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This paper aims to compare the subjective modal meanings of adjectival suffixes of Russian and Chinese in order to shed light on the meanings of the affixes and those of word formation in the two languages.

本文以俄汉语形容词后缀为切入点,通过对比俄汉语形容词后缀在附加意义上的异同,可以得出结论:俄汉语形容词后缀均可附加评价、情感和修辞色彩,但又各具有特点。

The investigation of the grammatical function and grammatical meaning of the aspectual auxiliaries begins with an investigation into the distribution of each aspectual auxiliary in the corpus of Dingji dialect common verbs and adjectives and looks at their ability to collocate with 1834 verbs and 592 adjectives and determines the restrictive function of different classes of verbs and adjectives on the aspectual auxiliaries.

本文考察体貌助词的语法功能和语法意义,首先考察每一个体貌助词在丁集话常用动词词库和丁集话常用形容词词库里的分布情况,看它跟1834个动词、592个形容词的搭配能力,并从中找出动词、形容词的不同类别对体貌助词的制约作用。

Under the view about semantic from Chinese traditional exegetics, with the concept that semantic meaning is language essence, and reasonable views drew from Prototype category theory and Fuzzy theory, from the angle of semantic independently, we discuss the semantic features of adjective.

本论文以传统训诂学的语义中心观为指导思想,继承传统训诂学以语义为本体的研究思路,借鉴当代语言学的原型范畴观和模糊集合论,从纯语义的角度,探讨形容词的词汇语义特征,并以之为标准,对形容词进行逐层的下位分类,呈现形容词的语义系统,显示语义特征、语义场以及义位之间的关系。

God. Often used with the or a possessive adjective .

形容词形容词的,与形容词有关的或用作形容词

This paper is about the research on the structures, meanings and ways of expressions of the geminating forms of monosyllabic adjectives in both Chinese and Vietnamese.

本文在汉语与越南语单音节形容词重叠式研究的基础上,根据笔者对越南语的亲身体会,运用汉语和越南语单音节形容词重叠式对比翻译的分析等方法对汉-越单音节形容词重叠式的结构形式、语法意义和表达方式进行研究。

Firstly, they have obvious inflexions; secondly, besides the kanngo adjectives and wago adjective, there are a great deal of loanwords; and lastly the adjectives concerning with emotion can influence the subjectives and sentence structures.

首先它有明显的形态特征及形态变化;其次,日语形容词不仅有和语形容词、汉语形容词,还出现了大量的外来语形容词;再次,日语感情形容词能在句子中牵制主语、影响句子结构。

Through the comparison of the combination of descriptive adjectives and their corresponding adjectives both with nominals in the context of sentences, the 6 chapter finds that attributive adjectives will be prominent in predicate place and descriptive ones in modifier place, which is the reflection of "reference-object" construction in discourse.

第六章比较了状态形容词与其相应的性质形容词分别与名词组合后在句中的表现,性质形容词在谓语位置上会得到突显,状态形容词在定语位置上会得到突显,这正是&参照体一目标&构式在语句篇章中的具体体现。

Black→blacken,quick→quicken,soft→soften,hard→ harden 类似形容词常见的还有:mad, deep,thick,weak,dead,fat,flat,red,straight,moist,sharp,white,loose,short,dark,bright,coarse,fast,rough,fresh

等。在这些形容词后添加词缀-en时,red,flat,fat等词应先双写末尾辅音字母,再添加-en;white,wide等以字母-e结尾的单词,添加后缀时,只需加字母-n;fast一词加后缀-en构成的动词 fasten,其含义为&使固定&,而不是&加快&。

Black→blacken,quick→quicken,soft→soften,hard→ harden 相似形容词多见的再有:mad, deep,thick,weak,dead,fat,flat,red,straight,moist,sharp,white,loose,short,dark,bright,coarse,fast,rough,fresh

等。在这些形容词后增加词缀-en时,red,flat,fat等词应先双写着末子音字母,再增加-en;white,wide等以字母-e结局的单词,增加后缀时,只需加字母-n;fast一词加后缀-en组成的动词 fasten,其含义为&使稳固&,而不是&加快&。

In Mencius, ZuoZhuan, HanFeiZi, noun had absolute superiority comparing with the adjective in group count and the number of every group. In LunHeng and LiuDuJiJing, the group count between noun and adjective became lower, and the number of every group, adjective was more than noun.

在《孟子》、《左传》、《韩非子》中,不论是同义词的组数还是个数,名词对形容词都有绝对的优势,但是到了《史记》,名词的这一优势发生了变化,虽然在组数上名词仍超过形容词,但是形容词对名词的个数之比已经超过了它们之间的组数之比,也就是说,从每组同义词的个数来说,形容词已超过了名词。

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推荐网络例句

The physiology of the skin machine body for the sake of the environment in the maintenance stability, but eject a body metabolism creation of metabolism thing BE'grease', summer perspire many various skin disease light or good, autumn perspire little metabolism thing metabolism don't go out, various skin disease made, this be the skin machine body of various burning disease.

皮肤机体的生理为了维持内环境稳定,而排出身体代谢产生的代谢物是'油泥',夏天出汗多各种皮肤病就轻或好了,秋天出汗少代谢物代谢不出去,各种皮肤病就犯了,这就是皮肤机体的各种炎症。

If I had anything tender in me, I shot it dead.

如果我有什么招标的话,我枪死亡。

The argumentation way in which this literary grace using is based on color painting, setting out from two angles separately " color"、" ink and wash", making criticizition in texts of Chinese ancient drawing history; analyzing how "color" painting was on the way from ripe to losing; emphatically analyzing the reason of losing in color center, that is to say the reason of "the change of ink and wash ", and its reconstructional way of combination, development with "ink and wash" it was "replaced" by the afterward manner. In a word, the developing "replaced"by the afterward manner.

本文所采用的论述方式是:立足于色彩绘画,分别从&色彩&、&水墨&两个角度出发,先对它们在中国古代画史论著中作一考证;分析隋唐时期&色彩&绘画是如何从体制的成熟、完备而走上&失落&的道路;着重分析色彩绘画中心&失落&亦即&水墨之变&的原由;及其在被水墨&替代&后与&水墨&结合、衍变的重建之途。