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She thought that art was expressive, not reproductive, it is an expression of feelings, but the feelings are conceptive and universal, not of common customs.

她还通过大量的比喻和实证分析,证明艺术是表现的,而不是再现的,是一种情感的表现,这种情感是概念性的、普遍性的情感,而非日常生活的情感,艺术情感通过审美直觉表现出来。

So is it not with me as with that Muse Stirr'd by a painted beauty to his verse, Who heaven itself for ornament doth use And every fair with his fair doth rehearse Making a couplement of proud compare, With sun and moon, with earth and sea's rich gems, With April's first-born flowers, and all things rare That heaven's air in this huge rondure hems.

二一 我的诗神①并不像那一位诗神只知运用脂粉涂抹他的诗句,连苍穹也要搬下来作妆饰品,罗列每个佳丽去赞他的佳丽,用种种浮夸的比喻作成对偶,把他比太阳、月亮、海陆的瑰宝,四月的鲜花,和这浩荡的宇宙蕴藏在它的怀里的一切奇妙。

So is it not with me as with that muse, Stirred by a painted beauty to his verse, Who heaven it self for ornament doth use, And every fair with his fair doth rehearse, Making a couplement of proud compare With sun and moon, with earth and sea's rich gems: With April's first-born flowers and all things rare, That heaven's air in this huge rondure hems.

只知运用脂粉涂抹他的诗句,连苍穹也要搬下来作妆饰品,罗列每个佳丽去赞他的佳丽,用种种浮夸的比喻作成对偶,把他比太阳、月亮、海陆的瑰宝,四月的鲜花,和这浩荡的宇宙蕴藏在它的怀里的一切奇妙。哦,让我既真心爱,就真心歌唱

ONNET 21 So is not with me as with that Muse, Stirr'd by a painted beauty to his verse, Who heaven itself for ornament doth use And every fair with his fair doth rehearse, Making a couplement of proud compare, With sun and moon, with earth and sea's rich gems. With April's first-born flowers, and all things rare That heaven's air in this huge rondure hems.

hakespaere 《十四行诗集》第21首我的诗神①并不像那一位持神只知运用脂粉涂抹他的诗句,连苍穹也要搬下来作妆饰品,罗列每个佳丽去称赞他的佳丽,用种种浮夸的比喻作成对偶,把他之太阳、月亮、海陆的瑰宝,四月的鲜花,和这浩荡的宇宙蕴藏在它的怀里的一切奇妙。

According to the findings of this thesis, Blake is skilled in demonstrating his beliefs and viewpoints powerfully by integrating metaphorical devices, symbols, ironic tones and/or irrational situations into seemingly plain and straightforward expressions rather than using highly-deviated words and grammars to achieve this purpose; in other words, Blake seeks to draw on semantic and contextual deviations rather than structural ones in composition, and thus shows his creativity and exceptionality especially in this respect.

根据本文研究发现,在《天真与经验之歌》中,布莱克并没有采用非常华丽或刁钻古怪的字词,其诗句的韵律和语法结构也颇为简单,偏离的程度并不高。但这些看似平淡无奇的词句,却常常给人以思想上的冲击。这是因为他在作品中使用了大量的语义及语境偏离,包括各种比喻、象征、反讽等手法,从而达到抒发情感、传递信念的作用,而这也正是其诗作的独到之处。来源:A7fBC论文网www.abclunwen.com

Multiple meaning of expression is getting its possibility because of garble of a statement and ambiguity is constrainted because of restriction of context, same psychology and cultural background, use of figure of speech.

双向的断章一方面使赋者所表达的意义更加具体、与情境更加契合,另一方面却也使表达有着多义的可能。而具体语境的限制以及比较一致的心理、文化背景和比喻修辞的使用,又限制了歧义的发生。

Mk 4:13.33-34; 7:18 - is the recognition of the "incapacity of the human mind towards divine revelation, the transcendental grandeur of the mystery and the gratuitousness of his giving it to believers".

这两个主题的基本要件:对於耶稣的比喻有不明白的地方加以补充解释(见马尔谷四13.33-34;七18)──承认「人对於天主的启示未能充分的了解,将卓越宏伟的奥秘,无私地给予他的信徒。

He alone has the following eighteen parables: good Samaritan, friend at midnight, rich fool, servants watching, two debtors, barren fig-tree, chief seats, great supper, rash builder, rash king, lost groat, prodigal son, unjust steward, rich man and Lazarus, unprofitable servants, unjust judge, Pharisee and publican, pounds.

他单有以下18比喻:好撒马利亚人,朋友在午夜,丰富的傻瓜,公务员看,两个债务人,贫瘠的图树,行政议席,伟大的晚餐,皮疹建设者,皮疹国王,失去了groat ,浪子的儿子,不公正的董事,财主和拉撒路,无利可图的公务员,不公正的法官, pharisee和publican ,英镑。

She makes observations like ''Summer in the city means cleavage.'' And she can unfurl a poetic illogic that can be romantic or hard-nosed.

Regina Spektor出生的时候,还是苏联时代,这不光是个比喻,她就出生在那时的莫斯科,在小的时候就搬到了美国的纽约,她的生涯不光受到了纽约的影响,她的音乐更是完全纽约化的音乐。

Bacon's phrase was based on a sense of the Latin word crux,"cross," which had come to mean "a guidepost that gives directions at a place where one road becomes two," and hence was suitable for Bacon's metaphor.

培根的这一词组是基于拉丁语crux "十字形"的意思之上的,它的意思为"在一条路分为两条岔路的地方用于指示方向的路标",因此它适用于培根的这一比喻。

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Johhny Damon说,『他已是最好的了,再没有人能够比他做的更好,我想他的球技已经完全成熟了,而且他也已经学会了如何去对付和压迫各种打击者。。。。。。

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