手写的

Age 70, we sat down on the rocking chair, had on presbyopic glasses, enjoyed the love letters which I wrote to you 50 years ago, our creasy hands grasped again, I said I love you at that time, you looked at me with deep feelings, your face which was full of furrows still beautiful...the boiled water on the camp stove bubbled with vapour, warm current filled in the whole house...

七十岁时，当我们带着老花镜坐在长椅上，回味着那些五十年前我写给你的情书，我们满是皱褶的手又一次紧紧地握在了一起，那一刻我说我爱你，你深情的望着我，你那布满皱纹的脸依然是那么美丽。。。。。。野营炉上沸腾的水独自的冒着蒸汽，暖流充溢着整个屋子。。。。。。

Written in the "Victoriandustrial", harpsichord-laden Gothic style of "Opheliac" but with a metal edge,"Laced / Unlaced" shows the evolution from child prodigy classical violinist to reigning queen of metal Gothic / Industrial violin, and beckons us ever deeper into EMILIE AUTUMN's strange world with a flick of her black-nail-polished fingers.

写于&Victoriandustrial&，其中满载着大键琴哥特风格的&Opheliac&更添一丝阴暗金属的风味。&Laced / Unlaced&向我们展示的是她从一个天才少年古典提琴手向一个哥特金属/工业提琴女王的蜕变，同时跟随着她那涂着黑色指甲油的手指在琴弦上的游动，我们也被深深吸引到EMILIE AUTUMN那神奇的世界中去。

Written in the "Victoriandustrial", harpsichord-laden Gothic style of "Opheliac" but with a metal edge,"Laced / Unlaced" shows the evolution from child prodigy classical violinist to reigning queen of metal Gothic / Industrial violin, and beckons us ever deeper into EMILIE AUTUMN's strange world with a flick of her black-nail-polished fingers.

写于&Victoriandustrial&，其中满载着大键琴哥特风格的&Opheliac&又带着一丝金属。&Laced / Unlaced&向我们展示的是她从一个少年古典提琴手向一个哥特金属/工业提琴女王的蜕变，同时跟随着她那涂着黑色指甲油的手指的轻弹，我们也被深深吸引到EMILIE AUTUMN那神奇的世界。

Nothing could be more true: this solo artist foregoes the usual singer-songwriter vibe and instead simply makes grin-inducing, clattering, positive folk music.

事实莫过于此：这位独奏的艺术家抛弃了其他普通的自写自唱歌手的风格，转而简单地创作出轻松搞笑的、多样的、愉快的民谣音乐。

Housed in a grand, double-fronted, 17th-century ex-bank, complete with original painted ceilings and facing the Herengracht, one of Amsterdam's poshest canals, the museum was curated by Ivo's daughter Sigrid (who wrote her university thesis on, yup, the history of the handbag).

这家博物馆是座双面开门的豪华建筑，17世纪这里曾是一家银行，建筑内部有原创的手绘顶棚，面朝阿姆斯特丹最美的运河之一——Herengracht。这家博物馆由伊福的女儿西格丽德打理（是的，她在大学时曾写了一篇关于手袋历史的论文）。

All these sportswriters and diarists who jump of the handle and by the second week of the season who claim to know everything will get called out.

所有的这些体育记者和日志写手都仿佛拥有未卜先知的能力一样，在赛季开始的第二周时他们就已经知道了所有将会发生的一切，仿佛一切都是内定的一样。

And, since there must always be an observer, a reader for the word, there was a finger to mark it, and a page to hold it, and an outstretched palm to support the heavy book, and eyes that were not quite eyes to read it.

但是，有的东西必不可少的是，必须要有见证这一切那个的人，要有阅读文字的那个人，写下文字的手，承载文字的纸页，托住这本沉重书的手掌，还有眼睛，阅读这些文字的眼睛。

Not very many exist. That's because the Soviet hagiographers for decades so carefully controlled the documentary record on him that they ensured a boring, sanitised view of the Great Leader that has virtually nothing honest to say – in Russian at least, and certainly not until after the collapse of the Soviet Union.

现存于世的这类书籍已所剩无几了，因为几十年来苏联的传记写手们是如此小心翼翼地控制有关列宁的档案文件，他们向世人构画了一个单调、一尘不染的最高领导人形象，至少在苏联倒台之前，在俄国国内是这样的，然而实际上他们的描述毫不可信。

Read Jack Finney's tale, Cousin Len's Wonderful Adjective Cellar for a fantastical tale about how a hack becomings a successful author with the help of a magical salt cellar those rearouses adjectives from his work.

芬尼的古代事件--《表哥莱恩的奇异瓶》，讲的是唯一写手是咋样成了一名胜利作家的荒诞古代事件，他只是靠唯一带有魔法的盐瓶的帮助，将作品中的形容词去掉了。

Read Jack Finney's tale, Cousin Len's Wonderful Adjective Cellar for a fantastical tale about how a hack becomings a successful author with the help of a magical salt cellar those rearouses adjectives from his work.

芬尼的古代事件--《表哥莱恩的奇异瓶》，讲的是一个写手是如何成了一名胜利作家的荒诞古代事件，他只是靠一个带有魔法的盐瓶的帮助，将作品中的形容词去掉了。

Since historical times,England ,where the early inhabitants were Celts, has been conquered three times .

从有历史以来，英国，在此地早期居住的是凯尔特人，已经被征服了三次。

Bluetooth OBEX File Transfer Enables the sending and receiving of files on your phone via Bluetooth.

蓝牙OBEX文件移动允许经过蓝牙传送和接受文件。。。。