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Romanticism, absolute music, Baroque forms - suite, toccata, etc...

音乐,再现巴洛克时期的形式-组曲,托卡塔等等

Absolute music, Baroque forms - suite, toccata, etc...

再现巴洛克时期的形式-组曲,托卡塔等等

As an example, Bach's No.2 suite applied Sinfonia as ushering music, the selection of Allemande's time signature, Sarabande's rhythm, along with selections of non-dance music pieces of Rondo and Caprice, yet with the absence of Gigue as conclusion, where the aforementioned methodology shows characteristics of a non-traditional suite form.

以第二号组曲为例,采用交响曲做为引导乐曲、阿勒曼舞曲之拍号、萨拉邦舞曲之节奏、轮旋曲与随想曲此二首非舞曲之选用及缺少吉格舞曲作为终止舞曲,以上皆为此首组曲异於传统组曲形式所造成之特色。

The purpose of the Trys to analyse the properties of the work ,and to annotate for performance.

文章试图对该组曲的艺术特色进行分析,并尝试对该作品的演奏进行诠释。

Using argil as a medium, it explores the childhood and relationships between oneself and other people, traversing time and space of memory to contemplate the inner world so that the emotional self-expression is born out by the nature, the space, and the theory of tactile creation.

中文摘要本创作「记忆组曲」主要是个人的生命体验和生活经验,以陶土为媒介,透过童年及人、我关系,穿越时空的记忆,反省观照内心世界,让情感自我表述,并与自然、空间、触觉美之创作理论互相印证。

Hence, through this Partita, we experience Bach's creativity based on traditional classical suite structures, along with bold applications of fugue and imitation, harmonizing innovative suite content and selections, and transitioning from early English Suites, which unifies into his own unique music representation.

因此,在此组曲中,体验到巴哈在传统古典组曲结构与大幅使用赋格与模进之创作手法下,融合创新之组曲内容与选曲,经由早期英国组曲至此组曲中之创作演变,以自己的语法巧妙的合而为一。

Bach's Partita No.2 in c minor BMV 826 was composed in 1727, and then in 1731, along with 5 other Partitas, published "Clavier-bung Part I".

巴哈"c小调第二号组曲"(Partita No.2 in c minor BWV 826)创作於1727年,1731年与其它五首组曲编辑出版"键盘练习曲第一册"(Clavier-bung Part I)。

Chaconne in d minor by Bach(The six non-accompaniment sonatas and suites,second suite,No.5) is one of the most glorious works of violin in Baroque times.

巴赫《6首无伴奏的奏鸣曲和组曲》第二组曲第5首d小调&恰空&是巴洛克时期小提琴文献中最光辉的曲目之一。

"What I really enjoy is playing nine-hour sets because I get to show the people that I also love more progressive records" he says.

这里的复数形式&set&应该指&组曲&:&'我真的很喜欢做上九个小时的组曲,因为我想让人们知道我也喜欢更进步的(尤指流行于二十世纪七十年代的一种摇滚乐,深受古典主义影响,使用键盘乐器,乐曲长)乐曲,'他说。&

Bach's Partita No.2 in c minor BMV 826 was composed in 1727, and then in 1731, along with 5 other Partitas, published "Clavier-bung Part I".

巴哈&c小调第二号组曲&(Partita No.2 in c minor BWV 826)创作於1727年,1731年与其它五首组曲编辑出版&键盘练习曲第一册&(Clavier-bung Part I)。

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推荐网络例句

The physiology of the skin machine body for the sake of the environment in the maintenance stability, but eject a body metabolism creation of metabolism thing BE'grease', summer perspire many various skin disease light or good, autumn perspire little metabolism thing metabolism don't go out, various skin disease made, this be the skin machine body of various burning disease.

皮肤机体的生理为了维持内环境稳定,而排出身体代谢产生的代谢物是'油泥',夏天出汗多各种皮肤病就轻或好了,秋天出汗少代谢物代谢不出去,各种皮肤病就犯了,这就是皮肤机体的各种炎症。

If I had anything tender in me, I shot it dead.

如果我有什么招标的话,我枪死亡。

The argumentation way in which this literary grace using is based on color painting, setting out from two angles separately " color"、" ink and wash", making criticizition in texts of Chinese ancient drawing history; analyzing how "color" painting was on the way from ripe to losing; emphatically analyzing the reason of losing in color center, that is to say the reason of "the change of ink and wash ", and its reconstructional way of combination, development with "ink and wash" it was "replaced" by the afterward manner. In a word, the developing "replaced"by the afterward manner.

本文所采用的论述方式是:立足于色彩绘画,分别从&色彩&、&水墨&两个角度出发,先对它们在中国古代画史论著中作一考证;分析隋唐时期&色彩&绘画是如何从体制的成熟、完备而走上&失落&的道路;着重分析色彩绘画中心&失落&亦即&水墨之变&的原由;及其在被水墨&替代&后与&水墨&结合、衍变的重建之途。