插图

Sketches砂Boz was published on8 February l 836,the day after his twenty·fourthbirthday,with illustrations by George Cruikshank,awell-established and popular cartoonist andillustrator.

博兹系列短篇作品集》于1836年2月8日，也即他过完24岁生日的第2天出版。书中还配有深受人们喜爱的著名漫画家、插图画家乔治·克鲁克香克的插图。

In a lot of illustrations competition , even and all disallow the computer illustration that draw the competition.

很多插图大赛上，甚至都不允许电脑绘制的插图参赛。

And yet, in Raissa, at every moment there is a child in a window who laughs seeing a dog that has jumped on a shed to bite into a piece of polenta dropped by a stonemason who has shouted from the top of the scaffolding,"Darling, let me dip into it," to a young serving maid who holds up a dish of ragout under the pergola, happy to serve it to the umbrella-maker who is celebrating a successful transaction, a white lace parasol bought to display at the races by a great lady in love with an officer who has smiled at her taking the last jump, happy man, and still happier his horse, flying over the obstacles, seeing a francolin flying in the sky, happy bird freed from its cage by a painter happy at having painted it feather by feather, speckled with red and yellow in the illumination of that page in the volume where the philosopher says:"Also in Raissa, city of sadness, there runs an invisible thread that binds one living being to another for a moment, then unravels, then is stretched again between moving points as it draws new and rapid patterns so that at every second the unhappy city contains a happy city unaware of its own existence."

可是，在莱莎的每一刻钟都听得到窗旁的小孩的笑声，因为他看见一头狗扑上小屋抢吃一块烧饼；烧饼是棚架上的石匠掉下的；他当时正在向一个年轻的女侍应员高声喊叫："好人，让我尝一尝"；那年轻女子正捧着肉汤满心高兴地送给一个庆祝交易成功的制伞工人；爱上青年军官的一位贵妇人在赛马场炫耀她的镶花边的白阳伞；马背上的军官最后一次跳跃时向她笑了一笑；他是个快乐的人，不过他的马比他更快乐，它跳栏的时候看见鹧鸪在天上飞；快乐的鸟儿刚被一位画家放出囚笼；快乐的画家完成了鸟的插图，描出它每一根红黄斑点的羽毛；插图的书页上有哲学家的话："忧愁的城市莱莎也有一根无形的线，在某个顷间把一个生物连系上另一个生物，然后松开，又在两个移动的点之间伸展，快速画出新的图形，因此，不快乐的城市在每一秒钟都包藏着一个快乐的城市，只是它自己并不知道罢了。"

Frontispiece: illustration on the page facing the title page of a book .

卷首插图：和扉页照面的页上插图。

The thesis would explain the relationship between each painting and script by iconology from Erwin Panosky and try to find out the deeper meaning and value of them.

笔者在众多的《西厢记》插图中，选择了闵齐伋绘刻的《西厢记》彩图进行图像诠释，这二十一幅彩图可说是中国版画史上的巅峰之作，无论是印刷、刻工、构图、色彩，都可说是前所未见的上乘之作，本论文欲以潘诺夫斯基图像学的方法，来解读每一幅插图与戏文的关联，企图能从图像中发掘出这套版画更为深刻的意涵及价值。

The research tries to put the woodcut prints of "Xi Xiang Ji " in Ming Dynasty under the frame of document publishing to go through the third level of image studying- the explanation of iconology and check the illustrations of "Xi Xiang Ji " from different points of view.

本研究尝试将明刊《西厢记》版画插图置於文献出版的框架之下，进行图像研究中第三层次－图像学的解释，从多元的角度去审视明刊《西厢记》版画插图。

Objective To investigate the role and teaching methods of illustration in pathology textbooks.

目的探讨病理学教材插图的作用与插图的教学方法。

Wanli period is illustrated by the ruggedness of the fine, precision Laguna Beauty unostentatious harassment to the development process, each region,Each faction are not the same, some ruggedness performed, some small and exquisite, some crafted and meticulousbut they were in their original style to his more processing, beautiful direction.

需要英语高手帮忙翻译一段关于插图的文字，急！感谢！万历时期插图基本上是由粗犷到精细，从稚拙无华到精丽繁缛的发展过程，每个地区、每个派系都不尽相同，有的粗犷浑厚，有的小巧玲珑，有的精工细密，但最后都在各自原有的艺术风格上向更加工致、秀丽的方向发展。

Seventh, Iconography: all the iconographies are newly made.

七、插图：所有插图全部是新作。课文中的插图生动、有美感。

In China, with of modern Woodcut illustrations gradually disappearing, Germany, The former Soviet Union's art illustrations have deeply impacts on Chinese art illustrations.

在近代中国的艺术插图已经远远落后其他国家和地区，在中国近代木版插图逐渐没落时，德国、前苏联的艺术插图对我国艺术插图影响深刻。

This is not an ordinary box, which is used as a background picture of the dialog box, very pretty.

详细说明：这可不是一个一般的对话框，它是用图片作为背景的对话框，非常好看。

Conceal me what I am,and be my aid for such disguise as haply shall become the form of my intent.

遮掩我的身份，帮助我，我的面具将成为我的目的。