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绘画的技巧

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The second chapter "literature discussion", discussion of affiliation watercolor painting unique esthetic sense and value and the light shade description, analysis water color landscape painting connotation and performance pattern, and by China and the West landscape painting famous expert's work, analysis discussion localization esthetic sense special characteristic, Again separately from the date according to the time and the early days of the restoration Taiwan water color artist work's style, the theme, the artistic vocabulary and so on with the scenery drawing related subject, explores the ponder direction which the author creates, and analyzes romanticism water colorist Tyner, understood that its creation style and the skill, take advantage of this define clearly the author the image which must transmit in the drawing, and because of artistic creation's practice, the idea and the skill fusion, the time can display the self-style the work.

第贰章「文献探讨」,藉水彩画独特的美感与价值与光影描写之探讨,分析水彩风景画的内涵与表现型式,并以中西风景画名家的作品,分析探讨本土化的美感特质,再分别从日据时期及光复初期台湾水彩艺术家作品的风格、题材、艺术语汇等与风景绘画相关的议题,探索笔者创作的思考方向,并分析浪漫主义水彩画家泰纳,了解其创作风格与技巧,藉此厘清笔者在绘画中所要传达的意象,并藉由艺术创作的实践,将理念与技巧融合,期能表现出自我风格的作品。

Digital painting is an emerging art form in which traditional painting techniques such as watercolor, oils, impasto, etc. are applied using digital tools by means of a computer, a digitizing tablet and stylus, and software.

数字绘画是一种新兴的艺术形式,如水彩,油,impasto等应用使用由一台电脑,一个数字化板和手写笔的手段数字化工具和软件传统的绘画技巧。

The features of the "Red Fillet On Earth" is summarized to six unites of the opposites as follows:(1) the unity of the historic authenticity based on the documents and the art authenticity based on the unique painting skills;(2) the unity of the continuity of the development of the works as a whole and the independent appreciation of each single work;(3) the unity of the construction of the stories in the paintings and the clue of it;(4) the unity of the content of the stories and the style of the paintings;(5) the unity of the positiveness of the people depicted in the work and the negativeness of the environment in it;(6) the unity of the modesty of aesthetic pursuing and the enrichment of the painting.

笔者将该作品概括为6大特点:(1)基于文献的历史真实性与基于独特绘画技巧的艺术真实性之间的辩证统一;(2)宏观的整体线索上的连续性与微观的单幅作品的独立欣赏性之间的辩证统一;(3)复杂的外在叙事结构与有机的内在情节联系之间的辩证统一;(4)全面庞杂的故事内容与多样统一的绘画形式之间的辩证统一;(5)坚毅乐观的人物形象与严峻恶劣的环境态势之间的辩证统一:(6)质朴无华的美学追求与繁复丰茂的绘画本体之间的辩证统一。该作品的教育价值主要在于:不仅是一种难能可贵的绘画鉴赏的视觉教材,更是一个对青少年进行革命历史传统教育的经典视觉范本。

The second part is the key of this paper. The author focuses on making an induction of expressive skills, cognitive process and beauty appreciation changes on color language in western painting in different periods, from primitive society to the ancient Greece, from Middle Ages to Renaissance, from the 17~ and 19~ century to the 20~ century. At the same time, the author makes a comparison between the typical works of typical artists and analyses the typical color language and its expressive approach. In addition, the author brushes the evolution relationship contained in color, such as symbolism, decoration, mitation, abstract and expressiveness of language, with the purpose of displaying the main features of color language in different periods and discovering the evolution relationship , its necessity and sequence.

其次,本文重点归纳总结了西方美术史各阶段,包括原始社会、古希腊到中世纪、文艺复兴、十七至十九世纪直至二十世纪绘画色彩语言的表现技巧和认知过程及审美嬗变,在此基础上纵向比较了以上各阶段典型画家的典型作品中的色彩语言和表现方法,并对西方绘画中具有象征性、装饰性、模仿性、抽象性和表现性的色彩语言及其演进关系也进行了纵向逻辑梳理,从而归纳出各个时期绘画色彩语言的基本特点及其历史演进的必然性和秩序性。

Frank's ink painting and undoubted skill as well as sharp eye and awareness of three dimensions in his observational work (particulary those made at the London Sinfonietta Orchestra) really impressed and fascinated us.

吴永杭先生的水墨绘画以其毋庸置疑的技巧以及观察事物时的三维视觉角度和敏锐的感受力(尤其是那些在伦敦Sinfonietta乐队完成的作品)真正地打动并迷住了我们。

An award-winning artist, Hedi conducts oil painting workshops throughout the United States, Canada, Norway, and France. Her paintings have been featured in Art of the West; International Artist; and Kunst for Alle, a leading Scandinavian art magazine.

作者相关简介:在她丰富而生动的静物油画中巧妙的结合了现实主义和印象派风格,沐浴在阳光充足而又轻和逼真的色彩中,她的植物绘画与新鲜感和自发性而产生共鸣,掩饰着她精心地培育和绘画技巧。

For all their stylistic differences - Xinjian in his technical virtuosity and Zhang in his monochromic abstractions - these artists are surprisingly similar in their use of Western painting styles and representation of Chinese cultures and spirituality.

两位艺术家都将自己的创作置于东西方对话的大背景之中。杜新健绘画技巧相当精湛,布日古德擅长单色抽象画,尽管风格迥异,他们在西方绘画风格的运用和中国精神文化的表达方面惊人地相似。

Hao Liang, from Chongqing, blends his technical virtuosity in Chinese ink with a macabre vision that intermingles Song Dynasty portraiture with Tudor and Elizabethan imagery.

来自重庆的郝量,将精湛的传统国画水墨技巧与宋代肖像绘画和都铎与伊丽莎白时期的绘画技巧混合在一起,带给观者令人惊奇的视觉感受。

Concurrently, in the Netherlands , a particularly vibrant artistic culture developed, the work of Hugo van der Goes and Jan van Eyck having particular influence on the development of painting in Italy, both technically with the introduction of oil paint and canvas, and stylistically in terms of naturalism in representation.

同时,在荷兰发展形成了一种极充满活力的艺术文化,代表是雨果梵德尔和扬凡爱克的作品,他们对义大利绘画的发展有特别的影响,在技巧上都引入了油画颜料和油画布,在风格上都表现自然主义。

Around 516 BC Simonides invented the "art of memory". He equated the methods of classical poetry and painting and taught that these forms, acted upon by memory, were intense visualization.

在西元前516年左右 Simonides 提出了「记忆的艺术」,他比较了古典诗词写作技巧与绘画技巧,而认为它们都是「记忆」的产物、且都亟欲将其「视觉化」。

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