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The exact date of the sculptor is not known. However, scholars assume that it was made sometimes after 150 A.D. because of the representation of the vernal equinox on the globe, which is similar to that in Ptolemy's Almagest.

我们并不知道这座雕像确切完工的时间,但是学者们推估它应该是西元150年之后的作品,因为Atlas肩上的地球仪呈现出已知春分的天文学知识;而托勒密(生卒年约为85-165 AD)的天文学的书Almagest就曾提到此点。

Through long-term exploration, I feel to demonstrate the method that is united in wedlock with chart, Baconian, exercise through tellurion.

经过长期探索,我觉得通过地球仪演示和图表、归纳、练习相结合的方法。

For choosing Caserta as an Episode II location, Lucas was given this gift of a globe depicting zodiac constellations, made by Mario Basile.

因为选择了凯瑟塔作为EPII的外景地之一,卢卡斯得到了一个礼物:由马里奥·贝斯里制作的描绘有黄道十二宫星图的地球仪

In 1575, this marble figure of Atlas holding a celestial globe was found in Rome.

1575年, Atlas背负著地球仪的大理石人像在罗马城被发现了。

Only six of his globes are believed still to be in existence. Three of them are in England, of which one pair consisting of a terrestrial and a celestial globe is owned by Middle Temple and displayed in its library, while a terrestrial globe is at Petworth House in Petworth, West Sussex.

至今只有6个莫利纽克斯制造的球仪尚存于世,其中3个在英国,这3个之中有一对天球仪与地球仪被英国中殿律师学院持有并在其图书馆展示,另有1个地球仪在西苏塞克斯郡的派特沃斯镇的派特沃斯公馆。

It round, like the flower ball, like a globe, the light green dotted with dark green on the fringe, such as small the waves, like from time to time the peaks, more latitude on the globe.

它圆圆的,像花皮球,又像地球仪,淡绿色的瓜皮上点缀着墨绿色的条纹,像细小的波浪,又像时起时伏的山峰,更像地球仪上的纬线。

Above, there are crystal globe, clock, pen loops and business card holder; just get it back, the entire decoration a dazzling metallic luster, look magnificent, eye-catching is pressing, but after a long, in addition there is a trace of crystal globe gloss, the rest of the gold all dim down.

上面有水晶地球仪,钟,笔套和名片夹;刚拿回来时,整个摆设发出耀眼的金属光泽,显得富丽堂皇,夺目逼人,但过了不久,除了地球仪尚有一丝水晶光泽外,其余的金色全都黯淡下来。

Occasionally I turned my looks to the terrestrial globe on my desk and noticed an ant crawling on the globe ceaselessly and round and round; I don't know how long it has been on the ball, perhaps it was brought here by wind.

偶尔目光落到桌上的地球仪:一只蚂蚁不知什么时候被什么风吹到了地球仪上,它沿着球面不断地往前爬,爬了一圈又一圈;在这蚂蚁的二维空间里,球面是无限的,无边无涯。

On the two sides of the north pole two auxiliary magnets make the terrestrial globe run automatically at average speed by rotating the magnetic field generator.

当距离变小时,控制器自动减弱磁场,当距离变大时,控制器自动增强磁场,从而保证地球仪与控制器有一定距离,在北极两侧有两个辅助磁铁,通过旋转磁场发生器使地球仪匀速自转。

Fix a super intense magnet at the north pole of the terrestrial globe, the top of the terrestrial globe is the magnetic field controller which senses the distance between the terrestrial globe and the controller through the sensor; when the distance becomes shorter, the controller will automatically reduce the magnetic field; on the other hand, when the distance becomes greater, the controller will automatically increase the magnetic field and, in this way, guarantee a certain distance between the terrestrial globe and the controller.

地球仪的北极固定一个超强磁铁,地球仪上面是磁场控制器,通过传感器感知地球仪与控制器的距离。

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推荐网络例句

The physiology of the skin machine body for the sake of the environment in the maintenance stability, but eject a body metabolism creation of metabolism thing BE'grease', summer perspire many various skin disease light or good, autumn perspire little metabolism thing metabolism don't go out, various skin disease made, this be the skin machine body of various burning disease.

皮肤机体的生理为了维持内环境稳定,而排出身体代谢产生的代谢物是'油泥',夏天出汗多各种皮肤病就轻或好了,秋天出汗少代谢物代谢不出去,各种皮肤病就犯了,这就是皮肤机体的各种炎症。

If I had anything tender in me, I shot it dead.

如果我有什么招标的话,我枪死亡。

The argumentation way in which this literary grace using is based on color painting, setting out from two angles separately " color"、" ink and wash", making criticizition in texts of Chinese ancient drawing history; analyzing how "color" painting was on the way from ripe to losing; emphatically analyzing the reason of losing in color center, that is to say the reason of "the change of ink and wash ", and its reconstructional way of combination, development with "ink and wash" it was "replaced" by the afterward manner. In a word, the developing "replaced"by the afterward manner.

本文所采用的论述方式是:立足于色彩绘画,分别从&色彩&、&水墨&两个角度出发,先对它们在中国古代画史论著中作一考证;分析隋唐时期&色彩&绘画是如何从体制的成熟、完备而走上&失落&的道路;着重分析色彩绘画中心&失落&亦即&水墨之变&的原由;及其在被水墨&替代&后与&水墨&结合、衍变的重建之途。