唤起人

As rock interface are crossed, the elastic characteristics encountered generally change abruptly, which causes part of the energy to be reflected back to the surface, where it is recorded by seismic instruments. 83, While the new doctrine seems almost certainly correct, one papyrus the fragment raises the specter that another may be unearthed,showing,for instance,that it was a posthumous production of the Danaid tetralogy which bested Sophocles,and throwing the date once more into utter confusion.

数据资料已被统计出来，或被重新统计出来，以便证明在文体学这方面，《乞援衰女》实际上确实在《波斯人》和《七雄攻忒拜》(后两者现在则变成了&原始&的剧作)之后以及在轴残片却唤起了一种幽灵似的疑虑，即另一块残片有可能再度被挖掘出来，并证明，比如说，《乞援衰女》是作者藉以击败索福克勒斯的《达那特四部曲》的一部死后出版之作，从而将创作年代再度置于极度的混乱之中。

As rock interface are crossed, the elastic characteristics encounteredgenerally change abruptly, which causes part of the energy to be reflected back to the surface, where it is recorded by seismic instruments. 83, while the new doctrine seems almost certainly correct, one papyrus fragment raises the the specter that another may be unearthed,showing,for instance,that it was a posthumous production of the danaid tetralogy which bested sophocles, throwing the date once and more into utter confusion.

数据资料已被统计出来，或被重新统计出来，以便证明在文体学这方面，《乞援衰女》实际上确实在《波斯人》和《七雄攻忒拜》(后两者现在则变成了&原始&的剧作)之后以及在轴残片却唤起了一种幽灵似的疑虑，即另一块残片有可能再度被挖掘出来，并证明，比如说，《乞援衰女》是作者藉以击败索福克勒斯的《达那特四部曲》的一部死后出版之作，从而将创作年代再度置于极度的混乱之中。

As rock interface are crossed, the elastic characteristics encounteredgenerally change abruptly, which causes part of the energy to be reflected back to the surface, where it is recorded by seismic instruments. 83, While the new doctrine seems almost certainly correct,the one papyrus fragment raises the specter that another may be unearthed,showing,for instance,that it was a posthumous production of the throwing the date once Danaid tetralogy which bested Sophocles,and more into utter confusion.

数据资料已被统计出来，或被重新统计出来，以便证明在文体学这方面，《乞援衰女》实际上确实在《波斯人》和《七雄攻忒拜》(后两者现在则变成了&原始&的剧作)之后以及在轴残片却唤起了一种幽灵似的疑虑，即另一块残片有可能再度被挖掘出来，并证明，比如说，《乞援衰女》是作者藉以击败索福克勒斯的《达那特四部曲》的一部死后出版之作，从而将创作年代再度置于极度的混乱之中。

While the new doctrine seems almost certainly correct,the one papyrus fragment raises the specter that another may be unearthed,showing,for instance,that it was a posthumous production of the Danaid tetralogy which bested Sophocles,and throwing the date once more into utter confusion.

数据资料已被统计出来，或被重新统计出来，以便证明在文体学这方面，《乞援衰女》实际上确实在《波斯人》和《七雄攻忒拜》(后两者现在则变成了&原始&的剧作)之后以及在轴残片却唤起了一种幽灵似的疑虑，即另一块残片有可能再度被挖掘出来，并证明，比如说，《乞援衰女》是作者藉以击败索福克勒斯的《达那特四部曲》的一部死后出版之作，从而将创作年代再度置于极度的混乱之中。

As rock interface are crossed, the elastic characteristics encounteredgenerally change abruptly, which causes part of the energy to be reflected back to the surface, where it is recorded by seismic instruments.83、 While the new doctrine seems almost certainly correct,the one papyrus fragment raises the specter that another may be unearthed,showing,for instance,that it was a posthumous production of the Danaid tetralogy which bested Sophocles,and throwing the date oncemore into utter confusion.

数据资料已被统计出来，或被重新统计出来，以便证明在文体学这方面，《乞援衰女》实际上确实在《波斯人》和《七雄攻忒拜》(后两者现在则变成了&原始&的剧作)之后以及在轴残片却唤起了一种幽灵似的疑虑，即另一块残片有可能再度被挖掘出来，并证明，比如说，《乞援衰女》是作者藉以击败索福克勒斯的《达那特四部曲》的一部死后出版之作，从而将创作年代再度置于极度的混乱之中。

While the new doctrine seems almost certainly correct,the one papyrus fragment raises the specter that another may be unearthed,showing,for instance,that it was a posthumous production of the Danaid tetralogy which bested Sophocles,and throwing the date once more into utter confusion.

数据资料已被统计出来，或被重新统计出来，以便证明在文体学这方面，《乞援衰女》实际上确实在《波斯人》和《七雄攻忒拜》（后两者现在则变成了&原始&的剧作）之后以及在轴残片却唤起了一种幽灵似的疑虑，即另一块残片有可能再度被挖掘出来，并证明，比如说，《乞援衰女》是藉以击败索福克勒斯的《达那特四部曲》的一部死后出版之作，从而将创作年代再度置于极度的混乱之中。

As rock interface are crossed, the elastic characteristics encount eredgenerally change abruptly, which causes part of the energy to be reflected back to the surface, where it is recorded by seismic instruments. 83、 While the new doctrine seems almost certainly correct,the one papyrus fragment raises the specter that another may be unearthed,showing,for ins tance,that it was a posthumous production of the Danaid tetralogy which b ested Sophocles,and throwing the date once more into utter confusion.

数据资料已被统计出来，或被重新统计出来，以便证明在文体学这方面，《乞援衰女》实际上确实在《波斯人》和《七雄攻忒拜》（后两者现在则变成了&原始&的剧作）之后以及在轴残片却唤起了一种幽灵似的疑虑，即另一块残片有可能再度被挖掘出来，并证明，比如说，《乞援衰女》是作者藉以击败索福克勒斯的《达那特四部曲》的一部死后出版之作，从而将创作年代再度置于极度的混乱之中。

While the new doctrine seems almost certainly correct, one papyrus the fragment raises the specter that another may be unearthed,showing, for instance,that it was a posthumous production of the Danaid tetralogy which bested Sophocles,and throwing the date once more into utter confusion.

数据资料已被统计出来，或被重新统计出来，以便证明在文体学这方面，《乞援衰女》实际上确实在《波斯人》《七雄攻忒拜》和(后两者现在则变成了&原始&的剧作)之后以及在轴残片却唤起了一种幽灵似的疑虑，即另一块残片有可能再度被挖掘出来，并证明，比如说，《乞援衰女》是作者藉以击败索福克勒斯的《达那特四部曲》的一部死后出版之作，从而将创作年代再度置于极度的混乱之中。

While the new doctrine seems almost certainly correct,the one papyru s fragment raises the specter that another may be unearthed,showing,for in stance,that it was a posthumous production of the Danaid tetralogy which bested Sophocles,and throwing the date once more into utter confusion.

数据资料已被统计出来，或被重新统计出来，以便证明在文体学这方面，《乞援衰女》实际上确实在《波斯人》和《七雄攻忒拜》（后两者现在则变成了&原始&的剧作）之后以及在轴残片却唤起了一种幽灵似的疑虑，即另一块残片有可能再度被挖掘出来，并证明，比如说，《乞援衰女》是作者藉以击败索福克勒斯的《达那特四部曲》的一部死后出版之作，从而将创作年代再度置于极度的混乱之中。

The people and objects floating through Gao Bo's works are without roots - perhaps they come from a momentary memory or a spark of interest. Looking at Gao Bo's works brings pictorial information stored deep in the mind to light, yet within a second these mind-images fade again, leaving behind a memory of all the images that lie underneath Gao Bo's warm and languid sketching. In Gao Bo's consciousness, these images don't stop at realism or simply exposit like some historical legend - in the end they reach towards the fringes of nothingness.These images can call up rich associations in our minds yet often these are false associations. For example, in "Gray Face" this is not the mystical dog of the god Erlang in Journey to the West; the rickety bridge in "River Bed" is certainly not a reference to a rainbow in Heaven; the story of "Contest" is not about two dogs running and pretending to be in love but a story of race dogs controlled by humans.

散漫在高波作品中的人与物没有根源，也许它们是源于个人瞬间的兴趣和记忆，有关知识的、情感的和在脑子里存储的图象信息随之而来，也可以随之而去，只是在温和缓慢的描绘背后还有一丝对所有形象匆匆停留过后的怀念，它们在高波的意识之中并不是一次停留于现实或者历史神话般司空见惯的陈述，它们的结果最终都是通向虚无的边缘，尽管那些形象似乎可以唤起我们丰富的联想，比如《灰色的脸》，它绝不是西游记中二郎神的天犬，在《河床》中不牢靠的拱桥，肯定不是寓指天堂里的彩虹，《竞赛》讲述的故事并不是两只在假装为爱情奔跑的狗，而是被人为所驱使的赛狗。

Chrysanthemum of 10 thousand birthday is lax to edaphic requirement, with the arenaceous qualitative loam with fecund, good drainage had better.

万寿菊对土壤要求不严，以肥沃。排水良好的砂质壤土为好。

He unstepped the mast and furled the sail and tied it.

他拔下桅杆，把帆卷起，系住。