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悲剧作家

与 悲剧作家 相关的网络例句 [注:此内容来源于网络,仅供参考]

Twenty years later (1785) the students at Yale produced another tragedy by an American author--Barnabas Bidwell's The Mercenary Match.

" 20年后(1785年)在耶鲁大学的学生制作,由美国作家另一场悲剧-巴拿巴比德韦尔的"佣兵比赛。

In the third part, Xiaohong proceeded profound excavation in the tragic consciousness of life. This took on the absurdity of life though the desolation, disillusionment and the chanciness of the fortune; the forth chapter is the female existent predicament in life. Xiaohong presented the existent consideration and the apperception of life by her sex, figure, and by the traditional culture, mankind as well as women of angle.

第三层次,萧红对生命悲剧意识进行了深刻地挖掘,这是通过人生的荒凉感、幻灭感和命运的偶然性来表现人生的荒诞性;第四章,"女性生命存在的困境",作家从自身的性别、身份出发,从文化、男性及女性自身的角度来表现作家对生存的考虑及对生命的感悟。

It certainly began in improvisations--as did also Comedy; the one originating with the authors of the Dithyramb, the other with those of the phallic songs, which still survive as institutions in many of our cities.

显然悲剧起源于即兴创作,喜剧也一样;悲剧源自酒神颂作家,喜剧源自今天仍存在于我们很多城市习俗中的男性生殖崇拜歌谣。

She had a unique understanding of "melancholy" because of her extraordinary life experiences and she expressed the sense of melancholy in her stories and novels by revealing the heartlessness of affection and lovelessness of sexual love.

张爱玲是一个具有强烈悲剧意识的作家,不同寻常的生活经历使她对"苍凉"有着深刻的体会,她把自己的苍凉情怀写进了小说,把苍凉诠释于亲情的无情,性爱的无爱,用笔为世人描绘了一个无情无爱的苍凉世界。

In the second, and even in the third century before Christ, there were Hellenist historians, such as Eupolemus, Artapanus, Demetrius, and Aristeas; tragic and epic poets, such as Ezekiel, Pseudo-Philo, and Theodotus, who, after the manner of the ancient classical writers, but for their own purposes, described certain periods of Jewish history, or sang of such themes as the Exodus, Jerusalem, or the rape of Dinah.

在第二次,甚至在公元前三世纪,有Hellenist历史学家,如Eupolemus , Artapanus德梅,并Aristeas ;悲剧和史诗的诗人,如厄泽克尔,伪斐罗和Theodotus ,谁,在地古代的经典作家,而是为自己的目的,说明某些时期犹太人的历史,或生等主题的大量外流,耶路撒冷,或强奸黛娜。

In the thinking of Subject Consciousness we could explore the multi meaning of this opera,including the tragedically purpose of history both from the history itself and Kong's interpretation.The mixing emotion for the rises and falls on history and life sublimed in a particular cultural circumstance and at last the deep-seated intendment of this opera emerged.

从主体意识的角度出发可以探析《桃花扇》的多层面意蕴,它包括历史题材本身的悲剧意义和作家流露出的浓郁历史悲剧感,更包含历史兴亡之感和沧桑人生况味,最后在特定文化情怀中升华出作品的深层意蕴。

Ionesco remained a prolific writer until the early 1980s, although none of his works, dramatic or critical, ever reached the same heights of tragedy and comprehension as Rhinoceros or The Chairs.

尤涅斯库仍然是一个多产的作家,直到20世纪80年代初,虽然没有他的作品,戏剧作品或批评,都得出了同样的高度悲剧和理解作为犀牛或的主席。

The third section is based on the second one to dig deeply the appreciation ofthe beautiful and the subjective attitude inside of the writer, from which we see thesense of roam in Tiening′s novels with expressing the kinking between the sense ofpersistence and tragedy, hence it plays symphony of life and tragedy.

第三部分是在第二部分的基础上对作家的审美追求和主体心态进行深入挖掘,由此看出铁凝的小说流贯着强烈的流浪意识,具体表现为追求意识和悲剧意识的相互扭结,并由此奏出生命与悲剧的交响乐。

Papers include the following four parts: Chapter 1 female life tragedy: This paper introduces the background, of the two authoresses we study. It analyzes the female characters,in the two works"Chang Henge"and"Rose Gate"from the love, the rose of war,and the no-escape destiny of tragedy.

论文主要包括以下四部分内容:第一章女性人生的悲剧:介绍本文研究的两位作家的创作背景、从爱的缺失、玫瑰战争、无可逃脱的悲剧宿命对《长恨歌》和《玫瑰门》中的女性人物进行剖析。

In 1598, the cleric and author Francis Meres singled him out from a group of English writers as "the most excellent" in both comedy and tragedy.

在1598年,作为神职人员和作家的弗朗西斯·米尔斯在众多的英国作家中,将莎士比亚选为在喜剧和悲剧两方面均是&最佳&的作家。

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