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喋喋不休地谈

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Yet we do nothing but keep up a perpetual ballyhoo about Bolshevism, fascism, communism, liberty, dictators, democracy, and all the rest of it.

可是,现在我们只是喋喋不休地奢谈布尔什维主义。法西斯主义、共产主义、自由、独裁者、民主以及诸如此类的东西。

She prate d of the good old days.

喋喋不休地谈过去的好日子。

He kept rattling on about his holidays .

他喋喋不休地大谈他度假的事。

How could Pa talk on and on about Fort Sumter and the Yankees when he knew her heart was breaking?

爸爸既然知道了她的伤心事,他怎么还能这样喋喋不休地尽谈萨姆特要塞和北方佬呢?

She burbled on about her son's health.

喋喋不休地谈她那儿子的健康。

She chattered on and on about her recent trip.

喋喋不休地谈她最近的旅行。

She prated of the good old days .

喋喋不休地谈过去的好日子。

She prated of the good old days.

喋喋不休地谈过去的好日子。

He witters on and on about his plans for the future.

喋喋不休地谈着对未来的设想。

She rattled on cheerfully about the shooting and the scarcity of birds, and the prospects for duck in the winter.

接着她又饶有兴趣喋喋不休地谈起打猎,最近树林里面鸟不多,以及冬天会有鸭子等等。

推荐网络例句

The physiology of the skin machine body for the sake of the environment in the maintenance stability, but eject a body metabolism creation of metabolism thing BE'grease', summer perspire many various skin disease light or good, autumn perspire little metabolism thing metabolism don't go out, various skin disease made, this be the skin machine body of various burning disease.

皮肤机体的生理为了维持内环境稳定,而排出身体代谢产生的代谢物是'油泥',夏天出汗多各种皮肤病就轻或好了,秋天出汗少代谢物代谢不出去,各种皮肤病就犯了,这就是皮肤机体的各种炎症。

If I had anything tender in me, I shot it dead.

如果我有什么招标的话,我枪死亡。

The argumentation way in which this literary grace using is based on color painting, setting out from two angles separately " color"、" ink and wash", making criticizition in texts of Chinese ancient drawing history; analyzing how "color" painting was on the way from ripe to losing; emphatically analyzing the reason of losing in color center, that is to say the reason of "the change of ink and wash ", and its reconstructional way of combination, development with "ink and wash" it was "replaced" by the afterward manner. In a word, the developing "replaced"by the afterward manner.

本文所采用的论述方式是:立足于色彩绘画,分别从&色彩&、&水墨&两个角度出发,先对它们在中国古代画史论著中作一考证;分析隋唐时期&色彩&绘画是如何从体制的成熟、完备而走上&失落&的道路;着重分析色彩绘画中心&失落&亦即&水墨之变&的原由;及其在被水墨&替代&后与&水墨&结合、衍变的重建之途。