean excess function which is a qualitative means,this method uses moment estimate plot to analyze quantitatively the varying trend of shape parameter with changing thresholds.and combines these two means to choose reasonable threshold.

我们给出了确定超越门限的一种简单实用方法，该方法基于平均剩余函数图形的线性性这种定性方法，利用矩估计图定量分析形状参数估计随门限值变化趋势，将两种方法相结合来确定合理的超越门限。

Extrasensory perception occurs only when the mind is partially embedded in the body.

当一部份心灵超越身体的限制时，即可直接撷取信息而了解外在的世界，所以只有在心灵有些超越身体时才会发生特异功能。

In their view, America's prosperity and greatness beyond personal ambition, but also beyond the individual's background, and factional differences between rich and poor.

在他们看来，美国的强盛与伟大超越了个人雄心，也超越了个人的出身、贫富和派别差异。

Fictitiousness meets not only the need of human aesthetic communication but also the need of transcending the reality and the self and expanding the self.

文学虚构不但能够满足人类的审美交流需要，还能满足我们超越现实、超越自我和扩展自我的需要。

This paper argues that his "retribulization", which is now a post-modern theory, is to transcend the bonds of mechanical thinking featuring analytical, lineal, fragmental trends of thought.

他提出的"重新部落化"就是今天时髦的后现代化，也就是超越现代思维的局限，亦即超越分析的、线性的、机械的思维，走向整合的思维。

Objective To investigate the effects of interleukin-1 β converting enzyme gene on the biologic characteristics of ovarian cancer cells.

目的 探讨白细胞介素-1 β转换酶的表达，对卵巢癌细胞生物学特性的影响。

Campylobacter: This illness is the most commonly identified cause of diarrheal illness in the world.

弯曲：这种病是最常见的原因查明腹泻病，在世界上。