歌剧的

No He won't have it , he knows his whole back city's ropes It don't matter, he's dope He knows that, but he's broke He's so stacked that he knows When he goes back to his mobile home, that's when it's Back to the lab again yo This whole rap shit He better go capture this moment and hope it don't pass him You better lose yourself in the music, the moment You own it, you better never let it go You only get one shot, do not miss your chance to blow This opportunity comes once in a lifetime yo The soul's escaping, through this hole that it's gaping This world is mine for the taking Make me king, as we move toward a, new world order A normal life is borin, but superstardom's close to post mortar It only grows harder, only grows hotter He blows us all over these hoes is all on him Coast to coast shows, he's know as the globetrotter Lonely roads, God only knows He's grown farther from home, he's no father He goes home and barely knows his own daughter But hold your nose cuz here goes the cold water His bosses don't want him no mo, he's cold product They moved on to the next schmoe who flows He nose dove and sold nada So the soap opera is told and unfolds I suppose it's old potna, but the beat goes on Da da dum da dum da da You better lose yourself in the music, the moment You own it, you better never let it go You only get one shot, do not miss your chance to blow This opportunity comes once in a lifetime yo No more games, I'ma change what you call rage Tear this mothafuckin roof off like 2 dogs caged I was playin in the beginnin, the mood all changed I been chewed up and spit out and booed off stage But I kept rhymin and stepwritin the next cypher Best believe somebody's payin the pied piper All the pain inside amplified by the fact That I can't get by with my 9 to 5 And I can't provide the right type of life for my family Cuz man, these goddam food stamps don't buy diapers And it's no movie, there's no Mekhi Phifer, this is my life And these times are so hard and it's getting even harder Tryin to feed and water my seed, plus See dishonor caught up bein a father and a prima donna Baby mama drama's screamin on and Too much for me to wanna Stay in one spot, another jam or not Has gotten me to the point, I'm like a snail I've got to formulate a plot fore I end up in jail or shot Success is my only mothafuckin option, failure's not Mom, I love you, but this trail has got to go I cannot grow old in Salem's lot So here I go is my shot.

无 他不会有，他知道他的整个回城的绳索它不处理此事，但他的涂料他知道，但他的突破他的，所以堆叠他知道当他回到他的手机在家，就什么时候，它的回到实验室又摇摇这整个说唱为Shit 他最好去捕捉这一刻，并希望它不通过他您更好地失去了自己在音乐，时刻你拥有它，你最好永远不会放手你只能获得一杆，千万不要错过你的机会，以打击这个机遇而来的一生中只有一次的心灵灵魂的逃亡，透过这个洞，它的溃烂这个世界是矿井为录取令我国王，因为我们走向一个新的世界秩序过正常的生活，是borin ，但superstardom的接近邮政砂浆它不仅日益困难，只有长大白热化他的打击我们所有这些锄头，是所有对他的海岸到海岸的表演，他知道作为globetrotter 寂寞的道路，只有上帝知道他的成长到离家远，他的父亲并没有他回家，勉强知道自己的女儿但对于你的鼻子cuz这里有云冷水他的老板不希望他没有谟，他的冷战产物他们转移到下一schmoe谁流向他的鼻子鸽派和出售纳达所以肥皂歌剧是告诉，并逐步落实我想它的旧potna ，但在街上巡逻下去大达达姆弹达达姆弹达大您更好地失去了自己在音乐，时刻你拥有它，你最好永远不会放手你只能获得一杆，千万不要错过你的机会，以打击这个机遇而来的一生中只有一次的心灵没有更多游戏，我是改变你们称之为愤怒催泪这mothafuckin屋顶起飞一样二日犬笼我是playin在beginnin ，心情，一切都变了我是咀嚼起来，吐出一片嘘声起飞阶段但我一直rhymin和stepwritin未来的CYPHER 最好相信有人的payin该pied伯尔所有的痛苦内扩增事实我不能得到我的9至5月我不能提供适当类型的生命，因为我的家庭 cuz男子，这些goddam粮票不买尿布它的不看电影，有没有mekhi phifer ，这是我的生命这些时代，所以很难和它变得更难 tryin到饲料和水我的种子，加上见荣辱赶上了bein父亲和表面唐娜宝宝妈妈戏剧的尖叫和太多，我想留在现场的一个，另一个果酱或不得到了我的一点，我想蜗牛我必须制订一项阴谋前列我结束了在监狱或打针成功是我唯一的mothafuckin选择，失败的不是妈妈，我爱你，但这个线索已经去我不能老在塞勒姆的地段所以在这里，我去的是我的了一枪。

I am twenty-two blocks from where Rudolph Valentino lay in state,eight blocks from where Nathan Hale was executed,five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose,four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle,thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska,ne block from where Marceline used to clown on the boards of the Hippodrome,thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public,thirteen blocks from where Harry Thaw shot Stanford White,five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany(I could continue this list indefinitely);and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in,some of them on hot,breathless afternoons,lonely and private and full of their own sense of emanations from without.

我是二十二个区段从哪里 Rudolph Valentino 以隆重的仪礼放置，八个区段从哪里内森猛拉被运行，来自欧内斯特海明威打击在鼻子上的最大依斯曼，四里的出版者的办公室的五个区段从哪里沃尔特惠特曼为布鲁克林鹰坐着出汗出社论，当她来了纽约有关内布拉斯加写书的时候，来自街道 Willa Cather 的三十四个区段住在，旧姓的区段从哪里用到在竞技场的董事会上的小丑的 Marceline，来自地点的三十六个区段哪里历史学家乔 Gould 踢了对民众的充足视野的块一个收音机，十三个区段从哪里哈利融解射击史丹福白色的，来自我过去一直在来自克拉伦马车日子年长者在主显节的教堂中被他的罪洗的地点的大都市的歌剧和只有 112个区段引导的地方的五个区段；(我可以不确定继续这一本目录)而且就那件事而论我正在或许占领最房间一些尊贵的和 somewise 值得纪念的个性坐在，他们其中的一些在热又喘不过气来的午后，孤单而私人而充满的他们自己散发感从没有。

Philosophers of the tradition, to the degree that they had thought about art at all, thought chiefly about the art of their own time: Plato, about the illusionistic sculptures of his contemporaries; Kant, about the tasteful objects of the Enlightenment; Nietzsche, about Wagnerian opera; the Wittgensteinians, about the extraordinary proliferation of styles in the twentieth century, when a whole period of art history appeared to last about six months.

传统的哲学家们，就他们对艺术所做的思考的范围而言，想的主要是他们自己时代的艺术：柏拉图，想的是他的同代人搞的那些幻象性质的雕像；康德，想的是启蒙时代的那些颇有品味的东西；尼采，想的是瓦格纳的歌剧；魏特根斯坦，想的是二十世纪各种风格的大量繁殖（其时整个一个艺术史阶段似乎只延续六个月）。

In two performances of Die Walküre, audiences in the War Memorial Opera House heard Flagstad as Brünnhilde and Lotte Lehmann as Sieglinde, with Fritz Reiner conducting, Lauritz Melchior as Siegmund, Emanuel List as Hunding, and Friedrich Schorr as Wotan.

于是乎在歌剧《女武神》的第二幕演出中，在旧金山著名的战争纪念剧院里，观众们听到了前所未有的巨大威武却又美妙无比的声音之艺术，其中就有我们的顶级瓦格纳女高音弗拉格丝塔特小姐所饰演的拿手好戏——主角&布伦希尔德&以及另一位超级瓦格纳女高音劳特莱曼小姐所饰演的&齐格琳德&一角，在匈牙利著名指挥大师弗朗兹莱纳的杰出指挥棒下，还有名伶大师的加盟呢：那就是歌唱大师劳瑞兹梅尔乔所饰演的&齐格蒙德&，埃曼努尔里斯特所饰演的&洪丁&以及大师弗里德里希肖尔所饰演的&沃坦&：这样那令人叹为观止的舞台表现和戏剧效果是不是活灵活现的呈现在你眼前了呢？

Many thousands of investment-company boards meet annually to carry out the vital job of selecting who will manage the savings of the millions of owners they represent. Year after year the directors of Fund A select manager A, Fund B directors select manager B,etc.… in a zombie-like process that makes a mockery of stewardship. Very occasionally, a board will revolt. But for the most part, a monkey will type out a Shakespeare play before an "independent" mutual-fund director will suggest that his fund look at other managers, even if the incumbent manager has persistently delivered substandard performance. When they are handling their own money, of course, directors will look to alternative advisors – but it never enters their minds to do so when they are acting as fiduciaries for others.

成千上万的投资公司董事会每年都会聚会行使投资人赋予他们的重大责任-为其背后所代表的数百万投资人选择适当的人选来管理其身家财产，只是我们发现，年复一年董事会只不过是装出掌握控制权的表面假象，A基金公司永远选择A经理人、B基金公司也总是选择B经理人，其制式程序就像僵尸般食古不化，当然偶尔也会有董事会突锤，但大部分的时候，就算现任的基金经理人的表现有多差劲也一样视而不见，我想要等这些独立行使职务的董事愿意开始建议寻找其它合适的经理人人选，恐怕连猴子都有办法写出莎士比亚歌剧了，吊诡的是，当这些人在处理自己的资产时，只要发现苗头不对，他们肯定立刻见风转舵，另觅贤能，实在是无法理解当他们在受托帮他人管理资产时，为何脑筋偏偏就转不过来呢？

The new year concerts of Vienna have been rebroadcasted for almost twenty years. The music of Johann Strauss family has widely been well known by the professional musicians and the music amateurs. Although there are some simply introductive and short articles about the operetta "Die Fledermaus" at present, the music analysis of Adele in the operetta "Die Fledermaus" and the research of role image building of her are scarce. The present paper try to not only deepen the understanding of the image of the classical character of Adele, but also help the recreation of the image, through the research and exploration about the music image building of Adele.

在中国，现场转播维也纳新年音乐会也已近20年，约翰·斯特劳斯家族的音乐已为音乐界内外的许多人们熟知，对于《蝙蝠》这部轻歌剧，目前国内已经有一些简单、介绍性的、篇幅短小的文章，而令人遗憾的是，《蝙蝠》中经典角色阿黛莉的音乐分析和角色形象塑造的研究则尚未见到，本文试图通过对阿黛莉这个角色的音乐形象塑造问题的研究探索，使我们对这个经典人物形象的认识更加深入，同时也有益于该形象的再创作。

It was Madame Nilsson's first appearance that winter, and what the daily press had already learned to describe as "an exceptionally brilliant audience" had gathered to hear her, transported through the slippery, snowy streets in private broughams, in the spacious family landau, or in the humbler but more convenient "Brown coupe" To come to the Opera in a Brown coupe was almost as honourable a way of arriving as in one's own carriage; and departure by the same means had the immense advantage of enabling one (with a playful allusion to democratic principles) to scramble into the first Brown conveyance in the line, instead of waiting till the cold-and-gin congested nose of one's own coachman gleamed under the portico of the Academy.

这是尼尔森夫人当年冬天的首场演出。那些被日报称为&超凡脱俗的听众&已经云集来听她的演唱。他们或乘私人马车、或乘宽敞的家庭双篷马车、或者乘档次较低却更为便利的&布朗四轮马车&，经过溜滑多雪的街道来到了这里。乘坐布朗马车来听歌剧，几乎跟坐自己的马车一样体面；而且，离开剧场时还有极大的优越性：你可以抢先登上线路上第一辆布朗马车，而不用等待自己的那因寒冷和烈酒而充血的红鼻子车夫在音乐院门廊下面显现。

The two best songs on Seven Seven come at the end. 'Oh Ma The Sea Is Rising' is a folkish ballad made buoyant by a delicate string section. The distant notes of an opera singer and a touch of piano add further colour; this is a simple song made rich by an intelligent arrangement. 'The Long Goodbye' is more ambitious; constructed out of slow vocal loops and misty layers of guitar and bells, it sounds like a long walk to the end of a jetty on a winter's morning.

这张专辑中最好的两首歌都在结尾部分，&Oh Ma The Sea Is Rising&是一首让人心情舒畅的民谣叙事诗，有着精致的弦乐部分；歌剧唱腔加上钢琴的有质感的演奏为这首歌加了不少分，这本就是一首由于用心的编排而化平庸为神奇的歌曲；&The Long Goodbye&显得野心勃勃，缓慢而反复的演唱加上层次模糊的吉他和铃声伴奏，让人仿佛置身于某个冬天的早晨迈向码头的漫步道。

The maid Adele was one of the classical images in the Western operettas, the research and grasp of the characteristics of the musical image of Adele naturally are necessary, the acquaintance and practice with her skill of duet singing and aria singing, processing of language, image performing on stage, analyzing of classical versions are also indispensable. Meanwhile, with deeper understanding of the temporal social situation, we can fully understand the careful use of musical elements on the character Adele by Strauss.

女仆阿黛莉是西方轻歌剧中经典的形象之一，我们对阿黛莉音乐形象特征的研究与把握自然是十分必要的，对其重唱、咏叹调的演唱技巧，以及语言的处理，舞台形体表演、经典版本的分析等方面的认识与实践也是十分必要的，同时我们也只有对当时的社会现状有更深刻的了解，才能充分理解斯特劳斯对阿黛莉这个人物的音乐元素的精心使用。

Since historical times,England ,where the early inhabitants were Celts, has been conquered three times .

从有历史以来，英国，在此地早期居住的是凯尔特人，已经被征服了三次。

Bluetooth OBEX File Transfer Enables the sending and receiving of files on your phone via Bluetooth.

蓝牙OBEX文件移动允许经过蓝牙传送和接受文件。。。。