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Realistically and instructively, this article discusses the significance of the important exposition "three representativeness" from a long term point of view.

论述了"三个代表"重要论述的极为重大的现实意义和长远的指导意义:指出它是对执政党建设历史经验的深刻总结和党的建设所面临的严峻考验的科学回应;指明了社会主义现代化历史进程中执政党建设的方向;丰富了马克思列宁主义建党学说、毛泽东建党思想和邓小平建党理论。

China is a multiethnic nation and endowed with a rich textile and costume heritage during its long history, bearing characteristics of each ethnic group.

中国是一个多民族聚居的国家,在漫长的历史进程中,各民族的纺织与服饰有着丰富的历史积淀,体现了各民族的特色。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的"表现"观念的历史考察着手,归纳出西方现代"表现"观念的核心内涵,以此为基点来逐步分析西方现代造型艺术史,进而将西方现代造型艺术的产生与发展归结为在"表现"观念驱动下不断递进的历史进程:印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口;野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉,并在艺术中反抗物象对表现的压迫;德国表现主义与超现实主义以不彻底的"否定性物象"来张扬表现反抗物象;至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型,在造型的范围内实现彻底的表现;二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制;经由抽象表现主义、最低限艺术,表现逐步摆脱了纯粹造型,寻求造型之外的新的表现可能。

In addition to having world height, here still have a lot of well worth swiming places,"flower last several hourses, return you last a hundred years":City history development in Shanghai displays building toward your way a hundred years with to come to the story that city in Shanghai develops history progresses;"Five continents are the whole world and hunt a strange trip" the biggest oceanarium in Asia;Take"person, nature, science and technology" as the Shanghai science and technology building of topic leads to find out mysterious high-tech world;The outside pool sightseeing tunnel which crosses a mysterious dreamlike trip combines river's cross-straits Shanghai scenery of river bank to the concentration of essence ;Century well known as century big way

除具有世界高度外,这里还有很多值得一游的地方,"花上几小时,还您上百年":上海城市历史发展陈列馆向您道出近百年来上海城市发展历史进程的故事;"五洲四海、猎奇之旅"亚洲最大的海洋水族馆;以"人、自然、科技"为主题的上海科技馆带领探访神秘的高科技世界;穿越神秘梦幻之旅的外滩观光隧道联结浦江两岸上海风景集粹;有东方"香榭丽舍"之称的世纪大道

Based on China's revolution and construction and the main content of criteria of different stages, the article divides the criteria into five stages. It tries hard to sum up the commonness of criteria at the same stage, and open out the relation between the commonness and the candidates of party member.

关于党员标准的历史分期问题本文根据中国革命和建设的历史进程,以及党员标准在不同时期的主要内容,把建党以来共产党员的标准问题分成五个阶段,并力图在每一个阶段都总结出该阶段党员标准的共性,揭示出这一共性与党员发展对象之间的关系。

So they should be talked about. Second, the stages of the criterion. Based on China's revolution and construction and the main content of criteria of different stages, the article divides the criteria into five stages. It tries hard to sum up the commonness of criteria at the same stage, and open out the relation between the commonness and the candidates of party member. Third, strive to possess the more data.

所以,讨论时也应把它们列入党员标准的范围。2、关于党员标准的历史分期问题本文根据中国革命和建设的历史进程,以及党员标准在不同时期的主要内容,把建党以来共产党员的标准问题分成五个阶段,并力图在每一个阶段都总结出该阶段党员标准的共性,揭示出这一共性与党员发展对象之间的关系。3、力求占有更多的资料。

For the interaction of three variables in the historical course in the whole 20th century, the author concludes it as a process that from the reconstruction by state-modernity based on revolution of the society of village on the background of modernization, to the reinstitution of a new structure of the village's governance by the three historical logical factors, state, modernity and local knowledge of village, which surpassed the revolution.

对于上述关系在整个20世纪历史进程中的完整展现,作者在文中归纳为"现代化背景下从国家–现代性依托革命对村庄社会的改造到超越革命后的国家、现代性与村庄地方性知识这三种历史逻辑共同重塑新村治格局"的过程。

On the other hand,the text also puts forward some problem such as history basic point,modernization,philosophy temperament,and life imply,etc.

在这一"关系"框架中,历史是其基本的维度,启蒙思潮的发展线索与百年文学的历史进程是这一维度的具体依据,而作为思想文化形态的启蒙思潮与作为审美文化的文学的内涵、价值取向、功能则是这一维度的骨骼和丰满的血肉。

Cultural theory is relative to econdric thary while intellectual cilivization construction is relative to materical cilivization construction, So cultural construction theory derives from intellectual cilivization. We can summarize Deng Xaoping's cultural construction theory in 4 aspects. First, soicalist essential charactedstic is that economic and cilivization prosper together. Second, intellectual cilivization construction is the clementary content of socialist cultual construction.

这个世纪伟人在给我们勾画现代化建设的宏伟蓝图时,始终告诫我们必须对社会主义的经济、政治和文化三者在整个社会历史进程中的互为因果、互为条件、相互促进、协调发展的关系有一个清醒的认识和把握,并由此进一步阐述了社会主义文化建设的基本内容、根本任务和建设手段等问题,成为党在改革开放历史时期领导社会主义文化建设的指导思想。

After studying the disseminative process of liberalism, this article conveys that because liberalism could not afford systematic and effective schemes on the level of social transformation on one hand, and on the other hand, it could not provide resource of valuable rectification and integration on level of culture spirits. Therefore, liberalism's failure was an inevitable choice in modern times in China.

本文通过对自由主义在中国近代传播的历史进程考察后分析认为,由于自由主义一方面既不能从社会改造的层面提供系统有效的方案,另一方面也不能从文化精神层面为社会提供价值整合资源,因而,自由主义在近代中国的失败是历史必然的选择。

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