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悲剧

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In point out their similarity, the thesis also differentiates and analyzes the specialty of Wang Guo-wei and Zhu Guang-qian"s theories of tragedy. The author argues that both Wang and Zhu"s theories, which based on communicating western and Chinese aesthetics, show the irreplaceable as well as complimentarily features. They enriched the modern Chinese literature and aesthetic leanings together, and provide us a profound enlighten to review and conclude the experiences of Chinese aesthetic modernity.

在指出王、朱悲剧理论所具的类同性的同时,本文同时辨析两者的差异性特点,认为两人在融合、沟通中西美学的基础上产生的悲剧理论既有不可取代的特色,又具有互补性,共同丰富了中国现代文艺美学理论,为我们反思和总结中国现代美学形成和发展中的所得和所失提供了有益的启示。

I had some personal tragedy in my life and this broader event occurred and it dovetailed what I experienced as a young man into the same kind of anger and sadness that follows, and this story, this script, was a way to kind of work it out.

我生命之中也经历过一些悲剧,这些悲剧紧接着当时作为一个年轻人的我所经历的愤怒和悲伤,这个故事,这个剧本,就体现了出来。

Can say, the factor that these are accidental is exactly a gangplank of the Tai silk tragedy destiny, making silk of Tai walked toward the tragedy destiny gradually!

可以说,这些偶然的因素正是苔丝悲剧命运的一个个跳板,使苔丝逐步向悲剧命运走去!

First,"Dreams of the Red Chamber" is a complete overthrow of the Chinese traditional twenty-four histories, and has opened up for us, in a gigantically breading way, the third pedigree of human history with the male and female love as the core and different from the pedigree with the dual division between the good and the bad. Next, along with the affirmation of the third pedigree of human beings,"Dreams of the Red Chamber" enable the female sex acting as the "second sex" for long to come again onto the stage in the human history, thus unprecedentedly disclosing the incomparably grave historic tragedy of the female sex in reality. Finally, more importantly,"Dreams of the Red Chamber" not only consider the ruling of the current discourse as the deepest cause of the female tragedy but also make a restoration with the meaning of the life generation science for the human discourse so as to make the initial word "discourse of love" more original than the discourse of the knowledge nature and bring the following of "God of lover", the new salvation way, into the agenda.

首先,《红楼梦》是对中国传统二十四史的彻底颠覆,并大破大立地为我们开辟出有别于善恶二分谱系的一种以男女情爱为核心的人类历史第三谱系;其次,随着对这一人类第三谱系肯定,《红楼梦》使长期作为&第二性&的女性在人类历史中重新登场,并前所未有地揭露了现实中女性无比深重的历史悲剧;最终,更重要的是,《红楼梦》不仅把现行话语的统治视为女性悲剧的最为深刻原因,而且同时对人类话语进行了一种生命发生学意义的还原,而使一种有别于知识性话语的更为始源的&情的话语&这一泰初之言得以彰显,把对&情的上帝&的昄依这一新的救赎之途提到人类文化的议事日程。

The second is to conduce to a pan-tragedy hue in vanguard-literature-art because of its rejecting the interposing of'feelings'.

第二,由于先锋文艺拒绝&情&的介入,对于&情&悲剧的彻底反叛,造成了一种泛悲剧色彩。

Hence too both Tragedy and Comedy are claimed by the Dorians as their discoveries; Comedy by the Megarians--by those in Greece as having arisen when Megara became a democracy, and by the Sicilian Megarians on the ground that the poet Epicharmus was of their country, and a good deal earlier than Chionides and Magnes; even Tragedy also is claimed by certain of the Peloponnesian Dorians.

因此多利安人宣称悲剧和喜剧都是他们的发明;喜剧由西西里的麦加拉人发明,理由是诗人厄皮卡玛斯是他们国家的人,这时希腊已经兴起,麦加拉建立了民主制度,这比奇奥里德斯和麦克赖斯要早很多;甚至一些伯罗奔里萨的多利安人声称悲剧也是他们的发明。

His seven extant tragedies reflect the political, religion and culture condition in the classical times of Greece. Given the place of tragedy in Athenian public life, we will consider how the action and theme of the tragedies sustained justice in the Athens city. The Oresteia with its massive tale of the genesis of human law and its conclusion in the city of Athens itself, is a particularly good example for this model of tragedy educating the citizen into citizenship.

在他现存的悲剧作品中,大量反映了古希腊古典时期政治、宗教以及文化的时代风气,如果我们考虑到悲剧在整个雅典政治生活中的地位,我们更应该埃斯库罗斯作品的主题和情节放到雅典城邦的正义观念中去,而&奥瑞斯特亚&正是埃斯库罗斯塑造雅典公民政治身份的思想体现。

Tragedy, then, is said to be an art of this order--to be in fact just what the later actors were in the eyes of their predecessors; for Myrmiscus used to call Callippides 'the ape', because he thought he so overacted his parts; and a similar view was taken of Pindarus also.

于是他们认为悲剧就是这样的技艺——就像悲剧前辈们眼中后来那些演员的样子,迈米斯科斯曾经称卡尼彼得斯为&模仿人的猴子&,因为他认为卡尼彼得斯表演得太过火了,品达罗斯也受到同样的讥讽。

Since several centuries ago, lots of famous critics have deeply felt perplexed about the morality concealed under Shakespeare"s tragedies, because anyone of Shakespeare"s tragedies can be called " A disaster story that can leads the prelatic into death".

几个世纪以来,多少知名的论者都深深地感到难以明了那隐藏于莎士比亚悲剧故事之下的道德迷津,因为一出莎士比亚的悲剧可以叫做&一个把身居高位的人引向死亡的灾难性故事&。

It not only contains the tragi cal fortune but also the tragic personality.

士不遇&主题不仅包含着&士的命运悲剧,而且也包含着人格的悲剧

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