巴洛克时期

Secondly, in terms of the dynamic development of harmony in chorus, this paper expounds harmony in chorus in different periods in the history of music: harmony in the structure of contrapuntus in the Renaissance chorus, harmony in contra-structure in Baroque chorus, harmony in chorus of the classical period, harmony in chromaticism the expansion of modes in the romantic period. These dynamic features of harmony display the principle of formal beauty in western chorus.

从合唱音乐的语言形式上看，作为美学特征的"和谐"表现在音程、和声、对位结构之中：从合唱音乐的历史发展上看，"和谐"则表现为文艺复兴时期对位结构中的"和谐"、巴洛克时期的对位与和声相结合中的"和谐"、古典主义时期的旋律与和声相结合的主调音乐中的"和谐"、浪漫主义时期半音化和声与扩张的调式中的"和谐"。

The dryer, chastened, less dramatic and coloristic, later stages of 18th century Baroque architectural style are often seen as a separate Late Baroque manifestation.

巴洛克建筑到了18世纪后叶，变得较单调、节制，也比较少戏剧性和色彩缤纷的特色，这样的风格被视为是后巴洛克时期的表现形式。

Harmonic thinking had existed among particular composers in the previous era, notebly Carlo Gesualdo; however the Renaissance is felt to give way to the Baroque at the point where it becomes the common vocabulary.

和声理念已经存在于巴洛克早期几位作曲家的创作中，特别是Carlo Gesualdo。然而文艺复兴时期被认为让位于巴洛克时期是在巴洛克成为一个普遍的词汇时。

Furthermore, the ground rule that we know so well about trills and ornaments to start on the upper note in the Baroque and early Classical periods needs reconsideration.

此外，我们都知道颤音和装饰音的基本规则在巴洛克时期开始用在高音部，而早期古典音乐时期还需再斟酌。

For a long time, the materials of foreign music works chosen in normal university Solfege teaching are mainly the traditional works based on tonal system, namely, the works in Baroque era, Classical era and early and middle Romantic works.

长期以来，高师视唱教学所选用的国外音乐作品的素材以建立在调性体系基础上的传统音乐作品为主，主要是巴洛克时期、古典主义时期及浪漫主义中早期的音乐作品。

Mendelssohn is one of the most important composers in Romantic times. The skills of his works combine counterpoints of Baroque and harmony in Classic times, and add the romantic spirit in his music. This thesis is going to deeply explore Mendel's work—Psalm 95. This work was adopted cantata as the structure due to the influence of Johann Sebastian Bach's religious works.

摘要 孟德尔颂是浪漫时期重要的作曲家，作品结合巴洛克时期对位及古典时期和声的手法，在内容上则是注入了浪漫乐派的精神，本论文将针对其作品诗篇95做深入探讨，此作品的创作形式受到了巴赫宗教作品的影响，采用cantata的形式做为架构。

This sets question Israeli Baroque gram period of the whole music style characteristics Be a big background, concrete arrive the music style of the flute work, take this as to correspond a point, go deep into a concrete research Baroques period flute work to play a method.

此命题以巴洛克时期的整体音乐风格特点作为大背景，具体到长笛作品的音乐风格，以此为切入点，深入具体的研究巴洛克时期长笛作品的吹奏方法。

Baroques period cans not get away from Bach, the flute work cans not get away from the flute work of the Bach more.

巴洛克时期离不开巴赫，长笛作品更离不开巴赫的长笛作品。

There are plentiful and grazioso ornamentations in Bach's keyboard works.

巴赫的键盘作品中装饰音使用十分丰富，但是由于巴赫所处的巴洛克时期时代的久远，而且当时的记谱并未标明奏法，只有装饰音符号，一直以来不同时期作曲家和同一时期不同作曲家对巴赫的装饰音演绎存在许多差异，引起不同的争论，为钢琴学习者带来困难。

Because Spain's history has its particularity, it also has the complex cultural comprehensive nature. Therefore its piano music development also has historically the complexity, mainly divides into following several stages:First, Spain's-like Baroque time: Spanish composers have very Scarlatti peduncle style in this time, simultaneously the classical time sonata form also begin the dew spear point.

由于西班牙的历史有其特殊性，它也有着复杂的文化综合性，因此它的钢琴音乐的发展也有着历史的复杂性，主要分为以下几个阶段：一、西班牙式的巴洛克时期：这一时期的西班牙作曲家有很浓厚的斯卡拉蒂风格，同时古典时期的奏鸣曲形式也初露矛头，可以说这一阶段是西班牙钢琴音乐的启蒙阶段。

Chrysanthemum of 10 thousand birthday is lax to edaphic requirement, with the arenaceous qualitative loam with fecund, good drainage had better.

万寿菊对土壤要求不严，以肥沃。排水良好的砂质壤土为好。

He unstepped the mast and furled the sail and tied it.

他拔下桅杆，把帆卷起，系住。