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Of or relating to or in the manner of Aeschylus .

属于或关于埃斯库罗斯的,或以埃斯库罗斯风格的。

In 1833 Elizabeth published her first work, a translation of Prometheus Bound by the Greek dramatist Aeschylus.

在1833年,黄钱其濂出版她的第一次工作,翻译普罗米修斯的约束,希腊剧作家埃斯库罗斯。

His translations of Euripides' Trojan Women and Aeschylus' Oresteia were performed at Epidaurus, in 1979 and 1980 respectively, by the Theatro Technis under the direction of Karolos Koun.

他翻译的欧里庇得斯的《特洛伊女人》和埃斯库罗斯的《奥瑞斯提亚三部曲》分别于1979年和1980年在埃皮道夫罗斯古剧场上演,由卡罗洛斯·贡执导。

Ancient sources for Athena include: Aeschylus, Apollodorus, Callimachus, Diodorus Siculus, Euripides, Hesiod, Homer, Nonnius, Pausanias, Sophocles and Strabo.

在古代的文献中提到过雅典娜的包括:埃斯库罗斯、阿波罗多洛斯、卡利马库斯、狄奥多罗斯·西库路斯、欧里庇得斯、赫希俄德、荷马、鲍萨尼阿、索福克勒斯和斯特拉波。

The immense suffering of the bold individual, on the one hand, and on the other the extreme jeopardy of the gods, prefiguring a "twilight of the gods"--the two together pointing to a reconciliation, a merger of their universes of suffering--all this reminds one vividly of the central tenet of Aeschylean speculation in which Moira, as eternal justice, is seen enthroned above men and gods alike.

然而,在普罗密修斯的颂歌(就其基本思想来说,它是歌颂渎神行为之作),最可惊叹的一点,是埃斯库罗斯的深厚的正义感:一方面是果敢的&个人&受尽无限痛苦,另一方面是神灵的末日定必到来况且已有朕兆,这两个痛苦境界的力量促使双方和解而产生辩证的统一;——这一切有力地暗示了埃斯库罗斯世界观的中心要点,他认为&命数&乃是统治着神与人的永恒正义。

Meanwhile the chapter made some interesting analysis of the relationship between Marx and Aeschylus, Spartacus, Martin Luther, Dante, Cervantes, Shakespeare, Balzac, Danidl Defoe, Voltaire, Rousseau, Diderot, Goethe, Schiller, Immanuel Kant, Fichte, Hegel, Feuerbach, Hess, Friedrich Engels, Saint-Simon, Fourier, Robert Owen, P. Trémaux,Comte, N.

同时本章还就埃斯库罗斯、斯巴达克、马丁·路德、但丁、塞万提斯、莎士比亚、巴尔扎克、笛福、伏尔泰、卢梭、狄德罗、歌德、席勒、康德、费希特、黑格尔、费尔巴哈、赫斯、恩格斯、圣西门、傅立叶、欧文、达尔文、比·特雷莫、孔德、弗列罗夫斯基等人与马克思的关系做了有趣的分析。

This thesis is an examination of political and theological problem presented in Aeschylus' Oresteia trilogy, and it's also an investigation of the relationship between politics and theology as elaborated in the plays.

本文的主旨在于研究古希腊悲剧家埃斯库罗斯&奥瑞斯特亚&三连剧中的政治、神学问题,并由此勘定政治神学问题在埃斯库罗斯作品中的地位及其相互关系。

His seven extant tragedies reflect the political, religion and culture condition in the classical times of Greece. Given the place of tragedy in Athenian public life, we will consider how the action and theme of the tragedies sustained justice in the Athens city. The Oresteia with its massive tale of the genesis of human law and its conclusion in the city of Athens itself, is a particularly good example for this model of tragedy educating the citizen into citizenship.

在他现存的悲剧作品中,大量反映了古希腊古典时期政治、宗教以及文化的时代风气,如果我们考虑到悲剧在整个雅典政治生活中的地位,我们更应该埃斯库罗斯作品的主题和情节放到雅典城邦的正义观念中去,而&奥瑞斯特亚&正是埃斯库罗斯塑造雅典公民政治身份的思想体现。

Now, under the overmastering influence of tragic poetry, the Homeric myths were once more transformed and by this metempsychosis proved that in the interim Olympian culture too had been superseded by an even deeper philosophy.

我们在埃斯库罗斯的三部曲中看到宙斯惊惶万状,忧虑自己的未运,终于同普罗密修斯结盟。于是,以前的铁旦世代终于从冥土起来,重见天日。

Some of the greatest figures of Western cultural and intellectual history lived in Athens during this period: the dramatists Aeschylus, Aristophanes, Euripides, and Sophocles, the philosophers Aristotle, Plato, and Socrates, the historians Herodotus, Thucydides, and Xenophon, the poet Simonides and the sculptor Pheidias.

一些西方文明史和智慧史上最伟大的人物生活在这个时期的雅典:剧作家埃斯库罗斯,阿里斯托芬,Euripides,Sophocles;哲学家亚里士多德,柏拉图,苏格拉底;历史学家希罗多德,休昔里德斯和色诺芬以及诗人西摩尼德斯和雕塑家菲迪亚斯。

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从有历史以来,英国,在此地早期居住的是凯尔特人,已经被征服了三次。

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