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赋格曲

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They are extremely valuable to study and refer to, and greatly affective to the posterities. All of the styles were known as Sonatas by the musician, but the styles indicated by the musician himself were Minuet, Fuga, Gavota, Pastoral, Capriccio, Gegue and Toccata. Through posterities analyzing, summing and indicating, and the writer's analyzing and studying, the styles defined evidently are Pavan, Bourree, Ricercare, Sarabande, Allemande and Courante.

就体裁而言,虽然被作曲家统一称为奏鸣曲,但由作曲家自己标明的体裁就包括:小步舞曲、赋格、加沃特舞曲、田园曲、随想曲、吉格舞曲、托卡塔等,经后人分析总结标注及本文作者的分析研究,其中可明显定义的体裁又包括:帕凡舞曲、布雷舞曲、里切尔卡、萨拉班德舞曲、阿勒芒德舞曲、库朗特舞曲等。

Max-Reger cherished fuge in his life, which is the highest form of polyphon. He combined it with Partita, and made a classical poem rules and non- classical poem rules comprehensive music form. This paper analyses Max-Reger's most famous orchestra work,(op 132) contacting with his other related works, attempts to study his writing characteristic in the Polyphon aspect, and obtains the model and the enlightenmentThis paper will be divided into seven parts.

雷格尔一生钟爱赋格——这种复音音乐的最高形式,并且将它与变奏曲相结合,从而构成格律与非格律的综合音乐形态,本文通过对其最为著名的管弦乐队作品《莫扎特主题变奏与赋格》(op 132)进行分析,结合雷格尔的其他相关作品,试图探寻其在复音音乐方面的写作特征,并以此获得借鉴与启示。

He began his career as a church organist, and was soon corns ORGAN preludes and fugues (pieces arranged for several contrasting parts).

他的音乐生涯是从当教堂的管风琴师开始的。不久他就开始谱写管风琴序曲和赋格曲(由几个对比部分组成的乐段)。

"I'll have a look at this new organist," he thought,"who can afford to bury his talents at Audley, and play Mendelssohn's finest fugues for a stipend of sixteen pounds a-year."

&我要去瞧瞧这位新的风琴师,&他心中想道,&谁肯为了年俸十六英镑的报酬,把天才埋没在奥德利乡村里,还弹奏门德尔松的最优美的赋格曲呢。&

The passage shown in Ex.43 is in fact a simplified version of the opening of Prelude No.12 from Book II of J.S. Bach's '48 Preludes and Fugues' for keyboard.

通过显示在Ex.43实际上是一个简化版本的12号开幕的前奏从第二册爵士巴赫的前奏曲和赋格曲'48 '的键盘。

Before the 1780s the string quartet had been a relatively light genre, although a wide range of movement types was possible, including strict fugues.

在1780年之前,尽管包括严谨的赋格曲在内的很多曲式都有可能出现在弦乐四重奏中,它还是一种不太受重视的音乐体裁。

Apart from composing, Hindemith is also a great artist. Here he illustrated the musical work with colored pencil, drawing a lion for each entry of the subject of the fugues. And for each of the twelve, a different lion according to the character of the music, providing an instructive formal analysis of the music. The lions are really cute. Some are wearing pajamas and slippers and some plucking flowers.

除了作曲,欣德米特也特别好画画,画工得到当时文艺界公认,他的画风特别可爱,比如这个每个赋格曲的主题开端都画了一只小狮子,这些可爱的小狮子代表的正是他狮子座的妻子Gertrud Rottenberg,每一只狮子颜色都不一样,有的还穿着睡衣和拖鞋,每一只的表情和动作代表了这一小节所表达的心情。

But it's the brilliant reds and scarlets that depend upon a set of weather conditions as precise and balanced as a Bach fugue.

但是鲜艳的红色和深红色叶子就要有像巴赫赋格曲那样精确平稳的天气才会出现。

But it's the brilliant reds and scarlets that depend upon a set of weather conditions as precise and balanced as a Bach fugue.

但是大红色和深红色的叶子就需要有像巴赫赋格曲那样精确平稳,丝毫不差的天气才会出现。

We would have yellow and orange leaves any fall, regardless of the weather. but it's the brilliant reds and scarlets that depend upon a set of weather conditions as precise and balanced as a Bach fugue.

我们会有黄色并且桔子叶子任何落,不管天气但取决于一套天气情况一样精确和平衡作为Bach 赋格曲的it\\ 的精采红色和猩红色。

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