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叙述背景

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This paper narrates the background of basic facts and influences of bawdry in Tianjin during the period of 1950s replacing 1940s, which sets off CPC' s conviction of clearing away bawdry, the social cancer in the course of taking over city just after establishing PRC.

本文通过对二十世纪四五十年代之交天津市娼业概况及其影响的背景叙述,衬托出建国初期中国共产党人在接管大城市过程中清除娼业这一社会毒瘤的信念。

Specifically, we research the stability andsensitivity analysis of perfect equilibrium of bimatrix game through the relation ofperfect equilibrium and linear programming.

第一章为背景知识,介绍了博弈论的出现,发展,以及现况,描述了博弈论的类型以及理论结构。叙述了非合作博弈论的一些成果,并通过经典例子来认识非合作博弈。

It is introduced the current conditions and development tending of industrial design and CAID in the first chapter. It anayses currently produce style design and its disadvantage It also states the background、aim、significance and synopsis content of the study.

本文第一章,介绍了工业设计以及CAID 的现状和发展趋势,分析了现有产品造型设计流程以及不足,叙述了研究课题的背景、目的、意义以及研究内容。

I don't intend to delineate their wars,or describe their political backgrouds.

我不打算详尽地描绘他们的战争,也不打算叙述他们的政治背景。

To me, neither is it a simple comparison between the two writing styles nor a criticism of pedantry.

在王小波和昆德拉的小说中,时代的政治背景和这种背景下发生的性爱是叙述的主体内容,但这只是表面的共同点。

By the expounding in the four parts, this treatise outlines the background, status quo and vista of understratum narration in modernistic culture context, and reaches a conclusion that humanitarian solicitude and realistic standpoint are both the most important.

通过四个部分的论述,大致勾勒了底层叙述在现代性话语语境中的存在背景、目前现状以及未来的发展前景,最终得出的是底层叙述不可或缺的两翼——人道主义精神关怀和现实主义表述立场。

LiRui brought forward standpoint"narrate is everything",the text tries to know the ages background and language backgound that this standpoint was put forward,then makes clear connotation of this standpoint, and how to embody this standpoint at his lately novels and how the author overpassed this " soliloquy" to enrich expression of the individual life.

李锐提出了&叙述就是一切&的观点,本文试图从这一观点提出的时代背景、语言背景着手了解这一观点的具体内涵,以及这一观点在他的晚近小说中是如何体现的以及作者如何通过这种&独白体&的形式来丰富对于每一个个体生命的表达。

Despites Rowling's assertions that she does not believe in that kind of magic, much that has been written about the novels so far addresses magic in the series literally, attempting to put it in a historical and cultural context that then must explain its relation to all the accompanying problems and baggage that the history of magic, the occult, and witchcraft brings with it.

尽管罗琳声明她并不相信会有这样的魔法存在,而到目前为止所有有关小说叙述魔法的一系列文字中,罗琳都在尝试着将魔法置身于一个有关历史和文化的背景中,这些背景正解释了魔法和所有伴随着其发生的问题以及魔法和其历史之间的关系,与神秘超自然力之间的关系,与巫术之间的关系。

After Oscar Hijuelos won the Pulitzer Prize for his sizzling novel of Cuba, The Mambo Kings Play Songs of Love, publishers competed to bring out books by Latinos from a variety of backgrounds: Julia Alvarez's vividly told How the Garcia Girls Lost Their Accents, about four Dominican sisters in the Bronx; Cristina Garcia's sprightly Dreaming in Cuban, about her immigrant family in Miami; Francisco Goldman's The Long Night of White Chickens, set during Guatemala's military rule; When I Was Puerto Rican, Esmeralda Santiago's dreamy paean to her childhood; Drown, Junot Díaz's prickly stories about Dominican street punks.

在奥斯卡·希胡罗斯以古巴主题的激情小说《曼波王演奏爱之歌》荣获普利策奖之后,出版商争先恐后推出各种背景的拉美裔作家的作品。于是便有了朱莉娅·阿尔瓦雷斯叙述布朗克斯区4个多米尼加姐妹成长故事的生动小说《卡西亚姑娘们不再带口音》;克里斯蒂娜·加西亚描绘她在迈阿密的移民家庭的清新明快的《梦回古巴》;弗朗西斯科·戈德曼以危地马拉军统时期为背景的《白鸡的漫长夜》;埃斯梅拉达·圣地亚哥追忆梦幻童年的《我是波多黎各人的岁月》;以及朱诺特·迪亚斯描写多米尼加裔街头无业青年严酷生活的短篇小说集《沉沦》。

This paper is divided into five parts: the first part focuses on the currentsituation of research, process of his thoughts and his determination to put it to practice.Thought this part, we can understand the background of his constitutional philosophy;In the second part, We recognize his ideological foundation, describe the awarenessand understanding of his culture about East and West, research his background of thecultures about East and West; In the third part, the writer discuss the history ofevolution about Zhang Junmai constitutional philosophy, describe the process, that isfrom Eucken's philosophy to kant's philosophy. In this process, we understand therole and significance of Zhang Junmai constitutional philosophy in building ademocratic constitutional government; Part IV , in which the writer describes thecharacteristics of Zhang Junmai constitutional philosophy, is important; In the end, thewriter thinks that Zhang Junmai political appeal hadn't achieved at the ideal result thathe expected, but, there were some reasonable factors contained in his thoughts, thatwhat we shouldn't be abandoned but be utilized and developed when constructing themodern nation.

本文主要分为五个部分,在绪论中主要叙述了张君劢宪政哲学思想之研究现状以及张君劢宪政思想历程,把张君劢的宪政活动和思想认识做出了初步的概括,使我们能更加清楚的理解他的宪政哲学思想背景;第二部分主要是对其宪政哲学思想形成之基础进行归纳与总结,叙述张君劢对中西文化的认识和理解,研究其宪政哲学思想之中西文化的理论背景;第三部分则是对张君劢宪政思想之哲学演变的探讨,叙述了其宪政哲学思想从倭伊铿哲学转向康德哲学的演变过程,从其思想演变过程来理解张君劢宪政哲学在中国民主宪政建设中的作用和意义;第四部分主要是从张君劢各种宪法草案以及宪政活动中概括其宪政哲学思想之特征,从而得出其民族意识、德法合一与精神自由的宪政哲学核心内涵,并且在时代的背景下对其社会主义思想与马克思主义社会主义观进行了比较研究;第五部分则是对张君劢宪政哲学思想的一种再认识,指出了其宪政哲学思想在当代仍饱含着建设性的意义,并且赞同其复兴儒家文化的主张,认为这一主张在当代社会发展中仍有十分巨大的现实意义,在这些认识基础上,笔者认识到我们仍要保持一种批判与继承的态度去看待张君劢宪政哲学思想。

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