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After the First World War, the tennis'old costumes had changed,so in 1919,Susan as a French athlete became the sign in history of the women's tennis costumes,she had changed the long skirt to shorter,and matched the loose skirts and bobby sox,this costume won the classical remark:"the barelegged war on the tennis world."

第一次世界大战后,网球的保守着装传统有了一定改观,于是,1919年,法国选手苏珊·朗格伦成为了女子网球服历史上又一个闪亮的符号。她改长袖为短袖,并配以宽松的过膝百褶裙和长袜,这赢得了媒体的经典评语:"网球场上的裸腿之战"。

After the first world war, the traditionalconservative of tennis dress changed a little,and then,In 1919,the French athlete Susan,became the twinkling symbol of the history of the women's tennis dress,she who had changed the long skirt to short,and matched the loose pleated skirts and skortings,it won the classical remark:" the barelegged war on the tennis court"

第一次世界大战后,网球的保守着装传统有了一定改观,于是,1919年,法国选手苏珊·朗格伦成为了女子网球服历史上又一个闪亮的符号。她改长袖为短袖,并配以宽松的过膝百褶裙和长袜,这赢得了媒体的经典评语:"网球场上的裸腿之战"。这样的服装大概就是传说中的古典主义了。去掉了帽饰,上衣也被束在了裙腰里,裙摆也开放些,使得行动更容易,不过裙子的长度依旧没有变化。

This kind of the dress maybe the legendary classicalism ,to get rid of the cap,and with the jupe in the waist of the skirt, the bottom of her skirt is more opened,and it makes the acktion more easier,but the length of the skirt with no change.

第一次世界大战后,网球的保守着装传统有了一定改观,于是,1919年,法国选手苏珊·朗格伦成为了女子网球服历史上又一个闪亮的符号。她改长袖为短袖,并配以宽松的过膝百褶裙和长袜,这赢得了媒体的经典评语:"网球场上的裸腿之战"。这样的服装大概就是传说中的古典主义了。去掉了帽饰,上衣也被束在了裙腰里,裙摆也开放些,使得行动更容易,不过裙子的长度依旧没有变化。

At this time by the sport has evolved to the grass in the sand, cement floor and asphalt at the ground game, so "tennis" to gradually replace the name "lawn tennis" the name, this is our today Tennis the origin of the name.

此时网球运动已经由草地上演变到可以在沙土上、水泥地上、柏油地上举行比赛,于是"网球"的名称就慢慢替代了"草地网球"的名称,这是我们今天网球名称的由来。

At this time the sport has evolved from the grass in the sand, cement floor, held tar game on the ground, the "tennis" to gradually substitute the name "lawn tennis" name, which is Today, tennis the origin of the name.

此时网球运动已经由草地上演变到可以在沙土上、水泥地上、柏油地上举行比赛,于是"网球"的名称就慢慢替代了"草地网球"的名称,这是我们今天网球名称的由来。

It soon spread to England, where both Henry VII and Henry VIII were avid players who promoted the building of more courts.

随后,它很快地传到了英国,那时亨利七世和八世是网球的痴迷者,他们还下令建造很多网球场地。

It soon spread to England, where both Henry VII Henry VIII were avid players who promoted the building of more courts.

随后,它很快地传到了英国,那时亨利七世和八世是网球的痴迷者,他们还下令建造 8ttt8网球场地。

It soon spread to England, where both Henry VII Henry VIII were avid players who promoted the building of more courts.

随后,它很快地传到了英国,那时亨利七世和八世是网球的痴迷者,他们还下令建造很多8t t t8网球场地。

It soon spread to England, where both Henry VII and Henry VIII were avid players who promoted the building of more courts.

随后,它很快地传到了英国,那时亨利七世和八世是网球的痴迷者,还下令建造网球场地。

It soon spread to England, where both Henry VII and Henry VIII were xdyid players who promoted the building of more courts.

随后,它很快地传到了英国,那时亨利七世和八世是网球的痴迷者,他们还下令建造很多网球场地。

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推荐网络例句

The physiology of the skin machine body for the sake of the environment in the maintenance stability, but eject a body metabolism creation of metabolism thing BE'grease', summer perspire many various skin disease light or good, autumn perspire little metabolism thing metabolism don't go out, various skin disease made, this be the skin machine body of various burning disease.

皮肤机体的生理为了维持内环境稳定,而排出身体代谢产生的代谢物是'油泥',夏天出汗多各种皮肤病就轻或好了,秋天出汗少代谢物代谢不出去,各种皮肤病就犯了,这就是皮肤机体的各种炎症。

If I had anything tender in me, I shot it dead.

如果我有什么招标的话,我枪死亡。

The argumentation way in which this literary grace using is based on color painting, setting out from two angles separately " color"、" ink and wash", making criticizition in texts of Chinese ancient drawing history; analyzing how "color" painting was on the way from ripe to losing; emphatically analyzing the reason of losing in color center, that is to say the reason of "the change of ink and wash ", and its reconstructional way of combination, development with "ink and wash" it was "replaced" by the afterward manner. In a word, the developing "replaced"by the afterward manner.

本文所采用的论述方式是:立足于色彩绘画,分别从&色彩&、&水墨&两个角度出发,先对它们在中国古代画史论著中作一考证;分析隋唐时期&色彩&绘画是如何从体制的成熟、完备而走上&失落&的道路;着重分析色彩绘画中心&失落&亦即&水墨之变&的原由;及其在被水墨&替代&后与&水墨&结合、衍变的重建之途。