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印象派

与 印象派 相关的网络例句 [注:此内容来源于网络,仅供参考]

As a celebrator of beauty, and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau"

然而到了(18世纪)80年代中期,他从印象派运动中分裂出来,转向在人像画及肖像画,特别是妇女肖像画中去发挥自己更加严谨和正规的绘画技法。

He was in chancery, with his impressionistic face covered with frost, too vague to give any directions.

这是一个尴尬的位置,印象派的面孔结满霜,模糊到不能说明任何症结。

Chardin inherited Caravaggio's ideal and added noble vitality into the ordinary still lives. He had paid more attention to language of color and brushstroke, which even affected the Impressionism of Nineteenth Century.

夏尔丹则继承了他,给平凡的物品注入了高贵的生命力,他对色彩笔触语言的重视影响到了19世纪的印象派艺术。

The heritage that impressionism gave to modern man is more than just vivid colors; what is more important is that it opened a door for the expression of individual and diverse art. After that, cubism shattered classicalism's mirror of the single perspective.

印象派绘画带给现代人的遗产不仅仅是光鲜的画面颜色而已,更重要的是它开启了一扇通往表达个人的多元化的艺术之门,在此之后立体主义砸破古典主义单点透视这唯一的一面镜子。

In the middle, s catter ed pieces from Baroque period composers, Teleman and Handel, Classic era's Haydn, Kuhlau and Clementi, Romantic times' Schuman and Impressionist Debussy.

其中间杂着巴罗克时期的泰勒曼 Teleman ,海德尔 Handel ;古典时期的海顿Haydn ,库劳 Kuhlau和克莱门蒂 Clementi ,浪漫主义时期的舒曼 Schuman ,还有印象派的德彪西 Debussy 。

The western painting is a classic cover in the painting to dye the application between method or impression party light color regardless, all regarding c.

西方绘画无论是古典绘画中的罩染法,还是印象派对光色的运用,在表现语言上都以色彩为核心。

The impressionism ascends art circles in France in 60-90's in 19 centuries, it has no explicit outline, but it absorbed Corot and Barby painting parties and the Courbet realism nourishment .

印象派在19世纪60至90年代登上法国画坛,它没有明确的纲领,但它吸收了柯罗、巴比松画派以及库尔贝现实主义的营养。

And it is very peculiar, because when you deal with a collection like the Musee d'Orsay, when you deal with impressionist painting, a landscape for example, then you don't need to explain, it is obvious, it is very simple.

我们卢浮宫需要自己努力,我们需要自己来诠释我们的藏品,这是很特别的,对于奥塞美术馆的藏品,对于印象派画作,比如说一幅风景画,我们不需要诠释什么,它非常简单,但当我们面对的是神话主题、宗教主题,就有很多需要诠释的东西。

France was the center, Debussy was one of this representatives of this genre.

以法国为中心,德彪西便是这印象派的代表人物之一。

Debussy is the end of the 19th century and early 20th century's greatest, most important and creative composer is one of the founders of Impressionist music.

德彪西是19世纪末20世纪初最伟大、最重要、最富于创造性的作曲家之一,是印象派音乐的奠基人。

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