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反作用

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At other times, they become counterproductive or ineffective and end up doing more harm than good.

在其他时候,他们也成为反作用或无效,并最终这样做是弊多于利。

Money is counterproductive – it prevents happiness to come.

钱是起反作用的,它阻止愉快的到来。

According to Covey, our paradigms affect how we interact with others, which in turn affects how they interact with us.

根据 Covey ,我们的行为范式影响着我们与人交往,最后,又反作用影响着别人与我们的交往。

Many who had romantic views about the West are very disappointed at the media's attempt to demonise China.

很多对西方持有浪漫看法的年青人,对西方媒体妖魔化中国的企图十分失望,而妖魔化往往会引发相应的反作用

The physical solutions of the Dirac equation with non-zero rest mass are found outside the event horizon of general spherically symmetric and charged evaporating black hole.

引 言自从Balbinot研究了考虑到反作用时的蒸发黑洞的Hawking辐射以来,这一研究领域引起了国内外理论天体物理学家的极大兴趣[1 5]。

Avoid comparing a second-born to an elder sibling , which can act as a discourager .

避免把排行中间的拿来和排行老大的比较,这可能会造成反作用

The effects of disturbances can be offset by reactions to the disturbance .

干扰的影响可以通过对干扰的反作用来弥补。

When audience face these images, it is natural to invoke the memory of source images, and it is such basic memory or source images intention that produce the reaction and confrontation to Xu's works, spur his works to enter audience's habitual recognition of images, and combine thinking with image cognition to form new interpretation of images, as to highlight the dubiety of source images and to increase the possible reinterpretation of source images, but the artist's conceptual interference is not close-ended but discloses the mechanism of contemporary image reading: i.e. the interaction between image and audience, as result such works are the presence of artistic conception but the absence of artist and that artist doesn't stress the input of personal experience into the work, but looks for the methodology of image-construction and the combination of thinking methods for creating the entity of joint between image and language.

当观众面对这些图像时,很自然地唤起对原有图像的记忆,正是这种基本记忆或原图像意图的捕捉对许昌昌的作品产生了反作用和对抗,促使作品图像进入到观众的图像识别习惯中,将思考与图像认知结合,形成新的图像阐释,既是突出原图像的可疑性,又增加了对原图像的重新解释的可能性,但艺术家的观念介入并不是封闭的,而是敞开了当代图像阅读的机制:即图像与观众的互动性,这样的作品是艺术观念在场而艺术家缺席,艺术家不强调个人生活经验进入作品,而是寻求图像构成的方法论和思维方法论的结合,创造图像与语言切合的实体。

When audience face these images, it is natural to invoke the memory of source images, and it is such basic memory or source images intention that produce the reaction and confrontation to Xus works, spur his works to enter audiences habitual recognition of images, and combine thinking with image cognition to form new interpretation of images, as to highlight the dubiety of source images and to increase the possible reinterpretation of source images, but the artists conceptual interference is not close-ended but discloses the mechanism of contemporary image reading: i.e. the interaction between image and audience, as result such works are the presence of artistic conception but the absence of artist and that artist doesnt stress the input of personal experience into the work, but looks for the methodology of image-construction and the combination of thinking methods for creating the entity of joint between image and language.

当观众面对这些图像时,很自然地唤起对原有图像的记忆,正是这种基本记忆或原图像意图的捕捉对许昌昌的作品产生了反作用和对抗,促使作品图像进入到观众的图像识别习惯中,将思考与图像认知结合,形成新的图像阐释,既是突出原图像的可疑性,又增加了对原图像的重新解释的可能性,但艺术家的观念介入并不是封闭的,而是敞开了当代图像阅读的机制:即图像与观众的互动性,这样的作品是艺术观念在场而艺术家缺席,艺术家不强调个人生活经验进入作品,而是寻求图像构成的方法论和思维方法论的结合,创造图像与语言切合的实体。

So, one problem shadowing Dumont's account of these two ideologies is whether or rather how these ideologies are affected by or in turn affect the processes of political economy.

因此,杜蒙关于这两种意识形态的描述有一个问题,那就是这些意识形态是否,或者更确切地说,是如何受到政治经济进程的影响并反作用的。

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