视觉

From the solution to local problems of motion vision and static vision to the design of relatively complete computer vision systems and then to the establishment of general-purpose vision systems comparing with human intelligence is a long course full of allurement and challenge.

从局部的运动视觉和静态视觉问题的求解，到较为完整的计算机视觉系统的构造，再到通用性的可以类比于人类智能的视觉系统的建立，这是一个充满诱惑且极富挑战的漫长历程。

According to the analysis of the two respects, Nietzsche's theory of vision is summarized as a mode of vision, which can be called "Apollonian Vision" or "Carnal Vision","Corporeal Vision".

根据这两个方面的分析，本文把尼采的视觉思想归结一个视觉模式，即"阿波罗式的视觉"或"肉身化视觉"。

The newspaper, a kind of plane carrier, whose external images are constructed by visual symbols. Visual and non-linguistic symbols have more effect than written language on readers' vision so that readers can get deeper understanding and impression of the newspaper.

报纸作为一种平面载体，它的外在形象是由视觉性符号构造出来的，而且视觉性非语言符号要比文字语言符号在视觉上给读者的视觉冲击更大，也更能加深读者对报纸的认识和记忆。

Chapter 1 briefs the relation between invariance and computer vision and summarizes the research and application of invariance in computer vision. Chapter 2 first derives the transformations of three camera models, then makes the correpondences between the models and three typical geometrical transformation groups by analysing the transformations respectively. The correspondences supply the theoretical basis for applying geometrical invariants to resolve the problems of computer vision. In Chapter 3, we describe the geometrical invariant theory and prove some geometrical invariants of coplanar points, lines or conics by algebraic method. In order to use the invariants of conic pairs to describe general 2D shapes, we discuss the perspectively invariant representation of planar curves using conies in detail. A system consisted of two TMS320C25 and based on moment invariants is introduced in Chapter 5. The system can recognize more than 30 different shapes of object model or more than 10 plane models with similar shape in real time.

第一章简述了不变性与计算机视觉的关系，以及计算机视觉中的不变性研究和应用概况；第二章推导了计算机视觉中常用三种投影模型的变换关系，通过对这三种变换关系的分析，分别建立了这三种投影模型和几何学中的三种变换群之间的一一对应关系，为几何不变性在计算机视觉中的应用提供了理论基础；在第三章中，我们介绍了几何不变性的理论，并且用代数方法证明了共面点、直线、二次曲线的几何不变量和射影不变量；为了把二次曲线的不变量用于一般二维形状描述，在第四章中我们详细地讨论了用二次曲线实现一般平面曲线的透视不变性表示的方法；第五章介绍了用两片TMS320C25构成的、基于不变矩形特征的运动目标实时识别系统。

The main subject of the discussion is about the connection and development of visual and symbolic signs of Japanese and South Korean. Start with the visual correlation in psychology and the physiological phenomenon, and the development and influence to social and the humanities stratification, as well as with the character of the essential factor, the special characteristic and the utilization scope, to analysis and discussion the significance and the concept between the visual. Synthesis and symbolize signs.

藉由韩国的视觉标志为例，探讨视觉与标志符号之间的相关性，由视觉相关的心理及生理现象著手，发展至社会及人文层面的影响，以及与符号相关的要素、特质及运用的范围、思考的方向，探讨视觉及符号两者综合后所象徵的意义及概念，并分析视觉及符号之间的关系。

This essay used semeiology and metaphor theory as well as real examples, to discuss the problem of how the meaning raised from the visual language in the information design, which including two ...

本文应用符号学与隐喻的理论，借助实例从视觉语言的结构关系与视觉语言自身的谱系关系两个角度来分析信息设计中视觉语言的意义产生问题，并从视觉语言的诠释学层面对视觉语言的接受问题进行了研究。

From this genealogical narrative, it is clear that the object of visual cultural studies is riot visual product but visuality that is hidden in all cultural texts, and the deconstruction and critique of the visual regime that forms this visuality is the fundamental task of this study.

通过这一描述和阐释，可以清楚地看到，视觉文化研究的对象并非视觉产品本身，而是隐藏在一切文化文本中的"视觉性"，而对构成视觉性的"视觉政体"的解构和批判将是这一研究的基本任务。

This essay used semeiology and metaphor theory as well as real examples, to discuss the problem of how the meaning raised from the visual language in the information design, which including two different angles: the structure of visual language, and the pedigree of the visual language itself; and then to discuss the receivability of visual language in the view of language deciphering.

本文应用符号学与隐喻的理论，借助实例从视觉语言的结构关系与视觉语言自身的谱系关系两个角度来分析信息设计中视觉语言的意义产生问题，并从视觉语言的诠释学层面对视觉语言的接受问题进行了研究。

Color and line are random and out-of-order, which is like the time lapse.

在画面视觉表现上，柯克通过色彩斑斓，极富视觉冲击力的热抽象绘画语言，描绘破旧的残墙、碎片的边缘，以此寻找并记录都市生活的现实，表现时间的流逝和无常，画面上看是随意和无序的色块和线条，以偶然性的视觉形态构成了新的序列关系，与拼贴、并置的具象图像相互衔接，形成了他鲜明的视觉表现形式，这种抽象与具象形态所引发的美感无形而明确，呈现出强烈的对比和视觉冲击。

The omni-vision system for RoboCup middle-size league soccer robot-NuBot and its method for object recognition are introduced firstly in the paper,and then a simple front vision system is used to improve the accuracy of recognition of the ball in front,and meantime an easy and effective calibration method for front vision system is presented,and finally the realization mechanism for the two vision systems working together is introduced,in which the processing speed of robot's object recognition can be accel...

为了快速正确地进行机器人的目标识别，首先介绍了RoboCup中型组足球机器人NuBot使用的全向视觉系统及其目标识别方法；然后通过引入一套简单的前向视觉系统来弥补全向视觉的不足，以提高机器人对其前方目标球的感知识别精度，同时给出了一种简单有效的前向视觉系统标定方法；最后介绍两套视觉系统共同工作的实现机制，以提高机器人的目标识别处理速度。

Objective To investigate the effects of interleukin-1 β converting enzyme gene on the biologic characteristics of ovarian cancer cells.

目的 探讨白细胞介素-1 β转换酶的表达，对卵巢癌细胞生物学特性的影响。

Campylobacter: This illness is the most commonly identified cause of diarrheal illness in the world.

弯曲：这种病是最常见的原因查明腹泻病，在世界上。