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艺术批评

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An Austrian critic criticized Brod's viewpoint of connectin g the castle's ruling directly with mercy which is a religious concept in the postscript of the first edition of The Castle. In doing so, Brod gave a precedent to those critics who want to find religious symbols and other symbols in the novel and comprehend Kafka's illusion by theological explaining. In translating art images directly into the languages of theology, philosophy and psychology, it was certain that Brod would lower the value of Kafka's art.

奥地利批评家海因茨·波里策批评布罗德在《城堡》第一版后记中"把城堡的统治直接同慈悲这个宗教概念联系起来的"论点,为那些"想在这部作品中寻找宗教的和其他的象征,并给予神学的解释来理解卡夫卡的幻想"的批评家开了一个先例;布罗德"将艺术的图像直接翻译成神学的、哲学的和心理学的语言"的做法,必然会使其"艺术价值变得平淡"。

Analysis and research are mixed by the mentation of critical student characteristic, master critical art, can get the result that expect is less than.

分析和探究被批评学生的心理状态和特征,把握批评的艺术,能收到意想不到的效果。

In fact,the present cultural criticism of China is a kind ofunliterary research and critique about literature and art.Itis a republication of social-historical criticism.

中国当下的文化批评实际上是对文学艺术所作的一种非文学形态的研究和评论,是社会历史批评的翻版。

Benjamin led us to feel the various problems existing in the modem world, such as the concealment of truthfulness, the unpreventable dying of expenence, and so on.

本雅明让我们感受到了现代性世界存在的诸种问题:"真实"遭到遮掩、"经验"正处在不可挽回的消逝中,艺术的内在批评所蕴含的建设性和创造性确保了艺术的真正真实。

Because of this, I intend ito analyze and summarize the rhetorical art characteristics of Li Bais poems from the rhetoric angle and with the reviews and criticisms of them in literary criticism and the poetical rezeptionsasthetik.

鉴于此,本人拟从修辞学的角度出发,并结合文学批评、接受诗学中对李白诗歌的评论和批评,分析和梳理李白诗歌的修辞艺术特色。

This critique underrates the curatorial task of creating a general platform for quite diverse artistic positions in order to allow a communication between each specific work of art.

这个批评低估了为不同的艺术位置的特别的艺术作品交流创造一个一般的平台的策展工作。

Briefly,on the one hand,the development of the early Minimalism is in line with Greenberg\'s principle of "simplified form";on the other hand,after Stella\'s"What you see is what you see",Judd\'s "Special Object" and the creative idea of "theater" advocated by Tony Smith and Robert Morris, the Minimalism begins to depart from the mainstream of Modernism to the anti-Modernism ultimately.In 1967,Greenberg\'s "Recentness of Sculpture"and Michael Fried\'s "Art and Objecthood" mark the watershed of the Formalist criticism which came to decline then.

简要地说,一方面,早期极少主义的发展是符合格林伯格主张的&形式简化&原则的;但另一方面,当斯特拉提出&你看见的是什么就是什么&,贾德主张&特殊客体&,以及托尼·史密斯、罗伯特·莫里斯宣扬&剧场&化的创作主张后,极少主义开始脱离现代主义的发展轨迹,最终走向了反现代主义的道路。1967年,格林伯格的《雕塑的近况》与迈克·弗雷德的《艺术与客体性》成为了形式主义批评的分水岭,此后,形式主义批评走向衰落。

It tries to and should mix and fuse poetry and prose, inspirition and criticism, the poetry of art and the poetry of nature; and make poetry lively and sociable, and life and society poetical; poeticize wit and fill and saturate the forms of art with every kind of good, solid matter for instruction, and animate them with the pulsations of humor.

浪漫主义诗歌试图并理应融合诗与散文,融合瞬间灵感与理性批评,融合人工雕琢之作与自然天成之品;应该使诗充满生机令人喜闻乐见,给生活与社会点缀诗意;应该令才智富含诗情,用旨在教益的各类善的、坚实的素材充实各样艺术形式,展现艺术家个性以令这些艺术形式焕发蓬勃生机。

B Although in consumption culture the architecture criticism is a kind of mass taste criticism, and the valuation of architecture also appears to be commerce value, however in this frame architecture can also possess its own profound content and art value, all these lies on the attitude and the practice method of the architecture productor.

b虽然消费文化中的建筑批评多是一种大众趣味的批评,其价值取向也主要表现为商业价值,但在这种框架里的建筑仍然可以具有深刻的内涵,仍然可以实现其艺术价值,这取决于生产主体的态度与实践方式。

It has landed itself in a predicament of being deconstructed by itself.

中国当下的文化批评实际上是对文学艺术所作的一种非文学形态的研究和评论,是社会历史批评的翻版。

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