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And the relationship just shows: Plath\'s poetry is not autobiographic, but has distinct autobiographic quality, and the autobiographic quality appears to have three levels: reappearance, expression and interference.

这三者之间的关系表明:普拉斯的诗歌是非自传的,但却带有明显的自传性,而且这种自传性表现为三个递进的层次:再现——表现——同谋。其中,第一章探讨了诗歌对生活的再现,在生活中的经验和记忆与诗歌之间发现某些直接的镜像关系,以此证明生活是文学创作的基础。

Facing the banal situation in which the new poetry is misunderstood and controlled by the postmodern strategy of writing, this paper argues for the possibility of reconstructing the poetic "historical imagination" in order to enable the modern Chinese poetry to regain and then to preserve the vitality of historical existence and the artistic quality of avant-gardism.

面对新世纪诗歌在误解或简缩的"后现代"写作策略制导下所出现的平庸局面,本文提出重铸诗歌的"历史想象力"这一写作理念,以使现代汉语诗歌重获并保持真正的历史生存承载力和艺术上的先锋品质。

He pointed out clearly that the verse should revert its function of "blazoning forth the ethics" and "expressing the aspiration". He broke up the routine of late Tang and Five Dynasties which regarded the verse as the entertainment. He led the Sung tune to emphasize more on the "reason","quality" and "reality".

他明确地指出诗歌应该恢复"明道"、"言志"的功能,具有美刺的社会功用,使诗歌创作打破了晚唐五代诗歌娱情悦兴的惯例,促进了宋调向重"理"、重"质",面向现实的方向发展。

It includes Westerners enthusiastic study of Chinese literature after Cathay, and its influence on literary translation and poetic translation.

包括该诗集对庞德诗歌创作和美国诗歌的影响;对文学翻译理论的影响以及对诗歌翻译的影响。

In the century's first decade poetry still had a large audience; volumes of verse published in that time included Thomas Hardy's The Dynasts, Christina Rossetti's posthumous Poetical Works, Ernest Dowson's Poems, George Meredith's Last Poems, Robert Service's Ballads of a Cheechako and John Masefield's Ballads and Poems.

在本世纪的头十年诗歌仍有大批观众;卷诗发表在当时包括哈代的Dynasts ,克里斯蒂娜娜罗塞蒂的遗诗作品,欧内斯特道森的诗,乔治梅瑞迪斯的最后诗歌,罗伯特服务的歌谣的Cheechako和John马斯菲尔德的歌谣和诗歌

Before the end of the century, there was another famous writer, John Milton. Once published, his work became famous for the absence of rhyme at the end of each line.4. Greatly loved in China are the English Romantic poets.5. They can help us to understand each other better, or as Mu Dan wrote

如何循序渐进地引导学生去了解英语诗歌,懂得去欣赏发现诗歌中的美,在一定程度上学会去分析英语诗歌的韵律,意境及情境,最终明白&诗歌及文化是连接一门语言与另一门语言,一种文化与另一种文化的桥梁&这句话包含的道理。

Spoken Poetry article from the network of morphological characteristics, the causes of oral sex, and oral performance, the ultimate meaning and limitations of folk poetry and network position, low-poem "waist" to explain the two major aspects of the language require the trivialization of poetry Poetry and its network is now moving toward the development of a civil position of stability and low-poem "waist" of the boom.

文章从网络诗歌口语性形态特征、口语性的成因、及其口语化的表现、最终的意义与局限和网络诗歌的民间立场、低诗&下半身&走向两个大方面阐释出诗歌语言的庸常化及其现在网络诗歌的一种发展走向,民间立场的稳定和低诗&下半身&的热潮。

This paper analyses three tendency of network pioneer poem,"Sensual Composition","Breakage" and "Ant- elevation"."Sensual Composition" give a hard shock on current poem which had a aged character, but it also interflows with the utility of commercial society."Breakage" brings a valiant tidal current in poem composition, also forms a wild style."Ant- elevation" lead poem to the ground, hoist the flag of criticizing social problem, but it can also fall poem into trap of politics.

论文重点分析了先锋诗学中出现的&肉身化&、&破坏性&、&崇低&等三大倾向,认为&肉身化&写作对当下诗歌写作中陈腐的&中老年&特征进行了一次重大冲击,但客观上也迎合了&消费社会&的功利性;&破坏性&力量带来了一股强悍的诗歌写作潮流,解构、反讽、审丑、怪诞等写作手法形成了一种粗暴的美学风格,但也引发了诗歌写作新一轮的戏噱和狂欢;&崇低&将诗歌写作再度引向&地面&,重举批判现实的大旗,拆解虚伪的假面,但其借助网络所强调的&政治性批判&和对写作&政治禁区&的突破正让它面临沦为意识形态工具的危险。

The transformation and co-existence of writing gestures established an inner order for woman poetry, by which we can not only form a deeper and new understanding on the leading woman poets and their works in the three periods, but also draw a reasonable conclusion about the position and contributions of woman poetry.

只有在日益多元化的诗歌写作环境中,凭借诗歌自身规律的力量将女性诗歌写作姿态调校到一个更为合理的状态,更理想的女性诗歌才会出现。

He used to utilize concise language and plain poetic form: vocabulary in his poems is mainly informal, and most of them belong to monosyllables; on syntax, Frost mainly adopts normal, prosaic lingual orders and strict and orthodox grammars; on the poetic form, he often writes traditional blank verse, sonnet and pays more attention to the phonetic natural rhythm, lines' musical effect and the relations between sound and meaning, which form his unostentatious artistic style.

他的诗歌通常运用简洁凝炼的语言和平淡的诗歌形式:诗歌中出现的大多是口语化的词语,并且大多数词都属于单音节词;在句法方面,大多的句式采用的都是正常的、散文化的语序和严格正统的语法;在诗歌形式上,他主要使用无韵诗和104行诗,他也10分重视语音的自然节奏和诗句的音乐效果以及音与义之间的联系,从而形成质朴无华的艺术风格。

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