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栗色

与 栗色 相关的网络例句 [注:此内容来源于网络,仅供参考]

Mesmerized by a beaded moon, a fairy floats on a carpet of filmy clouds, ethereal in a white, off-the-shoulder gown with mauve cape and strands of lustrous pearls woven throughout her chestnut hair.

被一个珠子装饰的月亮所迷住,一个仙子漂浮在一片薄毯状的云朵上,她身穿一件有淡紫色披肩的轻薄白色长裙,她的栗色头发上装饰着几缕光亮的珠子织物。

A rare, bearlike mammal of the mountains of China and Tibet, having woolly fur with distinctive black and white markings.

猫熊,熊猫产于中国和中国西藏山区的一种稀有,象熊的哺乳动物栗色毛皮上带有明显的黑色花纹

Dickinson was a spinster of thirty-one, birdlike in habit and appearance, with fine chestnut hair and abnormally wide-set eyes, whose color she compared to sherry.

迪金逊是一个31岁的老姑娘,干净利索。她有一头栗色的头发和一双异常大的眼睛,并自称肤色像雪利酒。

It was drawn by an old bay horse and a little grey-and-white burro.

拉着它的是匹栗色的马和一头灰白的小毛驴。

Color Black, chocolate brown and slate gray, all with or without tan markings, as well as various shades of gold.

灰色,巧克力色,棕栗色和岩银灰,可以有或者没有有栗色标纪和金色色块。

There appeared the driver of a red horse, standing among myrtle trees in a shady place, and behind him were red, sorrel, and white horses.

夜间我看见一个人骑着栗色的马,立在盆地的长春树中间,他后面尚有栗色、杂色和白色的马。

B horse of this colour 栗色马: The sorrel easily won the race.

那匹栗色马轻易地赢了那场赛马。

A chestnut horse; chestnut hair.

栗色马;栗色的毛发。

The undercoat on black and tan dogs also may be grey or tan.

灰色同栗色闲杂品种的内被毛也可能是灰的或者栗色的。

The undercoat on black and tan dogs also may be grey or tan.

黑色同栗色混杂品种的内被毛也可能是灰的或栗色的。

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推荐网络例句

The physiology of the skin machine body for the sake of the environment in the maintenance stability, but eject a body metabolism creation of metabolism thing BE'grease', summer perspire many various skin disease light or good, autumn perspire little metabolism thing metabolism don't go out, various skin disease made, this be the skin machine body of various burning disease.

皮肤机体的生理为了维持内环境稳定,而排出身体代谢产生的代谢物是'油泥',夏天出汗多各种皮肤病就轻或好了,秋天出汗少代谢物代谢不出去,各种皮肤病就犯了,这就是皮肤机体的各种炎症。

If I had anything tender in me, I shot it dead.

如果我有什么招标的话,我枪死亡。

The argumentation way in which this literary grace using is based on color painting, setting out from two angles separately " color"、" ink and wash", making criticizition in texts of Chinese ancient drawing history; analyzing how "color" painting was on the way from ripe to losing; emphatically analyzing the reason of losing in color center, that is to say the reason of "the change of ink and wash ", and its reconstructional way of combination, development with "ink and wash" it was "replaced" by the afterward manner. In a word, the developing "replaced"by the afterward manner.

本文所采用的论述方式是:立足于色彩绘画,分别从&色彩&、&水墨&两个角度出发,先对它们在中国古代画史论著中作一考证;分析隋唐时期&色彩&绘画是如何从体制的成熟、完备而走上&失落&的道路;着重分析色彩绘画中心&失落&亦即&水墨之变&的原由;及其在被水墨&替代&后与&水墨&结合、衍变的重建之途。