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斗争者

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The referees for this batt le would not be so easy to influence.

这场斗争的仲裁者仲裁者将很难发挥影响力。

Even as an author, Norman Mailer considered himself as a battler, a fighter.

即使作为作者,Norman Mailer也称自己是战斗者,斗争者

The attacker always bests him with vitriolic doublespeak.

斗争者永远透过一些语言的双关技巧把他打败。

Critics of family planning programs will seize gleefully upon this book, and that's unfortunate, because two propositions are both correct: first, population planners have made grievous mistakes and were inexcusably quiet for too long about forced sterilization in countries like India and China; and second, those same planners have learned from past mistakes and today are fighting poverty and saving vast numbers of lives in developing countries.

计划生育计划的批评者满怀欣喜地拿起这本书(本文评论的这本书——《致命的误解》,译者注),但是他们会很遗憾,因为两种陈述都没有错:一是人口计划者犯了严重的无法原谅的错误,他们对印度、中国等国家采取的强制绝育措施保持了太长时间的沉默。二是这些计划者从过去的错误中获得教益,今天,他们正与贫穷进行斗争,在发展中国家他们挽救了的大量的生命。

Their theory fits in well with primitive and peaceful periods of history; but in its application to complicated and stormy periods in the life of nations, when several different authorities rise up simultaneously and struggle together, the inconvenience arises that the legitimist historian will assert that the National Assembly, the Directorate, and Bonaparte were only violations of real authority; while the Republican and the Bonapartist will maintain, one that the Republic, and the other that the Empire were the real authority, and that all the rest was a violation of authority.

他们的理论只适用于原始的、和平的历史时期,而当各民族处在复杂而动乱的时期,各种权力同时并起,互相斗争,他们的理论就不适用了,因为正统派的史学家将会证明,国民议会,执政内阁和波拿巴都不过是真正权力的侵犯者,而共和派将会证明,国民议会是真正的政权,波拿巴派将会证明帝国是真正的政权,其他一切都是权力的侵犯者。

Always fight for progress and reform,never tolerate injustice or corruption,always fight demagogues of all parties,never belong to any party,always oppose privileged classes and public plunderers,never lack sympsthy with the poor,always remain devoted to the public welfare,never be satisfied with merely printing news,always be drastically independent,never be afraid to attack wrong,whether by predatory plutocracy or predatory poverty.

永远为进步和革新奋战;永远不能允许不公正和腐败存在;永远与任何党派的煽动民众者斗争;永远不依附任何党派;永远反对特权阶级和公众利益的掠夺者;永远赋予贫穷者充分的同情;永远致力于公众的福利事业;永远不能满足于只做上版新闻;永远鲜明地保持独立;永远敢于攻击邪恶,无论由富人阶层还是穷人阶层的掠夺者所为。

Getting caught in the crosshairs of a workplace controversy can be out of your control, but if you're the one instigating the drama, you're earning a bad reputation.

你无法控制自己是否会在工作场合成为斗争的标靶,但是如果你是斗争的煽动者的话,你的名声可就大大受损了。

You see the combatants everywhere, engaged in their routine skirmishes...

你会发现随处都有斗争者,在一切日常的冲突中。。。

Hence, if the ill-fortune of the times so wills it, those fearful commotions which were formerly called jacqueries, beside which purely political agitations are the merest child's play, which are no longer the conflict of the oppressed and the oppressor, but the revolt of discomfort against comfort.

因此,假使时代的灾难一定要这样,便会发生人们在过去称作&扎克雷运动&①的那种骇人听闻的震荡,纯政治性的动乱和那种运动比较起来只不过是儿戏,那已不是被压迫者对压迫者的斗争,而是窘困对宽裕的暴动。

Who were the strugglers, what war did they wage

那些斗争者是谁,他们又向谁宣战

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推荐网络例句

The physiology of the skin machine body for the sake of the environment in the maintenance stability, but eject a body metabolism creation of metabolism thing BE'grease', summer perspire many various skin disease light or good, autumn perspire little metabolism thing metabolism don't go out, various skin disease made, this be the skin machine body of various burning disease.

皮肤机体的生理为了维持内环境稳定,而排出身体代谢产生的代谢物是'油泥',夏天出汗多各种皮肤病就轻或好了,秋天出汗少代谢物代谢不出去,各种皮肤病就犯了,这就是皮肤机体的各种炎症。

If I had anything tender in me, I shot it dead.

如果我有什么招标的话,我枪死亡。

The argumentation way in which this literary grace using is based on color painting, setting out from two angles separately " color"、" ink and wash", making criticizition in texts of Chinese ancient drawing history; analyzing how "color" painting was on the way from ripe to losing; emphatically analyzing the reason of losing in color center, that is to say the reason of "the change of ink and wash ", and its reconstructional way of combination, development with "ink and wash" it was "replaced" by the afterward manner. In a word, the developing "replaced"by the afterward manner.

本文所采用的论述方式是:立足于色彩绘画,分别从&色彩&、&水墨&两个角度出发,先对它们在中国古代画史论著中作一考证;分析隋唐时期&色彩&绘画是如何从体制的成熟、完备而走上&失落&的道路;着重分析色彩绘画中心&失落&亦即&水墨之变&的原由;及其在被水墨&替代&后与&水墨&结合、衍变的重建之途。