悲剧风格

The thesis points out that during the writing Soyinka integrates the native culture and the culture of the West, offering privillage to the native culture. During the appreciation of Greek classic tragedy, European modern play and poetry and the stream-of-consciousness novel, based on the native culture, Soyinka established a new powerful narrative style that is farce imitating so as to reach a stage of dis/mantling European narrative model counter-discursively.

指出索因卡在实际写作过程中，融合了本土与西方两种异质文化，并努力突出本土文化的地位，在对希腊古典悲剧、欧洲现代派戏剧和诗歌以及意识流小说等艺术形式进行借鉴的过程中，以本土文化为基础，建立了一种具有戏仿性质的、更具强大力量的新的叙事风格，从而对欧洲叙事模式进行了反话语式的消解和掩盖。

The reason for their original use of the trochaic tetrameter was that their poetry was satyric and more connected with dancing than it now is.

悲剧的格律由扬抑格变成抑扬格，它最初使用扬抑格四音步诗的原因是其诗歌是萨梯风格的，相比今天与舞蹈的关系更密切。

So the philosophy of this paper as a start, and further analyze the novels of Jin Yong and Huang Yi, then we find a completely different attitude and approach about the perfect personality and the ultimate truth of life in these two novelist's works, and therefore the development of "tragedian style" and "perfect style" of a different artistic expression.

於是本文从哲学理念的探讨作为开始，进一步以此标准去审视、分析小说世界，发现两位武侠小说名家，金庸与黄易的作品，对完美人格及终极真理有著全然不同的人生态度及处理方式，而因此发展出「悲剧文学」与「完美风格」的不同的艺术表现。

And the _Poetics_ cannot be accounted an exception. For one thing the treatise is fragmentary. It originally consisted of two books, one dealing with Tragedy and Epic, the other with Comedy and other subjects. We possess only the first. For another, even the book we have seems to be unrevised and unfinished. The style, though luminous, vivid, and in its broader division systematic, is not that of a book intended for publication. Like most of Aristotle's extant writing, it suggests the MS. of an experienced lecturer, full of jottings and adscripts, with occasional phrases written carefully out, but never revised as a whole for the general reader.

诗学》也不例外，首先它是不完整的，《诗学》原来包括两个部分，第一部分谈悲剧和史诗，第二部分谈喜剧和其它主题，我们现在看到的只有第一部分；其次，我们拥有的文本似乎未经修订，也未完成，其风格尽管生动鲜明，从整体上看也系统完整，但似乎并非是为了出版而写作的，而是和亚里士多德现存绝大部分著作一样，可能是讲课的手稿，文中满是略记和随后的补充，一些词语被小心地标出，但整篇文章从来没有被修改成适合一般读者的样式。

So far many achievements have been made in the field of O\'Neill study, especially in the exploration of the autobiographical characteristics of his works,the expressionistic style,the mystical Orientalism of his works and the influence of Freudian psychology as well as his inheritance of the tragic tradition from ancient Greek theatre.

其作品中体现的浓厚的自传性特征，典型的表现主义风格，神秘的东方宗教色彩，弗洛伊德心理学的影响及对其古希腊悲剧思想的继承等等，都是研究者们广泛关注的话题。

His tragic vision has affected considerably the themes, techniques, and style of his works, and it is effectively presented through the use of his mode of black humor and some surrealist and symbolistic techniques.

他的悲剧灵视对他作品的主题、技巧与文字风格皆产生了显著的影响。

Sometimes his style burlesqued tragedy.

有时，他的风格使悲剧滑稽化了。

Longtou Water poems are the most sorrowful poems in frontier fortress of Yuefu, and the sorrowful style is a great complement of many heroic works.

陇头水》诗作是乐府题边塞诗中最具悲剧精神的一个系列，其哀婉沉痛的风格与大量慷慨豪壮的边塞诗互为补充，使唐代边塞诗的内涵更为丰富。

The most important function of arias in opera seria is not to figure a role but to express emotion.

咏叹调的这些风格特征反映了正歌剧传达悲剧精神，表达情感的戏剧观念。

The second part discusses the style of tragedy aesthetics of Xiao Hongs fictions.

第二部分论述萧红小说的悲剧审美风格。

Objective: To study the effect of polycythemia on blood oxygen saturation.

裴蕾目的：观察RBC剧增而引起的高粘血症对血氧饱和度的影响。

Based on SIMPLER algorithm in the curvilinear body-fitted coordinates, the calculations were performed for Pr=0.7, Re=10~1000 on non-orthogonal non-staggered grids which are generated by elliptic equation systems.

采用曲线坐标系下压力与速度耦合的SIMPLER算法，数值研究了周期性渐扩渐缩波纹通道内脉动流动与换热情况，流动Re数的范围为10~1000，Pr数为0.7。