在艺术上

It discusses Arnheim's theory in two aspects: First, starting from the Gestalt psychology, it puts film into the category of traditional art and, by means of its comparison with other forms of art, such as opera and painting, concludes that film is art only because it fails to perfectly represent the reality.

到了 20世纪二三十年代，电影在创作实践上进入了它的第一个辉煌阶段———默片的全盛时期。由于创作实践的巨大进步，电影当然不能安于卡努杜所谓的"没有理论的艺术"①的现状，在理论上确认电影作为艺术的身分是势所必然。1932年，德国心理学专业的大学毕业生爱因汉姆撰写了《电影》一文。

The additional score guidance of instrument usage was put forward firstly in 2001 and quantitative index was constituted in grade rule of international eurythmics in 2003. The new idea of grade reflects the re-understanding of the development of instrument in eurythmics.

在艺术体操的发展史上，2001年国际艺术体操评分规则中首次提出了对器械运用加分的导向，接下来2003年版规则又对器械加分动作全面、系统、分门别类的制定出了加分的量化指标，这一新的评分理念，打破了以往只在形式上呼吁要加大器械运用的难度而无法体现加分量化的客观依据的评分局面。

As such, this paper focused on the pioneer experiment of "the Mark on the Wall" in its text form, and its underlying origin and groundbreaking significance from the following aspects: First, the article dealt with the pioneer experiment of "the Mark on the Wall" in its text form, which will be manifested mainly in three aspects: that is the plotlessness of its content, the variousness of its Style, as well as the network structure formed by two types of time; Then, the article discussed the underlying origin behind the experimental text form of "the Mark on the Wall", there are two main aspects: namely, the generation of "the Mark on the Wall" is not accidental, but is of close relation with Virginia Woolfs resentment to the text form of the traditional novels and her exploration in the new novel forms.

首先，文章论述了《墙上的斑点》在艺术形式上的先锋实验性，其主要体现在三个方面：即内在无情节性、文体形式的综合化、以及由两种时间构筑的网状结构。接着，文章探讨了《墙上的斑点》文本形式实验背后的深层根源，主要有两个方面：即：《墙上的斑点》的产生不是偶然的，而是与弗吉尼亚·伍尔夫对传统小说艺术形式的不满和对新小说艺术形式的探索紧密相连的。

In literary history,aestheticism represents the literary cognition and practice which flaunts the banner of subjectiveness in creative practice and the principle of literary freedom.

在哲学和美学领域，审美主义是基于人的审美感性对艺术问题所进行的理论性思考；在文学史上，审美主义所代表的是以艺术实践主体性与艺术自由化原则相标榜的文学认识和实践行为。

We should encourage the unhampered development of different forms and styles in literature and art, as well as the free discussion of theories of literature and art among exponents of different views and schools of thought.

洋为中用、古为今用的方针，在艺术创作上提倡不同形式和风格的自由发展，在艺术理论上提倡不同观点和学派的自由讨论。

Perhaps the artists attending this exhibition, although youthful, passionate and venturous, still have potential to improve in the respects of art breakthroughs, visual developments, thinking innovations and so forth; nevertheless, they spare no effort to build a meaningful form, and the sincerity in art they retain and the culture ideal they hold are incisively and vividly expressed in their works, so that an utterly new culture attitude and art direction is developed.

也许，参展艺术家们正青春年少、意气风发，义无反顾，而在艺术更新、视野拓展、思维创意的节点上还尚未完全成熟，但他们竭力营造的有意味的形式，秉持的艺术真诚，坚持的文化理想在他们的作品中体现得淋漓至尽，从而张扬出了一种全新的文化态度和艺术方向。

Different from those predominantly body-confronted movements as football which are like a fight between solders at close range, golf is more like a generals' battle. It not only shows the graceful art of the gestures, but also incarnates the will, absorption, intelligence and confidence of the golfer. The objects of golf are those minded, intellig ent and endurant successful people, thus the attracted company must be high-class.

如果说足球等以肢体为主的对抗运动像将士在战场上的短兵搏杀，凸现的是肢体艺术，辐射的是大众群体，高尔夫就更像是统帅之间的较量，不仅体现在优雅的肢体艺术，更体现明星的意志、专注、智慧、信心，是精神上的对决——高尔夫战场的辐射对象是那些有思想、有智慧、有毅力的成功人士群体，因而高尔夫运动吸引的商家也必须是高端的。

Pirandello's dramatic renovation refered in many aspects to the dramatic tradition before the 19th century, especially that of the Elizabethan and Jacobean theatre.

在戏剧艺术上，皮兰德娄的艺术相对论、他的戏剧意象和比喻以及戏中戏的运用，在一定程度上是莎士比亚式的。

Mr. Ye Zuotao creation of the free expression of his artistic qualities of Zhigui,"freely, to enter a state of the game" This is the interpretation of his works gave me the impression of another, and the game is the art of Guinie, I In other games Lete stressed the significance of the arts, Schiller said,"is the only game before the game and make a complete person,""Only when people are totally sense of the people, he played only when the people in the game He is only human."

叶左韬先生创作中的自由表达是他艺术特质的旨归，&无拘无束，进入一种游戏的状态&这是解读他的作品给我的又一印象，而游戏，正是艺术的圭臬，席勒特别强调游戏在艺术中的意义，席勒说&正是游戏而且只有游戏才使人成为完全的人，&&只有当人是完全意义上的人，他才游戏；只有当人在游戏时，他才完全是人。&

On reflection of new trends in art, the artist retains a vigilant stance, while appreciative of new initiatives; he espouses a philosophical opinion which laments, if not refute, the crass materialism which now inundates the sphere of contemporary art.

在艺术新趋势的沉思上，艺术家保留了其警惕的立场，同时，对艺术新的主动精神具有一定的鉴赏力。他对自己拒绝接受而如今在当代艺术领域内四处泛滥的愚蠢的物质主义持有痛惜这一哲学观点。

Further more, the simplified analysis method on stressed-skin effect of corrugated steel sheet is also discussed in detail.

此外还比较详细地探讨了蒙皮效应的简化分析方法。

If I had known her telephone number,I would have called her.

要是我知道她的电话号码，我就打电话给她了。