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By way of description of those unfortunate women's fate, Isikawa Tatsuzo makes a severe disclosure and critique about the cultural tradition of male hegemonism in Japanese society. Furthermore, he also expresses heartfelt sympathy for those women in difficult position. Isikawa Tatsuzo knows that women face a dilemmatic condition between family and society, he also wants to look for a way for women to exist. All of these express his positive view on women.

石川达三通过对其笔下女性不幸命运的描写,深刻地揭露与批判了日本社会中普遍存在的男性霸权主义文化传统,并对那些身陷困境的女性寄予了深切的同情;石川达三看到了女性被困于家庭及社会中的两难地位,而且积极地想要为她们寻找一条生存之路,这些都表明了石川本人的女性观中需要肯定的积极一面。

That in female was Uu, Ng, Mh, eumycetes, Trichomonas and Ct in descending sequence. Constituent ratio of eumycetes and Trichomonas in female was higher than that in male (x^2=50.0l, P.001), while that of NG was higher in male (x^2=13.86, P.01), and mixed infection rate was higher in female (x^2=6.98, P.05). Conclusion Ng and Uu were the common pathogens of genitourinary infection in male, while eumycetes and Uu were the common pathogens in female.

结果 125例男性病人病原体感染构成比由高到低依次为Uu、Ng、Mh、霉菌、Ct和滴虫;l96例女性病人病原体感染构成比由高到低依次为Uu、Ng、Mh、霉菌、滴虫和Ct,男女感染病原体比较,女性霉菌和滴虫的感染构成比高于男性(x^2=50.01, P.00l),男性淋球菌感染构成比高于女性(x^2=1386,p.01),混合感染率女性高于男性(x^2=6.98,P.05)。

Present woman writers, with the same resistence as the WuSi movement advocators to the old-fashioned tradition, advanced ideas of independent feminie, rooted their experiences in to their composition, destructing the divine mother myths in all aspects, has expressed their ideals in their works both on the outline of woman cultural space and the woman society.

当代女性作家秉承着五四以来的反抗传统,有着先进的女性独立思想,把自己人生经验植入到创作当中,从各个方面解构着&母性神话&,作品中充斥着对女性文化空间的勾勒和女性社会理想的表达。

The paper approaches the images of women in modern Chinese and Western poetry from a feministic perspective as characterized by resistant-reading.

运用女权主义的&抗拒性阅读&的策略,从三个层面分析中西方现代主义诗歌中的女性意象:作为异化大众的女性意象;作为性和情爱对象的女性意象;作为叙述意识的女性意象。

The feministic viewpoint is the consideration and comprehension upon some ultimate questions as the essence of woman's existence, the meaning of woman's emancipation and the way for woman to gain freedom etc.

女性观是对女性存在的本质、女性解放的涵义和女性解放的道路等根本问题的思考与理解。

This thesis intends to use a feminist perspective to analyze Caddy and other female characters. From the descriptions of her brothers', we sense the female's muteness and absence. By obliterating male's language hegemony, we can visualize an oppressed female image and see her endless efforts to fight against sexual oppression and reconstruct her female subject.

本文力图用一种新的女性视角去感悟女性的缄默与缺席,以期掀起男权主义的面纱,沥去男性话语霸权的喧嚣,从凯蒂的兄弟有关凯蒂的片言只语的叙述中连缀起她的支离破碎的形象,深入挖掘造成以她为代表的女性悲剧的真正原因,展现她们为反抗性别压迫、构建女性主体所做出的不懈努力。

By analyzing the dissimilated trend in women's self because of their catering for patriarchic views, the process of self-lost when they are gradually dissimilated into tools for traditional ethic is discovered, so did the reason of women's self-dissimilation and heterosexual hatred.

通过分析女性的自我因迎合传统女性伦理观而导致的物化倾向,展示了女性在逐步异化为传统伦理的工具性符号时自我的丧失过程,并从社会伦理层面上分析女性自我异化的原因,以及异性间憎恨关系的原因。

Besides, using a woman's perspective and voice, Yan criticized the patriarchic imprisonment of and dominance over women and elaborated double Diaspora (internally/externally) to women under the mainstream culture.

第四章「女性的囚困与离散」,讨论严歌苓「见山不是山」这一阶段创作中,以女性视角与声音批判父权文化对女性的囚禁与宰制以及阐述女性在主流文化场域中的内╱外部双重流离。

Women literature,as a part of literature,seems to be not mentioned at all.Some people think that female literature does not exist.With a broader view and taking the specific historical and realistic context into account,we may discover that literature at that time does reflect the social life and life of women,saliently or subtly incorporating gender consciousness and aesthetic experiences into the writing.

这一时期,文学给人的印象是英雄的文本、革命的文本、无性的文本,所以作为文学一翼的女性文学始终没有被另提别论,以至有人认为&十七年&不存在女性意义上的文学,其理由是:一方面,客观上五、六十年代政治的泛化使女性的主体意识普遍失落;另一方面,女作家创作上都趋向于无性化,因而失去女性文学存在的依据和特征。

The typical female role in the works of Hemingway's works is the angel and the succubae, which constitute the elemental parts of Hemingway's works. In the author's opinion, the hypothesis of double female role was the key point through which we could explore the secret of Hemingway's writing to some extent. Part II of this paper admits the conclusion and explores the original materials of Hemingway.

从这一哲学范畴出发,对海明威作品中的女性意识进行探究,可以发现在海明威作品中存在两端的女性形象,即被西方女性主义批评者指斥的&天使&和&魔女&的形象问题,这两种类型成为理解海明威笔下女性形象的重要切点,而文章第二部分的切点探究正是将此认识作为阶段性的结论予以认可。

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